Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.
Levering i hele verden () på 3-4 uger i stedet for de standard 5 uger. (27 oktober). Ingen kompromiser med kvaliteten.
Fields
Reproduktionsstørrelse
To understand the vibrant, often subversive essence of Jann Haworth’s work, one must first look to the sun-drenched, creatively charged atmosphere of her Hollywood upbringing. Born in 1942, Haworth was immersed in a world where art was not merely an academic pursuit but a way of life. Her lineage provided a unique dual foundation: from her mother, Miriam Haworat, a distinguished ceramist and painter, she inherited the tactile intimacy of craft and the precision of needlework; from her father, Ted Haworth, an Academy Award-winning art director, she gained a cinematic eye for scale, set design, and the theatricality of space. This early exposure to both the delicate stitch and the grand production set would later coalesce into her signature style, where the domestic and the monumental meet in unexpected, often unsettling ways.
Her academic path took her from the University of California, Los Angeles, to the heart of the London art scene in 1961. Enrolling at the Courtauld Institute of Art and the Slade School of Fine Art, Haworth found herself navigating a landscape that was as intellectually stimulating as it was socially restrictive. In an era where female artists were often relegated to the periphery of male-dominated institutions, Haworth embraced a spirit of defiance. She did not merely participate in the art scene; she sought to disrupt its very fabric. This rebellious energy became the heartbeat of her practice, driving her to utilize materials traditionally dismissed as "feminine" or "decorative"—such as textiles, quilts, and soft fabrics—to challenge the rigid hierarchies of the fine art world.
Haworth’s most enduring contribution to cultural history arrived in 1967, through a collaborative masterpiece that would redefine visual language for a generation. As a co-creator of The Beatles’ Sgt. Pepper's Lonely Hearts Club Band album cover, she helped construct a kaleidoscopic collage of historical figures and pop culture icons. This achievement was more than a feat of graphic design; it was an exercise in assemblage that mirrored the psychedelic, boundary-pushing spirit of the decade. Through this work, Haworth’s ability to blend high art with mass media became etched into the global consciousness, positioning her at the very vanguard of the Pop Art movement.
Beyond the iconic imagery of Sgt. Pepper, Haworth pioneered the medium of soft sculpture, a technique that allowed her to explore themes of identity and the subconscious through pliable, organic forms. Her work often functions as a surrealist dialogue between the real and the simulated. In pieces like Pop, she utilizes intricate quilting and textile elements to create figures that feel both whimsical and hauntingly aged. By employing the language of folk art and domestic craft, she elevates the "soft" to something profound, using texture and volume to evoke a sense of memory, loss, and the layered complexities of the human experience.
The significance of Jann Haworth’s career lies not only in her aesthetic innovations but in her steadfast commitment to feminist advocacy. Throughout her life, she has remained a vocal proponent for the representation of women within the art historical canon. Her work serves as a continuous critique of gender roles, using the very tools of domesticity—sewing, fabric, and pattern—to dismantle the stereotypes associated with them. She transformed the "feminine" medium into a powerful instrument of political and social commentary.
Today, Haworth’s legacy is viewed through a lens of immense historical importance. Her ability to weave together the following elements defines her enduring impact:
As her work continues to be celebrated in galleries and museums worldwide, Jann Haworth remains a vital figure whose textured, layered, and unapologetically bold vision continues to inspire new generations of artists to push against the boundaries of what is considered "art."
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