Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Levering i hele verden () på 3-4 uger i stedet for de standard 5 uger. (23 september). Ingen kompromiser med kvaliteten.
Horizontals and Verticals
Reproduktionsstørrelse
In the realm of mid-century Canadian abstraction, few works capture the rhythmic tension between structure and spontaneity as effectively as Horizontals and Verticals. Painted in 1955, this masterpiece by Hortense Mattice Gordon serves as a vibrant testament to the era's shift toward non-objective expression. At first glance, the eye is drawn into a kaleidoscopic dance of shapes where the boundaries between recognizable objects and pure abstraction begin to dissolve. The composition is anchored by a central, guitar-like silhouette, a motif that suggests a melodic resonance within the visual field. This central figure acts as a conductor for the surrounding elements, orchestrating a movement of arrows, avian silhouettes, and geometric fragments that seem to float in a state of perpetual motion.
The technique employed by Gordon reflects the profound influence of Abstract Expressionism and the teachings of Hans Hofmann, which permeated her later, more liberated works. Through a masterful use of color and layered shapes, she creates a sense of depth that transcends the flat surface of the canvas. The interplay of lines—the very "horizontals and verticals" promised by the title—creates a structural grid that paradoxically feels fluid and organic. Each brushstroke and shape placement contributes to a dynamic energy, where an arrow pointing toward a bird or a sudden burst of color serves to guide the viewer’s gaze through a labyrinth of visual delights. For the discerning collector, this piece offers more than just aesthetic beauty; it provides a window into the technical evolution of a pioneer who helped redefine the Canadian artistic landscape.
To understand Horizontals and Verticals, one must consider Gordon’s journey from a dedicated art educator to a founding member of the prestigious Painters Eleven. This painting represents the zenith of her transition from representational landscapes to the bold, non-objective language that would define her legacy. There is an inherent emotional complexity within the work; it captures the post-war era's spirit of exploration and the breaking of traditional boundaries. The presence of symbolic elements, such as the bird and the directional arrows, evokes themes of navigation, freedom, and the search for order within chaos.
For interior designers and art enthusiasts seeking to infuse a space with intellectual vigor and warmth, this artwork offers unparalleled versatility. Its colorful palette and energetic composition make it a commanding focal point in modern, minimalist, or contemporary settings. A high-quality reproduction of this piece allows the light and movement of Gordon's vision to inhabit a room, inviting conversation and contemplation. It is not merely a decoration but an invitation to experience the rhythmic pulse of 20th-century abstraction, bringing the sophisticated legacy of Canadian modernism into the heart of the contemporary home.
1886 - 1961 , Canada