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Der hirte

Discover "Der hirte" by Georg Baselitz – a striking black & white painting of a soldier. Explore Neo-Expressionism & Baselit's unique style. Invest in art history.

Explore the powerful & provocative work of Georg Baselitz (b. 1938), a leading Neo-Expressionist known for his upside-down figures, challenging perspectives on German history, destruction, and the artifice of painting. Discover his sculptures & graph

Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.

Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

Håndlavet oliereproduktion

Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion Skift til digitalt billede)

Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118B Dkr10
Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118H Dkr10
Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508JH Dkr12
Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508YH Dkr12
Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805H Dkr10
Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805Z Dkr10
Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Dkr10
Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919G Dkr10
Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Dkr10
Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P959ZH Dkr10
Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
P968JZ Dkr12
Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
W106C Dkr8
Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
W218G Dkr10
Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
W218JH Dkr8
Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
W218Y Dkr10
Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W307PJ Dkr10
Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
W316G Dkr10
Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W316PJ Dkr8
Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
W316Y Dkr10
Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
W398PJ Dkr8
Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
W4111J Dkr10
Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
W500HY Dkr15
Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
W500JH Dkr15
Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
W692G Dkr12
Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
W849H Dkr8
Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
W940BG Dkr15
Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8

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Eksempler på tilpasningsmuligheder: Udskift ansigt med kundens eget foto; Tilføj kæledyr (f.eks. udskift kat med hund); Inkluder en skjult besked i baggrunden; Ændr baggrundslandskab eller elementer.
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Der hirte

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Om kunstneren

A Life Forged in the Shadows of History

Born Hans-Georg Bruno Kern on January 23, 1938, in the small German village of Deutschbaselitz, the artist who would become known to the world as Georg Baselitz was a child of profound transition and upheaval. Growing up in the Upper Lusatia region amidst the literal and metaphorical rubble of World War II, his early consciousness was inextricably linked to themes of destruction, displacement, and the fractured order of a shattered society. This formative environment—marked by the loss of community and the lingering trauma of occupation—became the bedrock of his artistic vision. The devastation he witnessed did not merely provide subject matter; it instilled in him an urgent, lifelong need to question established conventions and to explore the very nature of perception through the lens of a world that had been turned upside down.

His early artistic inclinations were nurtured by a deep intellectual curiosity and significant cultural encounters. The influence of his father, an elementary school teacher, fostered a disciplined approach to observation, while the profound writings of Jakob Böhme provided a spiritual and philosophical complexity to his worldview. A pivotal moment in his development occurred when he encountered Louis-Ferdinand von Rayski’s Wermsdorfer Wald at a local school assembly. This masterpiece of realism ignited a fascination with capturing visual truth, leading him to produce portraits, religious subjects, and landscapes that, even in his youth, hinted at a more futuristic and unsettling vision.

The Revolution of Inversion and Neo-Expressionism

As the art world moved toward the sterile intellectualism of Minimalism and Conceptual Art in the 1960s, Baselitz staged a visceral rebellion. He became a leading voice of Neo-Expressionism, a movement that sought to reclaim the raw power and emotional intensity of figurative painting. However, his contribution was far from a simple return to tradition. In 1969, Baselitz introduced one of the most radical innovations in modern art: the technique of painting his subjects upside down. This deliberate inversion was not a mere gimmick; it was a profound attempt to strip the subject of its representational, content-driven character. By turning the figure on its head, he forced the viewer to confront the artifice of the painting itself—to look past the "what" of the image and focus instead on the texture, color, and the physical reality of the paint on canvas.

This period saw the emergence of works that challenged the very boundaries of the medium. His compositions often oscillated between recognizable figuration and a chaotic, feverish energy. In monumental pieces like Supper in Dresden, he reimagined historical narratives through a lens of disarray and chromatic collision, using striking shades of pink, blue, and black to create a sense of restless, uncontainable energy. His work during this era functioned as an excavation of the human condition, utilizing distortion to express vulnerability and the inherent instability of memory and identity.

A Lasting Legacy of Provocation

Throughout his prolific career, Baselitz’s artistic language has been a complex tapestry woven from myriad influences, ranging from the starkness of Socialist Realism and the dramatic tension of Mannerism to the primal rhythms of African sculpture. This eclectic synthesis allowed him to create a body of work that feels both deeply rooted in German history and universally resonant in its exploration of existential struggle. Whether through his commanding oil paintings, his evocative sculptures, or his intricate graphic works, Baselitz has remained steadfast in his commitment to a style characterized by unsettling honesty.

The historical significance of Georg Baselitz lies in his ability to transform the trauma of the past into a revolutionary aesthetic for the future. He did not merely document destruction; he used it as a tool to rebuild the language of painting. His achievements include:

  • Redefining Figuration: Breaking the reliance on narrative content through the radical use of inversion.
  • Mastery of Neo-Expressionism: Leading a global revival of emotional, visceral painting in an era of conceptual dominance.
  • Exploration of Identity: Using distorted forms to grapple with the complexities of post-war German identity and the fragility of the human form.
  • Technical Innovation: Integrating diverse cultural influences into a singular, unmistakable artistic voice that continues to influence generations of painters and sculptors.

Today, Baselitz stands as one of the most influential figures of the twentieth century, a painter whose work remains a powerful testament to the resilience of creativity in the face of chaos.

Hurtige fakta

  • Artistic Movement Or Style: Neo-Expressionism
  • Artists Or Movements Influenced By This Artist:
    • Soviet era illustration art
    • Mannerist period
    • African sculptures
  • Artists Who Influenced This Artist:
    • Louis-Ferdinand von Rayski
    • Jakob Böhme
  • Date Of Birth: 1938
  • Full Name: Georg Baselitz
  • Nationality: German
  • Notable Artworks:
    • Der hirte
    • Supper in Dresden
    • Da. Portrait (Franz Dahlem)
  • Place Of Birth: Deutschbaselitz, Germany