2020
30.0 x 23.0 cm
Paintings in HospitalsHåndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til print
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Levering i hele verden () på 3/4 uger i stedet for de standard 5 uger. (11 september). Ingen kompromiser med kvaliteten.
Kristina
Størrelse på reproduktion
Born in the verdant landscapes of West Sussex, England, in 1979, Susan Jane Smith has cultivated a visual language that transcends simple representation, moving instead into the profound realm of sensory experience. Her journey from the disciplined world of international show jumping to the nuanced studios of New York City is a testament to a life shaped by an acute awareness of form and spatial dynamics. While her early years were defined by the physical rigor of equestrian sport, this background provided a foundational eye for structure and movement—qualified traits that would later become the bedrock of her abstract explorations. As she transitioned from capturing the kinetic energy of horses to the quiet intensity of the canvas, Smith began to focus on the very essence of what makes an image resonate: the interplay between materiality and perception.
The evolution of Smith’s practice is a study in the deepening relationship between the artist and her medium. Her work does not merely seek to depict; it seeks to be. Moving beyond the boundaries of traditional painting, she has embraced the complex textures of collage, treating paper pulp, fabric scraps, and raw pigment as much more than mere tools. Instead, these elements are participants in a delicate, layered dialogue. Each composition is an architectural feat of surface tension, where the physical weight of the materials invites the viewer to contemplate the boundary between the seen and the felt. This meticulous consideration of texture allows her work to communicate emotional resonances that bypass the intellect and strike directly at the visceral, creating a sense of discovery within every fold and fragment.
Smith’s ascent within the contemporary art landscape was significantly propelled by her relocation to New York City, a move that placed her at the heart of a global artistic dialogue. Immersing herself in the city's vibrant energy, she began to refine a style that balances intellectual complexity with striking visual impact. Her reputation as a significant voice in American abstract art was solidified through critical acclaim in prestigious publications such as Artforum and Art in America. These accolades recognized her unique ability to distill profound, often complex, ideas into singular, powerful visual statements that resonate across cultural boundaries.
The historical significance of her contribution lies in her ability to bridge the gap between the physical properties of art and the psychological experience of viewing it. Her work stands as a vital part of the contemporary abstract tradition, contributing to a lineage of artists who challenge the viewer to look at the medium rather than just through it. Through her mastery of layered compositions and her dedication to exploring the tactile nature of art, Susan Jane Smith has carved out a space where memory, texture, and perception converge, leaving an indelible mark on the landscape of modern abstraction.
1979 - , United Kingdom