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          Covent Garden (1726) af Peter Angellis, håndmalet oliemalerireproduktion udført af en mesterkunstner
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          Peter Angellis

          Covent Garden Håndmalet oliemalerireproduktion

          Dimensioner
          48.0 x 63.0cm

          A Rococo painter known for landscapes and genre scenes like Covent Garden. Discover his beautiful works today.
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          Håndlavet oliereproduktion

          Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printsalg Skift til digitalt billede)

          Standardstørrelse
          speciallavet
          CM
          INCH

          Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

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          Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.

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          Samlet pris

          Dkr 1814

          Covent Garden

          Reproduktionsmetode

          Størrelse på reproduktion

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          Samlet pris

          Dkr 1814

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          Kunstnerbiografi

          Early Life and Artistic Training

          Peter Angellis began his life in Dunkirk in 1685. He spent his earliest years in this native town, where he first commenced his studies in art. These early lessons provided the foundation for a career that would eventually take him across many borders, but his beginnings were rooted in the local traditions of his birthplace.

          Seeking to refine his hand, he traveled to Antwerp. It was there that he worked under Johann Baptiste Bouttats, learning the technicalities of the craft through direct practice. This period of study helped shape his ability to observe the world, focusing on the details of urban and rustic scenes. His time in Antwerp was marked by steady progress and a commitment to the formal structures of his trade.

          By 1715, his development had reached a point of professional recognition. He was made a master of the Guild of St. Luke in 1715–16. This achievement marked his transition from a student to a recognized practitioner, allowing him to operate with the full status of a master within the guild's established order.

          Activity in Germany and England

          After his time in Antwerp, he traveled to Düsseldorf. There, he spent time studying the paintings held in the Electoral Gallery, observing the works of others to refine his own hand. This period of self-education preceded his move to England, where he would remain for sixteen years. He settled among a community of other Flemish émigré artists, finding a place within the professional circles of the time.

          By about 1726, he was recorded as having a studio in Covent Garden, a district known as the fashionable quarter for artists. His presence in London was marked by a steady output of urban and rustic scenes. He moved through these years with a quiet focus, staying in the country for over a decade and a half before his eventual departure for the south.

          Travels to Italy and France

          In 1728, he set out for Italy, traveling alongside the sculptors Peter Schneemakers and Laurent Delvaux. He spent three years in Rome, where his paintings drew admiration. He did not seek the spotlight or the pursuit of fortune, preferring the quiet work of his craft over the noise of fame. His time in the city was marked by a reserved nature and a focus on his art rather than the social advantages of his position.

          He had intended to return to England, but his path led him to Rennes in Brittany instead. The demand for his work in this region was high enough to change his plans. He settled in Rennes, where he remained until his death in 1734.

          Technique and Artistic Style

          His brushwork often finds its rhythm in the quiet details of urban and rustic scenes. He had a particular way of handling landscapes, frequently populating them with small figures that ground the scenery in a sense of lived experience. In these settings, he often introduced elements of still life, placing fruit or fish alongside his figures to add a layer of tactile reality to the composition. These genre scenes focus on the textures of everyday life, moving between the bustle of town life and the stillness of the countryside.

          There is a certain familiarity in his approach to conversation-pieces, where he captures moments of social interaction. His hand shows affinities with the style of Teniers, particularly in how he organizes these scenes. He focused on the way light and shadow settle upon a group or a landscape, preferring the directness of a scene over grandiosity. The work remains rooted in the observation of the natural world and the simple, unadorned movements of people within it.

          Peter Angellis

          Peter Angellis

          1685 - 1734 , France

          Kort om kunstneren

          • Artistic Movement Or Style: Rococo
          • Artists Who Influenced This Artist:
            • Teniers
            • Watteau
            • Rubens
            • Vandyck
          • Full Name: Peter Angellis
          • Nationality: French, Flemish
          • Notable Artworks:
            • Queen Anne and the Knights of the Garter
            • Covent Garden
          • Place Of Birth: Dunkirk, France
          • Date Of Birth: 1685
          • Date Of Death: 1734