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Empty Chair

A vibrant scene of figures and nature unfolds in this 1981 painting by Nellie Mae Rowe, capturing a soulful atmosphere through her unique folk art style that invites you to bring this piece of history into your home.

Discover Nellie Mae Rowe (1900-1982), a self-taught African American artist from Georgia celebrated for her vibrant drawings, collages, dolls & installations. Her work explores race, gender, folklore, and domestic life – now recognized as vital Ameri

Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

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Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
W316G Dkr10
Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
W692G Dkr12
Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
W849H Dkr8
Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8

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Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.

Eksempler på tilpasningsmuligheder: Udskift ansigt med kundens eget foto; Tilføj kæledyr (f.eks. udskift kat med hund); Inkluder en skjult besked i baggrunden; Ændr baggrundslandskab eller elementer.
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Empty Chair

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Spørgsmål & svar

Hvilket stemningsleje udtrykker "Empty Chair" af Nellie Mae Rowe inden for Contemporary Realism?

"Empty Chair" bærer en Reflective følelsesmæssig tone inden for Contemporary Realism-bevægelsen.

Hvilken tone læner "Empty Chair" sig mod?

En Green to Violet Spectrum nuance løber gennem "Empty Chair" af Nellie Mae Rowe.

Hvilket motiv og hvilken stemning forener "Empty Chair" af Nellie Mae Rowe?

"Empty Chair" af Nellie Mae Rowe kombinerer people, nature, birds, cat, chairs, red clothing, trees med en Playful atmosfære.


Om kunstneren

Nellie Mae Rowe: A Life Woven in Color and Resilience

Nellie Mae Rowe (July 4, 1900 – October 18, 1982) remains a quietly revolutionary figure in American art. Born in Fayetteville, Georgia, during the final year of the nineteenth century, her story is one of profound self-discovery forged within the constraints of racial segregation and domestic labor. More than simply an artist, Rowe was a creator who transformed her humble home into a vibrant, idiosyncratic “Playhouse,” a testament to her ingenuity, joy, and unwavering spirit. Her work—a captivating blend of drawings, collages, altered photographs, hand-sewn dolls, and sculptural installations—now commands attention for its raw emotional honesty, its celebration of Black culture, and its radical assertion of self-expression in a world that often sought to diminish it.

Early Life and the Seeds of Creativity

Rowe’s childhood was shaped by the realities of rural Georgia life. She grew up on her family's farm, assisting with agricultural labor alongside her siblings. Despite limited formal education – she left school after fourth grade – Rowe possessed an innate artistic sensibility. From a young age, she found solace and expression in drawing, transforming scraps of paper and discarded materials into miniature worlds filled with figures and scenes from her daily life. Her mother, Luelle Swanson, a skilled seamstress and quilter, instilled in her the value of craft and creativity, teaching her to create dolls and quilts—skills that would later inform Rowe’s distinctive artistic practice. The early hardships she experienced – including the loss of her father and subsequent work as a domestic servant – undoubtedly fueled her desire to reclaim agency and define herself through art.

The "Playhouse" and a World Constructed from Found Objects

Following her husband's death in 1936, Rowe moved with him to Vinings, Georgia, where they built a small cottage that became the heart of her artistic world. This home—dubbed the “Playhouse”—was not merely a dwelling; it was an immersive installation, meticulously decorated with a staggering array of found objects. Rowe repurposed discarded materials – chewing gum, fabric scraps, buttons, and even household detritus – transforming them into whimsical dolls, intricate sculptures, and vibrant drawings that adorned every surface. This process wasn’t simply decorative; it was a deeply personal act of reclamation, a way to assert her identity and create a space of joy and beauty amidst the limitations of her circumstances. As she herself described, “I started doing it way ago, right after my husband died. He died in ‘48 and then people just started to bring in this, bring in the dolls, and bringing me things. I take nothing, you know, take nothing and make something out of it.”

Themes and Influences: Folklore, Domesticity, and Black Identity

Rowe’s art is profoundly rooted in African-American folklore, spiritual traditions, and the realities of domestic life. Her figures—often rendered with bold colors and expressive features—depict family members, neighbors, and herself, capturing a sense of warmth, resilience, and quiet dignity. The dolls she created are particularly significant, embodying a range of personalities and emotions – some playful and mischievous, others wise and contemplative. Her work subtly explores themes of race, gender, and the complexities of Southern identity, offering a counter-narrative to the often-stereotyped portrayals of Black women in mainstream art. The influence of her mother’s quilting traditions is also evident in her use of color, pattern, and texture, creating a visual language that is both deeply personal and culturally resonant.

Recognition and Legacy: A Folk Art Icon

Despite working largely outside the established art world for much of her life, Nellie Mae Rowe's unique vision has been increasingly recognized in recent decades. Her work was included in the seminal 1986 exhibition “American Folk Art” at the Corcoran Gallery of Art in Washington, D.C., and she is now considered one of the most important figures in American folk art. Major museums—including the Metropolitan Museum of Art, the Morgan Library & Museum, the American Folk Art Museum, the Baltimore Museum of Art, the Dallas Museum of Art, the High Museum of Art, the Milwaukee Art Museum, the Minneapolis Institute of Art, the Smithsonian American Art Museum, and the Schomburg Center for Research in Black Culture—have acquired her works, ensuring their preservation and accessibility to a wider audience. Her story serves as an inspiring example of artistic self-discovery, demonstrating that creativity can flourish even within challenging circumstances. Nellie Mae Rowe’s legacy continues to resonate today, reminding us of the power of art to transform lives and challenge conventional notions of beauty and value.

Useful Links

Nellie Mae Rowe

Nellie Mae Rowe

1900 - 1982 , Georgia

Hurtige fakta

  • Full Name: Nellie Mae Rowe
  • Nationality: American
  • Date Of Birth: 1900
  • Date Of Death: 1982
  • Place Of Birth: Fayetteville, Georgia
  • Notable Artworks:
    • Woman Scolding Her Companion
    • Empty Chair
    • Rocking Chair
  • Artistic Movement Or Style: Self-taught folk art