Lærred og kunstprint fra Dkr315 ved 36 x 28 cm
Håndmalet oliereproduktion fra Dkr1380
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Håndmalet olie Digitalt billede
)
Vores budgetprint: det samme motiv trykt på et 240 g/m² polyester-lærred i stedet for bomuld, leveret rullet i et rør med almindelig post inden for 3 til 5 uger. Kun rullet (ingen blindramme, ingen ramme) og uden ekspresproduktion, for størrelser med mindst én side på 80 cm eller mindre. Ca. 30% billigere end bomuldsprintet.
Ikke tilgængelig i denne størrelse: mindst én side skal være 80 cm eller mindre.
Kun rulle: vælg lærred rullet i rør for at vælge dette tryk.
Tilgængelig i størrelser med mindst én side på 100 cm eller mindre. Ved større størrelser trykkes motivet på mat bomuldslærred.
Mat archival canvas er ikke tilgængelig i denne størrelse: mindst én side skal være 100 cm eller mindre. Dit print er i stedet lavet på mat bomuldslærred.
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (5 december)
Hurtig produktion og ekspreslevering er ikke muligt med Economy poly-canvas print, som sendes med almindelig post.
Blacksmiths
Størrelse på reproduktion
Verdensomspændende levering () med almindelig post i 3 til 5 uger. (12 december)
Émile Jacque, a French painter and engraver born in 1848, focused his career on the textures of the countryside. His work often centered on the specificities of rural life, capturing the weight of manual labor and the presence of livestock. In Blacksmiths, produced about 1892, he turns a scene of daily toil into a study of form and light. The subject matter focuses on the rhythmic movements of blacksmithing or farriery, emphasizing the tangible reality of the work performed outside a rustic building.
The scene captures the heavy presence of a working environment. Two men and two horses dominate the foreground and midground, positioned against a stone wall. Jacque’s background as an engraver informs his approach to the canvas, bringing a technical discipline to the depiction of the subjects. He avoids the dramatic in favor of the truth of the moment, documenting the quiet, steady existence of those who work the land and its animals.
The composition is anchored by a central group of two horses and two men, positioned within the foreground and midground. This arrangement dominates the space, creating a sense of weight and presence. Depth is established through the overlapping of these figures against the receding stone wall of a rustic building. The perspective is set at eye-level, fostering an intimate, observational relationship between the viewer and the manual labor unfolding before them.
A naturalistic color palette defines the scene, utilizing shades of ochre, grey, brown, cream, and deep black. These tones ground the work in an earthy reality. Lighting originates from the upper left, casting soft shadows across the scene. This directional light serves to highlight the musculature of the horses and the textures of the men's clothing, emphasizing the physical exertion inherent in the work.
Executed in oil on canvas, the work adheres to the principles of Academic Realism. The artist employs a technical precision that prioritizes a lifelike representation of the subject matter, focusing on the tangible reality of manual labor. This approach avoids dramatic exaggeration, opting instead for a disciplined study of form and the weight of physical tools.
The application of paint is thick and painterly. Visible brushstrokes define the various surfaces within the composition, from the rough, uneven texture of the stone wall to the organic forms of the horses and the dusty ground. This tactile quality emphasizes the physical presence of the environment. Through these deliberate marks, the artist captures the specific textures of animal coats and the heavy, rhythmic nature of the blacksmithing process.
Light and texture are the primary drivers of the visual structure. Light appears to originate from the upper left, casting soft shadows that define the musculature of the animals and the folds of the men's clothing. This directional lighting works in tandem with the impasto-like application of paint to create a sense of depth and volume. The interplay of light across the uneven surfaces provides a sense of substance to the mundane details of the scene.
Trykt: Blacksmiths er reproduceret som et giclée-print på bomuldslærred eller på Epson arkivpapir.
Originalen måler 116.4 x 89.9cm. Størrelserne går fra 36.1 x 27.7 cm (Dkr315) til 247.2 x 189.3 cm (Dkr2432); tabellen på denne side viser de vigtigste trin og deres priser.
Et print rullet i et rør sendes gratis med almindelig post og ankommer inden for 3 til 5 uger; et opspændt eller indrammet print tager 4 til 5 uger, og der tilbydes en hastelevering på denne side. Du kan returnere varen inden for 100 dage med fuld refusion, uden betingelser.
Originalen er i Cleveland Museum of Arts samling i Cleveland.
Oil On Canvas
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Glasmulighed er kun tilgængelig i størrelser under 110 cm
