Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (22 oktober)
Figura
Reproduktionsstørrelse
Carlos Mérida (December 2, 1891 – December 21, 1985) stands as a monumental figure in Latin American modern art—a testament to artistic innovation born from profound cultural roots. His journey wasn’t merely chronological; it was a dynamic synthesis of European avant-garde experimentation with the enduring spirit of Guatemalan indigenous traditions and, later, the vibrant pulse of Mexico City.
Initially drawn to music after experiencing hearing loss—a serendipitous circumstance that redirected his creative path—Mérida embarked on an artistic exploration marked by unwavering dedication. His formative studies at the Instituto de Artes y Oficios and the Instituto de Ciencias y Letras in Guatemala City established a bedrock of knowledge upon which he would build his distinctive style.
His relocation to Paris in 1919 proved pivotal, immersing him in the burgeoning artistic currents of Europe. During this period, Mérida cultivated connections with luminaries like Diego Rivera and Pablo Picasso—artists who profoundly shaped his worldview and fueled his stylistic evolution. Exposure to movements such as Cubism and Surrealism instilled a desire for abstraction that would become central to his oeuvre.
The Parisian experience wasn’t simply about absorbing artistic ideas; it was about confronting personal challenges—namely, the debilitating effects of hearing loss. Recognizing this impediment, Mérida turned to painting with renewed vigor, finding solace in color and form as mediums for expressing emotion and conveying complex narratives.
Returning to Guatemala City in 1929, Mérida’s artistic vision crystallized around a fascination with Mayan culture—a heritage he championed throughout his life. This influence permeated his artwork, informing his use of geometric abstraction and incorporating motifs derived from Maya cosmology and ritual.
Mérida's distinctive style—characterized by simplified shapes, bold colors, and repetitive patterns—represents a radical departure from representational art. Rather than depicting the external world faithfully, he sought to capture its essence through symbolic imagery and geometric abstraction—techniques that reflect his belief in the universality of artistic expression.
Carlos Mérida’s contribution to Latin American art transcends mere stylistic innovation; it embodies a commitment to exploring cultural identity while embracing the transformative potential of modern aesthetics. His work continues to inspire artists and collectors alike, serving as a reminder that true artistry lies in forging connections between tradition and experimentation—a legacy cemented by monumental murals like “4000m2” on Benito Juarez housing complex.
Today, Mérida’s paintings reside in museums across the globe—testaments to his enduring artistic vision and his profound understanding of the human condition. His exploration of abstraction remains a cornerstone of Latin American art history, prompting ongoing dialogue about the role of symbolism and geometric form in conveying emotion and communicating cultural heritage.
Der findes en Statistikker-side for "Figura". Den viser de månedlige besøg for kunstværket og kunstnerens øvrige værker, opdelt efter land og sprog.
"Figura" af Carlos Mérida kan ses på din egen væg via kunstværkets AR-forhåndsvisning-side ved hjælp af augmented reality på en kompatibel enhed.
Format (Square) og anbefalet rum (Living Room) er de to placeringsoplysninger, der er registreret for "Figura" af Carlos Mérida.