Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (23 oktober)
Ricoré
Reproduktionsstørrelse
Kontrastniveauet i "Ricoré" af Žolt Kovač er Serene.
Žolt Kovač optræder under de alternative navne Žolt Kovac.
Hvad angår ophavsret, er "Ricoré" stadig beskyttet af ophavsret.
In the contemporary landscape of Serbian painting, few artists navigate the delicate boundary between the mundane and the monumental as gracefully as Žolt Kovač. Born in Pančevo, Serbia, Kovač possesses a unique ability to transform the quietest moments of existence into profound visual narratives. His practice is deeply rooted in the energetic pulse of city life and the bold, graphic language of comic books, yet he often directs this energy toward themes of stillness and introspection. Through his work, the "empty time" of our daily lives—those unrecorded, silent intervals between major events—is elevated to a subject of intense beauty and contemplation.
Kovač’s artistic journey is marked by a rigorous academic foundation. After graduating from Mathematical High School, he pursued studies at the Faculty of Fine Arts in Belgrade, where he earned his M.A. in 2002 and later achieved his Doctor of Art degree in 2016. This blend of mathematical precision and fine art training perhaps informs the rhythmic quality found in his compositions. His exploration of visual theory was furthered at the School for History and Theory of Images at the Center for Contemporary Art in Belgrade, allowing him to weave complex layers of meaning into works that often draw from Pop Art, graphic design, and street art aesthetics.
The thematic heart of Kovač’s oeuvre lies in his ability to capture the intimacy of shared and solitary spaces. In series such as Empty Time, he presents snapshots of life—moments where two people might share a room yet remain lost in their own internal worlds. His paintings, such as Coffee or Little Plants, act as windows into these domestic dramas, utilizing a palette that feels both fresh and nostalgic. He employs bold color blocks reminiscent of Pop Art, but tempers them with a sensitive touch regarding light and shadow, making the textures of his subjects feel almost tactile to the viewer.
Beyond mere observation, Kovač uses his canvas to analyze the pressures of modern existence. In his ArtWORKs series, he delves into the complexities of contemporary labor, exploring themes of burnout, multitasking, and the exhaustion inherent in a hyper-productive society. This work is deeply personal, born from his own experiences navigating various creative and activist scenes. By integrating elements of typography, abstraction, and graphic design, he creates a communicative language that speaks to the precarious nature of work and the struggle for balance in an increasingly intense world.
Kovač’s influence extends far beyond the easel, as his creative spirit permeates various facets of Belgrade's cultural fabric. He is not only a painter but also a scholar and a collaborator. His contributions to the art community include:
With dozens of solo and group exhibitions spanning from Serbia to the United States, Germany, China, and beyond, Žolt Kovač has established himself as a vital voice in contemporary art. His work remains a testament to the power of finding significance in the small, the quiet, and the overlooked, inviting every viewer to pause and find resonance in the stillness of their own world.
1975 - , Serbia