Saint Catherine af Giovanni Battista Bertucci, håndmalet oliemalerireproduktion udført af en mesterkunstner
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Saint Catherine Håndmalet oliemalerireproduktion

Dimensioner
55.0 x 42.0cm

A painter in the style of Perugino, known for his Majesty. Discover the beautiful works of Giovanni Battista Bertucci today.

Håndlavet oliereproduktion

Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printsalg Skift til digitalt billede)

Standardstørrelse
speciallavet
CM
INCH

Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

bredde
højde

Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.

Eksempler på hvad der kan ændres: Udskift ansigt med kundens eget foto; Tilføj kæledyr (f.eks. udskift kat med hund); Inkluder en skjult besked i baggrunden; Ændr baggrundslandskab eller elementer.
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Samlet pris

Dkr 1814

Saint Catherine

Reproduktionsmetode

Størrelse på reproduktion

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Samlet pris

Dkr 1814


Kunstnerbiografi

The Quiet Presence of Faenza

In the early sixteenth century, the streets of Faenza held a painter who moved through the shadows of the great masters. Giovanni Battista Bertucci lived and worked in this Italian city, leaving behind a trail of pigment and prayer. His hands worked in a style that echoed the soft, rhythmic grace of Perugino and Pinturicchio, capturing a specific kind of devotion that defined the era. He was a man of his time, a practitioner of the Umbrian tradition, finding his place within the local workshops of Faenza.

His life was tied to the local landscape and the religious needs of his community. We see him most clearly in the works that remain, where the brushwork reveals a steady, deliberate hand. He did not seek to disrupt the established order but rather to refine it, bringing the grace of the Umbrian school to the heart of his home.

A Hand in the Workshop

The work of Bertucci often blurs the lines between individual identity and the collective output of a busy studio. His paintings have been studied closely by those who look for the subtle differences in how a figure is draped or how a landscape recedes into the distance. Some of his pieces have been attributed to others, a common fate for artists working in the shadow of giants.

His output includes several notable subjects that reflect the spiritual preoccupations of the early 1500s:

  • A Majesty, signed and dated 1506, currently held in the Pinacoteca of Faenza.
  • An Adoration of the Magi, once linked to the style of Pinturicchio.
  • A Glorification of the Virgin, which has been associated with the circle of Lo Spagna.
  • The Virgin and Child in Glory, a work held in the National Gallery, London.

The Legacy of the Brush

By the time of his death in 1516, Bertucci had established a presence that would influence the local artistic lineage. He was part of a family of painters, a lineage that continued through the generations in Faenza. His existence is recorded not just in the paint on wood, but in the legalities of his final will and testament, which was collected in later years. He remains a figure of the early Renaissance, a painter who helped shape the visual language of his city through a quiet, consistent devotion to his craft.

Giovanni Battista Bertucci

Giovanni Battista Bertucci

1450 - 1516 , Italy

Kort om kunstneren

  • Artists Who Influenced This Artist:
    • Perugino
    • Pinturicchio
  • Full Name: Giovanni Battista Bertucci
  • Nationality: Italian
  • Notable Artworks:
    • Majesty
    • Adoration of the Magi
    • Glorification of the Virgin
  • Place Of Birth: Faenza, Italy
  • Date Of Birth: 1450
  • Date Of Death: 1516