Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (7 november)
The Painter Francis Bacon
Størrelse på reproduktion
Chronis Botsoglou stands as one of the most profound and uncompromising voices in contemporary Greek art, a painter whose work served as the very conscience of figurative painting for over half a century. Born in Thessaloniki, Greece, his artistic journey was shaped by a rigorous academic foundation, beginning at the Athens School of Fine Arts under the mentorship of the legendary Yiannis Moralis. This early training, followed by a transformative period of study at the École nationale supérieure des Beaux-Arts in Paris, allowed him to weave together a unique aesthetic language—one that rejected the purely decorative in favor of a raw, psychological directness.
His return to Greece marked a pivotal moment in his career as he helped found the New Greek Realists group in 1971. At a time when the international art world was drifting toward conceptual experimentation, Botsoglou remained steadfastly committed to a realism that explored the human condition. His practice was never merely about representation; it was an excavation of existence. Through his large-format figure compositions, he addressed themes of brutality, violence, and cynicism, yet always tempered this critical gaze with an unmistakable sense of empathy and tenderness.
The technical breadth of Botsoglou’s oeuvre is as vast as its emotional depth. While his large-scale paintings often commanded the most critical attention, his mastery extended across a diverse range of media, including engraving, sculpture, pastels, and watercolours. His work frequently oscillates between the heavy physicality of painting material and an almost ethereal, existential lightness. In series such as Personal Nekyia, he delves into the shadows of mortality, using muted tones and haunting imagery to explore the relationship between the self and the void.
In contrast, other works like his Haiku series reveal a different facet of his genius, capturing serene coastal scenes through pastel hues that blend elements of impressionism with nature's quiet beauty. This duality—the ability to move from the visceral weight of human suffering to the delicate observation of light and landscape—defines his artistic legacy. His paintings do not merely depict bodies; they biographize death, using the human form to speak of solitude, fragility, and the enduring struggle of the spirit.
Beyond the canvas, Botsoglou was a monumental figure in the academic and intellectual life of Greece. His dedication to the craft was matched by his commitment to artistic education, serving as a professor at the Athens School of Fine Arts and later as its Rector. He was an artist who thought deeply about the labor of creation, publishing writings that explored the very essence of artistic study and the necessity of honesty in one's work.
His immense contribution to art history is reflected in the widespread presence of his works in prestigious institutions. His legacy is preserved through:
Through decades of solo and group exhibitions spanning from South America to Israel, Chronis Botsoglou remained an artist of profound sincerity, leaving behind a body of work that continues to resonate with its unflinching gaze into the depths of human existence.
1941 - 2022 , Greece
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