Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (16 november)
Goat
Størrelse på reproduktion
In the quiet stillness of 1952, Antonio Laccabue brings a sense of presence to the landscape format of Goat. The work exists within a realm of muted color intensity, where the tones do not shout but instead whisper of a singular, focused moment. Shadows gather in deep_shadow recesses, carving out the form of the animal against a backdrop that feels heavy with unspoken history. The light catches the edges of the subject, pulling it from the darkness into a visible, breathing reality.
The subject, a goat, occupies the space with a heavy, grounded weight. Antonio Laccabue captures the essence of the creature through a lens of profound observation. Every line and contour seems to hold a secret, caught in the interplay between the light and the surrounding gloom. There is a stillness here that feels active, as if the animal has just paused its movement to watch the viewer from the shadows.
This piece, Goat, remains a quiet study of form and texture. The muted palette avoids distraction, ensuring the eye remains fixed on the interplay of light and dark. It is a moment frozen in time, where the animal's presence is felt through the subtle shifts in tone and the deep, enveloping shadows that define its very existence.
The artist's hand often returns to the quiet presence of animals. In 1952, a sense of labor and rest meets in Horse after work, a piece that shares the same temporal space as the goat. The animal's form carries a weight that feels deeply connected to the earth. Nearby in the timeline, the year 1957 brings forth the Greyhound dog at rest, where a different kind of stillness settles over the frame. This period also sees the artist turning inward through Self-portrait with dog, a moment where the boundary between the creator and the creature begins to blur.
Earlier expressions of this animalistic focus appear much sooner in his development. In 1935, the Lion and lioness captures a different energy entirely, perhaps reflecting a more primal intensity. These various subjects, from the domesticity of a dog to the wildness of a lion, reveal a consistent preoccupation with the life force residing within all living things. Each creature exists in its own moment of being, whether they are resting, working, or simply existing under the gaze of the observer.
"Goat" af Antonio Laccabue fremviser en Gentle kontrast mellem sine lyse og mørke områder.
Antonio Laccabue optræder under de alternative navne Antonio Ligabue.
Det Naïve Art værk "Goat" blev skabt af en kunstner født i Schweiz.
1899 - 1965 , Schweiz
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