Three Tabletop Games af Torii Kiyomitsu, håndmalet oliemalerireproduktion udført af en mesterkunstner
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Three Tabletop Games Håndmalet oliemalerireproduktion

Dimensioner
43.0 x 31.0 cm

Torii Kiyomitsu was a ukiyo-e master known for his benizuri-e actor prints. Discover the beauty of his woodblock art today.

Håndlavet oliereproduktion

Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printsalg Skift til digitalt billede)

Standardstørrelse
speciallavet
CM
INCH

Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

bredde
højde

Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.

Eksempler på hvad der kan ændres: Udskift ansigt med kundens eget foto; Tilføj kæledyr (f.eks. udskift kat med hund); Inkluder en skjult besked i baggrunden; Ændr baggrundslandskab eller elementer.
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Samlet pris

Dkr 1816

Three Tabletop Games

Reproduktionsmetode

Størrelse på reproduktion

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Samlet pris

Dkr 1816

People are enjoying three different Japanese games, from right to left, called

Spørgsmål og svar

Opbevares "Three Tabletop Games" i kunstnerens hjemland?

Ja – kunstværket opbevares i kunstnerens hjemland. "Three Tabletop Games" findes i Japan, mens Torii Kiyomitsu blev født i Japan.

Er "Three Tabletop Games" tilgængelig som et fine art-print?

"Three Tabletop Games" er tilgængelig som et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir. Du kan bestille den i den ønskede størrelse på dens Kunstprint i høj kvalitet-side.

Hvilken farvepalette og hvilken dominerende farve definerer "Three Tabletop Games"?

Farveidentiteten i "Three Tabletop Games" af Torii Kiyomitsu: en Neutrals palet, domineret af Putty (#dad4b6).


Kunstnerbiografi

The Third Head of the Torii School

Edo, 1735. A child named Kamejirō enters a world defined by the lineage of the Torii school. He is the son of Torii Kiyonobu II, born into a family that holds a near monopoly on the visual language of the kabuki theater. As he grows, the name Kamejirō fades, replaced by the professional identity of Torii Kiyomitsu.

The workshop functions with a specific, rhythmic purpose. It produces the signboards and promotional materials that announce the arrival of great actors to the masses. For much of his early career, Kiyomitsu operates within these established boundaries. He utilizes the benizuri-e technique, a method of printing that relies on only one or two colors of ink on woodblocks. There is no need for hand-coloring when the graphic impact of pink and green can command the attention of a passing crowd in the entertainment district.

A Shift in Color and Subject

The year 1765 marks a technical rupture. The arrival of full-color prints changes the visual landscape of the floating world. Kiyomitsu does not merely observe this change; he integrates it. His work begins to move beyond the rigid, bombastic lines of his predecessors toward something more nuanced.

While the Torii tradition remains rooted in yakusha-e, or actor prints, Kiyomitsu expands the school's repertoire. He turns his attention to bijinga—pictures of beautiful women. In these works, a different kind of grace emerges. The heavy, theatrical energy of kabuki posters gives way to a dream-like quality in his depictions of young men and women. This period sees him working alongside Suzuki Harunobu, a contemporary whose innovations in multi-block printing redefine the medium.

His subjects vary across the spectrum of Edo life:

  • Kabuki Actors: Capturing specific roles, such as Sawamura Sōjūrō as Kyō no Jirō.
  • Beautiful Women: Exploring the elegance of bijinga.
  • Experimental Subjects: Brief forays into the depiction of nudes, using subtle erotic suggestion.

Legacy and Lineage

The workshop flourishes under his direction, maintaining the core Torii style while allowing for new textures. He remains a bridge between the old, heavy-lined tradition of Kiyonobu II and the more refined, flowing aesthetics of the next generation. His influence is visible in the hands of those he trained.

Two names emerge from his tutelage as significant successors:

  • Torii Kiyotsune: A pupil who continued the family traditions with a distinct, sometimes weary disdain in his actor portraits.
  • Torii Kiyonaga: An artist who would eventually take leadership of the school and become a master of the genre in his own right.

When Kiyomitsu dies on May 11, 1785, he leaves behind a school that has successfully navigated the transition from simple promotional tools to a sophisticated form of popular art. The bold lines of the past have been tempered by the delicate colors of his era.

Torii Kiyomitsu

Torii Kiyomitsu

1735 - 1785 , Japan

Kort om kunstneren

  • Artistic Movement Or Style: Ukiyo-e
  • Artists Or Movements Influenced By This Artist:
    • Torii Kiyonaga
    • Torii Kiyotsune
  • Artists Who Influenced This Artist:
    • Torii Kiyonobu II
    • Torii Kiyomasu II
  • Full Name: Torii Kiyomitsu
  • Nationality: Japanese
  • Notable Artworks:
    • Three Tabletop Games
    • Sawamura Sōjuro as Kyo no Jiro
  • Place Of Birth: Tokyo, Japan
  • Date Of Birth: 1735
  • Date Of Death: 1785