Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (19 november)
Subtle Manipulations
Størrelse på reproduktion
William Thomas Wiley was an American artist whose creative practice spanned a vast array of media. His work included drawing, painting, sculpture, film, performance, and even pinball. As a member of the faculty at the University of California, Davis, he taught students such as Bruce Nauman and Deborah Butterfield. His artistic output was characterized by a unique approach that some have referred to as funk art. Beyond the visual arts, Wiley was a singer and musician, collaborating with composer Efdemin on musical projects.
His diverse body of work has been featured in numerous prestigious venues, including the Venice Biennial and the Whitney Biennial. He was also a dedicated printmaker, collaborating with various companies such as Landfall Press and Crown Point Press. In addition to his visual and musical pursuits, he created limited edition art books in collaboration with Arion Press.
Wiley's paintings are notable for their specific technique, often incorporating sketch-like drawings and handwritten notations. For example, his work Fan for the A.M. features areas of bright acrylic paint surrounded by drawings and writing in colored pencil. His sculptural work often involved metal fabrication, resulting in large-scale pieces such as The Tower of the No Bull Salvage, Gong, and Harp.
Throughout his career, Wiley received several honors, including:
His work is held in many significant collections, including the Smithsonian American Art Museum and the Museum of Modern Art in New York.
1937 - 2021 , United States