Tempera On Panel
Romanticism
1820
19th Century
21.0 x 16.0 cmHåndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til print
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Levering i hele verden () på 3/4 uger i stedet for de standard 5 uger. (12 september). Ingen kompromiser med kvaliteten.
The Ghost of a Flea
Størrelse på reproduktion
William Blake's "The Ghost of a Flea," painted between 1819 and 1820, is a captivating example of visionary art housed within the prestigious Tate Gallery in London. This small tempera mixture with gold painting on mahogany type tropical hardwood panel (measuring only 21 x 16 cm) offers a profound glimpse into Blake's unique artistic and spiritual world. Commissioned by watercolour artist and astrologer John Varley as part of a series depicting "Visionary Heads," the work transcends its diminutive size to deliver a monumental imaginative experience.
The late 18th and early 19th centuries witnessed a surge in popularity for fantastic and spiritual art within Britain. Blake, known for his prophetic works and illuminated printing, often created unearthly panels intended to amuse and amaze his friends. "The Ghost of a Flea" exemplifies this period's fascination with the supernatural and Blake’s ability to blend imagination with technical skill. The painting arose from late-night meetings between Blake and Varley, where Varley attempted to summon spirits, prompting Blake to sketch their likenesses – a process akin to sitting for portraits.
Despite its small scale, the artwork exudes immense imaginative power. The tidy dimensions create a striking contrast between the creature's apparent muscular bulk and strength against its depiction as an insect on the panel. This juxtaposition highlights Blake’s mastery in conveying complex ideas through his art. The technique itself is remarkable; the tempera mixture with gold creates a luminous quality, emphasizing the figure's otherworldly nature. The visible brushstrokes add texture and dynamism to the composition, while the use of gold leaf accentuates key areas like the stars and the creature’s hands, contributing to a sense of grandeur despite the unsettling subject matter.
“The Ghost of a Flea” is rich in symbolism. The flea itself, often associated with uncleanliness and degradation, is transformed into a monstrous figure embodying bloodthirsty instincts. Blake’s depiction suggests themes of fate, imprisonment, and perhaps even divine judgment. The creature's bulging eyes, protruding tongue, and scaly features evoke a sense of unease and primal power. The theatrical setting – the stage with curtains and scattered stars – further enhances the painting's dramatic impact, creating an atmosphere of mystery and suspense. The overall emotional effect is one of unsettling fascination; Blake compels viewers to confront the darker aspects of human nature through this miniature vision.
William Blake, largely unrecognised during his lifetime, has become a seminal figure in Romantic poetry and visual art. His prophetic works, once considered eccentric, are now celebrated for their expressiveness and creativity. "The Ghost of a Flea" stands as a testament to Blake’s unique style and his ability to capture the essence of his visions. Today, it continues to captivate art enthusiasts and scholars alike, offering a compelling example of visionary art that transcends time.
1757 - 1827 , Storbritannien