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          Flora (1720) af Frans van Mieris the Younger, håndmalet oliemalerireproduktion udført af en mesterkunstner
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          Frans van Mieris the Younger

          Flora Håndmalet oliemalerireproduktion

          Dimensioner
          15.0 x 12.0cm

          A Leiden school painter known for Old Peasant Holding a Jug. Discover his exquisite Dutch masterpieces today.
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          Håndlavet oliereproduktion

          Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printsalg Skift til digitalt billede)

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          speciallavet
          CM
          INCH

          Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

          bredde
          højde

          Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.

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          Eksempler på hvad der kan ændres: Udskift ansigt med kundens eget foto; Tilføj kæledyr (f.eks. udskift kat med hund); Inkluder en skjult besked i baggrunden; Ændr baggrundslandskab eller elementer.
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          Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (14 november). Ingen kompromiser med kvaliteten.

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          Samlet pris

          Dkr 1809

          Flora

          Reproduktionsmetode

          Størrelse på reproduktion

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          Samlet pris

          Dkr 1809

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          Kunstnerbiografi

          The Shadow of a Legacy

          Leiden, 1689. The air in the studio is thick with the scent of linseed oil and the weight of expectation. Frans van Mieris the Younger enters a world already defined by the brushstrokes of his grandfather, the celebrated Frans van Mieris the Elder. He is born into a lineage of precision, the son of Willem van Mieris, inheriting a space where light and texture are the primary languages. The studio is a family inheritance, a physical continuation of a visual tradition that demands a specific, meticulous hand.

          The transition of the workshop is a quiet, inevitable movement. When Willem passes the tools of the trade to his son, the expectation is not merely to paint, but to maintain a standard of excellence established by a predecessor whose reputation looms large. Frans moves through the Leiden school, navigating the narrow path between personal expression and the rigid requirements of a family name. He is a painter, a historian, and an archaeologist, a man whose life is deeply anchored in the intellectual and visual soil of the Dutch Republic.

          The Precision of the Leiden School

          His work often finds its focus in the quietude of the everyday, rendered with a clarity that demands close inspection. He captures the textures of existence—the rough fabric of a peasant's garment, the glint of a ceramic jug, or the subtle play of light across a surface. His output spans various subjects, from the intimate to the formal:

          • Rev. dr. Cox Macro (1703–1715)
          • Flower (1720)
          • Old Peasant Holding a Jug (1731)
          • Old Man With the Book
          • Three Generations (1742)
          • Portrait of Pieter de la Court (1750)
          • Portrait of Andreas Weiss (1752)
          • The Fishmonger (1738)

          In 1731, the canvas Old Peasant Holding a Jug captures a moment of stillness, a study of form and utility that would eventually find its way to the Hermitage in St. Petersburg. There is a tension in his compositions, a struggle to match the heights of the Elder while carving out a space for his own observations. He works in oils on panel, a medium that allows for the fine, controlled detail required by his training.

          The Final Act in Leiden

          The later years of his life see him continuing to navigate the artistic landscape of the Netherlands. He remains a figure of the Leiden school, a practitioner of a style that values the tangible over the abstract. His portraits, such as those of Andreas Weiss or Pieter de la Court, attempt to fix a likeness with the same technical rigor applied to his still lifes and genre scenes. He does not seek to reinvent the wheel, but to refine the wheel's edge.

          By 1763, the cycle of the studio reaches its conclusion. Frans van Mieris the Younger dies in Leiden, the same city where his journey began. He leaves behind a body of work that remains a vital link in the history of Dutch painting, a bridge between the high achievements of his grandfather and the evolving tastes of the mid-eighteenth century. He remains a painter of the detail, a man who understood that the smallest stroke could hold the weight of a whole world.

          Frans van Mieris the Younger

          Frans van Mieris the Younger

          1689 - 1763 , Netherlands

          Kort om kunstneren

          • Full Name: Frans van Mieris the Younger
          • Nationality: Dutch
          • Notable Artworks:
            • The Hermit
            • The Grocer’s Shop
            • Portrait of Adrianus van Boscheiden
            • Flower
            • Old Peasant Holding a Jug
            • Three Generations
            • Portrait of Pieter de la Court
            • Portrait of Andreas Weiss
            • The Fishmonger
          • Place Of Birth: Leiden, Netherlands
          • Date Of Birth: 1689
          • Date Of Death: 1763