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Elevguide-siden for "Flotilla" af Leeroy New tilbyder et printbart faktablad på to sider: kunstværket med dets identitetstabel, en tidslinje der placerer det i kunstnerens levetid, andre værker af kunstneren, den målte farvepalette og citater klar til kopiering i fire forskellige stilarter.
Farverne i "Flotilla" udgør en Earthy palet. Denne klassificering beskriver de dominerende farvefamilier.
Leeroy New er også kendt som Leeroy.
Born in General Santos City, Philippines, in 1986, Leeroy New’s artistic journey is a fascinating convergence of disciplines—fashion, theatre, film, and visual arts—resulting in a uniquely layered and deeply resonant body of work. Initially trained as a sculptor, New’s trajectory shifted dramatically through collaborations and a profound engagement with the cultural landscape of his homeland. His practice isn't confined to a single medium; instead, it operates as a dynamic dialogue between them, creating immersive experiences that challenge conventional notions of art and its role in society.
Early influences are rooted in the vibrant street culture of the Philippines, particularly the resourcefulness and ingenuity displayed by communities adapting to challenging circumstances. This ethos is powerfully reflected in his work—a conscious rejection of Western artistic hierarchies and a commitment to engaging with local materials and narratives. His early explorations involved working as a production designer for film, honing skills in visual storytelling and spatial design that would later inform his large-scale installations.
Perhaps the most recognizable aspect of New’s oeuvre is the “Balete” series. These monumental sculptures, often constructed from repurposed materials like bamboo, plastic bottles, and bicycle wheel frames, draw inspiration from the ancient Balete trees – colossal, centuries-old trees found throughout Southeast Asia, revered for their spiritual significance and interconnectedness with local communities. The series isn’t merely about replicating these trees; it's an attempt to embody their essence—a sense of rootedness, resilience, and a deep connection to the natural world.
The “Balete” works are frequently exhibited in public spaces, transforming ordinary environments into fantastical realms. As evidenced by the artworks showcased on WahooArt.com (specifically the pieces titled "Balete"), New meticulously crafts these structures, often incorporating elements of Filipino folklore and mythology. The use of found objects—discarded materials transformed into intricate forms—is a deliberate statement about sustainability, resourcefulness, and the beauty that can be discovered in unexpected places. The Singapore Biennale and Fukuoka Asian Art Triennale selections underscore his growing international recognition as an artist pushing boundaries and engaging with global audiences.
Leeroy New’s artistic identity is inextricably linked to his collaborative spirit. His work frequently intersects with fashion design, most notably through his partnerships with Kermit Tesoro. These collaborations extend beyond mere aesthetic pairings; they represent a shared commitment to exploring themes of identity, cultural heritage, and social commentary. His work in theatre and film further demonstrates this interdisciplinary approach, often blurring the lines between performance, installation, and visual art.
The “rīvus” project, commissioned by the Biennale of Sydney, exemplifies this multifaceted practice. This ambitious undertaking involved creating a floating sculpture park along Manila’s heavily polluted Pasig River, transforming discarded materials into a temporary ecosystem—a poignant commentary on environmental degradation and urban renewal. The project's integration with local communities and its focus on public space highlight New’s commitment to engaging with his environment in meaningful ways.
Leeroy New’s work transcends simple categorization; it is a powerful expression of Filipino identity, informed by a deep understanding of the country's history, culture, and ecological challenges. He actively resists Western-centric art traditions, prioritizing direct engagement with local materials and narratives. His installations are not merely decorative objects but rather immersive experiences that invite viewers to contemplate their relationship with the environment, community, and cultural heritage.
His ongoing projects, such as the “Alien of Manila” series, continue to explore themes of displacement, adaptation, and the reimagining of urban spaces. Leeroy New’s artistic vision is one of resilience, creativity, and a profound commitment to using art as a tool for social commentary and cultural transformation—a voice both uniquely Filipino and increasingly resonant on the global stage.
1986 - , Philippines
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