Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (15 november)
Popcorn Shells
Størrelse på reproduktion
Chris Ofili's 'Popcorn Shells,' completed in 1995, is not merely a painting; it’s an immersive experience, a vibrant collision of musical history and decorative excess. Born from Ofili’s fascination with the evolution of jazz, hip hop, and black popular culture – a lineage he meticulously charts as a ‘family tree’ of musicians – the work immediately confronts the viewer with a layered complexity that demands attention. The painting's genesis lies in a deliberate mixing of influences, mirroring the very essence of jazz itself: a fusion of musical, cultural, and deeply personal narratives.
The painting’s symbolism is rich and deliberately provocative. The use of ‘dung,’ a recurring motif in Ofili's work, transcends its literal presence as a prop; it represents a breakdown of conventional notions of beauty and value. It challenges the viewer to reconsider their own perceptions of art and culture, questioning the hierarchies that often dictate what is considered “high” or “low.” The scrapbook approach to history – a deliberate act of replaying familiar tunes in Ofili’s unique style – speaks to the cyclical nature of artistic influence and the ways in which cultural narratives are constantly being remade.
'Popcorn Shells’ is a powerfully emotive work, simultaneously celebratory and unsettling. The sheer density of imagery – the faces, the balls, the glitter – creates an overwhelming sensory experience that reflects the chaotic energy of popular culture. It's a testament to Ofili's ability to synthesize disparate elements into a cohesive whole, creating a visual narrative that is both intellectually stimulating and deeply moving. This piece stands as a significant contribution to contemporary art, pushing boundaries and prompting critical reflection on issues of race, representation, and the very nature of artistic creation.
Ophavsretsstatus for "Popcorn Shells" af Chris Ofili: værket er stadig beskyttet af ophavsret. Dette afgør, om der frit må foretages reproduktioner af billedet.
"Popcorn Shells" tilhører Mature Period i Chris Ofilis karriere. Denne klassificering knytter værket til kunstnerens udvikling.
"Popcorn Shells" er et værk fra Pop Art. Denne stilart angiver den kunstneriske tradition, som værket indgår i.
Born in Manchester, United Kingdom, Chris Ofili emerged as a transformative force within the contemporary art landscape, weaving together disparate threads of culture, religion, and materiality. His heritage, rooted in his parents' Nigerian descent, serves as a profound foundation for an oeuvre that constantly negotiates the boundaries between the sacred and the profane. Through a practice often classified as punk art, Ofili has mastered the ability to confront the viewer with unsettling juxtapositions, using a signature vocabulary of materials that challenge traditional notions of beauty and value.
The artist's early development was shaped by his education at the Chelsea School of Art and the Royal College of Art, periods during which he began to refine a technique characterized by intense layering and textural complexity. His work often functions as a vibrant collision of worlds, where the aesthetics of Western painting traditions meet the rhythmic energy of hip-hop, jazz, and African art. By integrating unconventional elements such as resin, beads, glitter, and even lumps of elephant dung, Ofili creates surfaces that do not merely sit on a canvas but seem to vibrate with a life of their own.
To encounter an Ofili painting is to enter a space of sensory overload and deep symbolic inquiry. He is renowned for his ability to use physical matter to evoke complex social and historical narratives. In works like Popcorn Shells, he meticulously charts a cultural lineage, creating a visual symphony that echoes the evolution of black popular culture. His use of resin dots and glittering surfaces creates a shimmering, decorative excess that simultaneously masks and reveals deeper, more jarring truths.
The inclusion of elephant dung, sourced from the London Zoo and lacquered with resin, remains one of his most discussed artistic choices. Far from being a mere shock tactic, this material serves as a potent symbol that bridges his connection to his Nigerian roots while disrupting the hierarchies of "high" and "low" art. This deliberate use of the grotesque forces a confrontation with themes of consumption, representation, and the breakdown of conventional aesthetic boundaries.
Ofili’s ascent within the international art community was marked by significant milestones that cemented his place in history. His recognition as a member of the Young British Artists group brought him to the forefront of a generation that redefined contemporary painting. A defining moment in his career arrived in 1998 when he was awarded the prestigious Turner Prize, an achievement that highlighted his ability to spark intense public debate through works such as The Holy Virgin Mary.
This particular piece, a radical reimagining of sacred iconography, utilized cut-outs from magazines and map pins to destabilize traditional religious imagery, proving his mastery over provocation and grace. Throughout his career, Ofili has continued to explore themes of social justice and historical truth, as seen in later works like Bending Over Backwards for Justice and Peace. His enduring significance lies in his ability to create a dialogue between tradition and rebellion, ensuring that his visual language remains as vital and challenging as the era in which he rose to prominence.
1968 - , United Kingdom
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Glasmulighed er kun tilgængelig i størrelser under 110 cm
