Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (20 november)
Portrait
Størrelse på reproduktion
Born in Moscow, Russia, Valeri Vinogradov has spent a life shaped by the shifting borders and identities of Eastern Europe. His background carries the dual weight of Russian and Estonian citizenship, a detail that reflects a life lived between different cultural landscapes. He began his path as a painter and visual artist, focusing on the way light and form settle upon a subject. His work does not shout; it waits for the viewer to settle into its stillness.
In his practice, there is a focus on the weight of a gaze or the stillness of a setting. His 1982 work, Portrait, suggests an interest in the human presence and the subtle nuances of character. He approaches the canvas with a steady hand, looking for the truth in a face or the quietude of a specific moment. His work is often found in spaces that value the directness of a painted subject, such as the Paul Scott Gallery.
The way Vinogradov handles his subjects reveals a preference for the tangible. He looks at the world through a lens of observation, capturing details that might otherwise be overlooked in a hurried glance. His paintings often center on these specific, grounded elements:
His pieces, such as On the Pier, suggest a connection to the edges of things—where the land meets the water or where a person meets the viewer. There is a sense of being present in a specific place, watching the way the light changes as the day moves forward.
Vinogradov’s career is marked by a commitment to the visual language of painting. He does not rely on grand gestures to make his point. Instead, he uses the brush to define the boundaries of what is seen. His work remains a part of the ongoing conversation regarding how we represent the world around us, focusing on the immediate and the real. He continues to be a figure of interest for those who look for art that prioritizes the quiet observation of life.
1952 - , Russia
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