Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (28 oktober)
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Størrelse på reproduktion
Born in Bourg-Argenta, France, in 1940, Pierre Guyotat’s life was profoundly shaped by the trauma of his childhood and the brutal realities of war. His early years were marked by a deep connection to art – he initially aspired to be a painter, drawn to the radical expressionism of Picasso and Matisse – but these aspirations were interrupted by the Second World War and the subsequent occupation of France. The experience of witnessing violence and injustice during this period became the bedrock of his literary vision, informing a body of work that relentlessly confronts the darkest aspects of human existence.
Guyotat’s writing is immediately recognizable for its radical departure from conventional narrative structures and linguistic norms. He deliberately destabilizes language, employing fragmented sentences, obscene imagery, and a relentless assault on established literary conventions. His work isn't about telling stories in the traditional sense; it’s about exposing the raw, often grotesque, realities of human experience – particularly those associated with violence, sexuality, and power.
Many of Guyotat’s novels are set within meticulously constructed imaginary war zones – desolate landscapes populated by grotesque characters engaged in perpetual conflict. These fictional settings serve as metaphors for the horrors of real-world violence and exploitation, allowing him to explore themes of power, corruption, and the dehumanizing effects of war without being constrained by historical accuracy.
Despite the controversies surrounding his earlier work, Guyotat continued to produce challenging and innovative writing throughout his career. His later novels, such as *Idiotie* (2018), which won the Prix Medicis, demonstrated a shift towards more introspective themes while retaining his characteristic stylistic experimentation. His final works explored themes of aging, memory, and the fragility of human existence.
Guyotat's life ended on February 7, 2020, leaving behind a vast and challenging body of work that continues to resonate with readers and artists alike. His novels remain potent reminders of the dark side of human nature and the enduring power of language to confront even the most uncomfortable truths.
1940 - 2020 , France