Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (26 oktober)
Folkokta
Reproduktionsstørrelse
Victor Vasarely's Folkokta is more than just a colorful arrangement of squares; it’s a meticulously crafted portal into the heart of Op Art and a testament to the revolutionary ideas that shaped 20th-century art. Born in 1906 in Pécs, Croatia – then part of Austria-Hungary – Vasarely's artistic trajectory began unexpectedly, with an initial pursuit of medicine before he was captivated by the possibilities of visual expression. This shift led him to the Podolini-Volkmann Academy and, crucially, to Sándor Bortnyik’s “Műhely,” a workshop deeply rooted in the principles of Bauhaus functional design and geometric abstraction. It was within this environment that Vasarely's unique vision began to coalesce – a fascination with how our perception is manipulated by visual stimuli, particularly movement and vibration.
Folkokta exemplifies Vasarely’s pioneering work in kinetic art, a field he largely defined. He wasn't simply painting shapes; he was exploring the *illusion* of movement through static forms. The seemingly random arrangement of squares is, in fact, a carefully calculated orchestration designed to trick the eye and create an optical illusion. This technique, central to Op Art, aimed to stimulate sensory perception directly, bypassing conscious thought and engaging the viewer on a visceral level. The artist meticulously controlled color relationships and spatial variations to generate this dynamic effect – a subtle but powerful demonstration of how our brains interpret visual information.
Vasarely’s masterful use of color is integral to the artwork's impact. The vibrant palette—a rich tapestry of reds, greens, blues, yellows, and purples—isn't chosen arbitrarily. Each hue was carefully selected to amplify the optical illusion, creating areas of simultaneous contrast and visual tension. The overlapping squares generate a sense of depth and movement, drawing the eye across the composition in a seemingly endless dance. This deliberate manipulation of color is a hallmark of Vasarely’s approach, reflecting his belief that art could directly influence our emotional and psychological states.
Folkokta stands as a significant piece within Victor Vasarely's extensive body of work. It represents the culmination of his lifelong exploration into geometric abstraction, influenced by the Bauhaus movement’s emphasis on functionality and clarity. His influence extended far beyond the art world, impacting graphic design, architecture, and even industrial product development. Today, reproductions like this offer a window into a pivotal moment in artistic history – a time when artists began to actively investigate the very nature of perception itself. This artwork is not just decoration; it’s an intellectual exercise rendered visually, inviting contemplation on the relationship between art, science, and human experience.
"Folkokta" af Victor Vasarely har en luminans på Soft Shadow. Luminans beskriver, hvor meget lys farverne ser ud til at reflektere.
"Folkokta" af Victor Vasarely er gengivet med en Clear Color Presence mætning og en Vivid intensitet.
"Folkokta" af Victor Vasarely stammer fra Modern-perioden. Perioden giver den historiske kontekst til værket.
1906 - 1997 , Kroatien