Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (21 november)
Tatriz
Størrelse på reproduktion
Tatriz is a square painting by Khaled Hourani. Created about 2004, the work emerges from the artist's deep connection to his origins. Hourani was born in 1965 in Hebron, Palestine, a city that informs the weight of his visual language. He currently lives and works in Ramallah, Palestine.
The artist's hand moves through the medium to capture specificities of existence. His presence in the Palestinian art scene is marked by a focus on the textures of memory. This piece exists as a quiet intersection of geometry and history. The canvas holds a stillness.
The square canvas is a dense architecture of color and line. Deep, saturated crimson dominates the field, anchored by a very dark charcoal gray. Vertical lines slice through the composition, establishing a rigid, symmetrical order. Within this structure, geometric shapes repeat in a rhythmic sequence. Circles, squares, and linear elements form a complex, tightly packed design that mimics the surface of a woven textile.
Light seems to emerge from the center of the pattern. Burnt sienna highlights the fine details of the geometry, while a muted brown settles into the edges and the subtle shifts within the red. The arrangement feels heavy and deliberate. It is a study of surface and form where the subject is the pattern itself. The dark palette creates a sense of solemnity.
Oil paint is applied in heavy, deliberate layers to build a surface of physical presence. Each stroke leaves a trace of movement, creating a tactile quality that invites the eye to follow the ridges of the pigment. The texture is not smooth; it is a landscape of built-up color where light catches on the uneven peaks of the medium. This layering creates a sense of depth within the crimson and charcoal tones, making the pattern feel as though it has been pressed into the substrate.
The lines within the composition are sharply defined, yet they possess a slight irregularity that suggests a hand-wrought origin. These edges avoid the sterile precision of a machine, opting instead for an organic complexity. Around the perimeter, the edges of the painting appear slightly distressed. This subtle weathering lends the work an aged appearance, as if the object has been held in a quiet room for many years. The interplay of the deep red and the dark charcoal is held together by these textured, irregular boundaries.
"Tatriz" af Khaled Hourani kombinerer Oil-teknikken med Contemporary Abstract-stilen. Teknik og stilart beskriver værkets fremstilling og æstetiske udtryk.
Farverne i "Tatriz" af Khaled Hourani udviser en Strong Color Unity harmoni. Harmoni beskriver, hvordan farverne relaterer sig til hinanden.
"Tatriz" blev skabt i 2004 med Oil-teknikken. Materiale og dato beskriver, hvordan og hvornår originalen blev lavet.
Born in the ancient city of Hebron in 1965, Khaled Hourani’s artistic journey is inextricably linked to his Palestinian heritage and the complex realities of life under occupation. More than simply an artist, he's a curator, critic, and writer—a multifaceted voice deeply engaged with the cultural landscape of Palestine and its enduring struggle for self-determination. His work, primarily rooted in textile art, transcends mere aesthetics; it’s a potent visual narrative woven with threads of memory, resistance, and profound human connection.
Hourani's early life in Hebron, a city with a rich history and a poignant story of displacement, undoubtedly shaped his artistic sensibilities. After obtaining a BA in History from Hebron University in 1987, he began to actively participate in the burgeoning Palestinian art scene. His involvement with organizations like the League of Palestinian Artists and his work within the Ministry of Culture provided him with invaluable experience and insight into the challenges facing Palestinian artists and culture. This period solidified his commitment to using art as a tool for social commentary and cultural preservation.
Hourani’s artistic career gained significant momentum in the early 2000s, marked by a shift towards textile work – a medium that resonated deeply with Palestinian traditions. He skillfully blends ancient motifs and patterns—often drawn from traditional embroidery and weaving techniques—with contemporary themes of struggle, displacement, and resilience. These aren't simply decorative elements; they are carefully chosen symbols imbued with layers of meaning. His pieces frequently incorporate bold colors, geometric shapes, and intricate textures, creating a visual language that is both captivating and deeply symbolic.
A pivotal moment in his career arrived in 2011 with the ambitious project “Picasso in Palestine.” This involved borrowing Pablo Picasso’s iconic painting, *Bust de Femme*, from the Van Abbemuseum in Eindhoven, Netherlands, and exhibiting it within the International Academy of Art in Ramallah. The meticulous planning and execution of this project—requiring significant funding and a specially constructed museum space—demonstrated Hourani's organizational skills and his dedication to bringing international art to Palestine while simultaneously highlighting Palestinian artistic talent. The exhibition drew considerable attention and cemented his reputation as a visionary curator.
Hourani’s artistic vision is informed by a diverse range of influences, reflecting a deep engagement with both Western and Eastern artistic traditions. He cites Pablo Picasso as a key inspiration, particularly for his use of bold colors and geometric forms. However, he also draws heavily from the rich tapestry of Palestinian cultural heritage, incorporating traditional motifs and patterns into his work. The influence of Expressionism is also evident in his vibrant color palettes and emotionally charged compositions – an intentional choice to convey the intensity of lived experience within a challenging context.
Beyond these specific influences, Hourani’s work speaks to broader themes of displacement, memory, and identity. His pieces often evoke a sense of longing for lost homelands and a determination to preserve cultural traditions in the face of adversity. He masterfully utilizes textile techniques not just as a medium but as a means of storytelling—weaving together personal narratives with collective histories.
Khaled Hourani’s contributions to the contemporary art scene in Ramallah have been widely recognized by critics and curators, who view him as an important voice within the region. He has received numerous awards, including the Leonore Annenberg Prize for Art and Social Change from Creative Time in 2013, a testament to his commitment to using art as a catalyst for social change. His work is held in prestigious collections worldwide, reflecting its enduring appeal and significance.
From his early involvement with Palestinian cultural institutions to his groundbreaking curatorial projects and his distinctive textile narratives, Khaled Hourani has established himself as a leading figure in contemporary Palestinian art. His art serves not only as a reflection of the past but also as a powerful statement about the present and a hopeful vision for the future—a testament to the enduring spirit of Palestine.
1965 - , Palestine
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Glasmulighed er kun tilgængelig i størrelser under 110 cm
