A great example of the constructive Abstract Letter works that Lee Ungno made in the 1970s, this painting represents the Chinese character 壽 (soo), meaning ‘life’. The solid construction of the letter strokes is different to the distinctive gestural brushstrokes of his calligraphic Abstract Letter paintings. Ungno cut paper with different textures into the shapes of the letter strokes, glued them onto hanji and drew the outlines of the shapes with ink. In
Western art practice,
collage was intended to portray reality and therefore, in any mediums, from posters to newspapers, it creates a great tension between its different functions as an indication of reality and as an aesthetic component of an artwork; whereas whatever the medium, Ungno’s
collage functions as a sheer artistic element. In this work, even the thick strands from the edge of the background paper and the coarse particles seen in the letterform contribute to the artistic construction of the work. This painting was the main inspiration for the building of the
Lee Ungno Museum in Daejeon, which was designed by French architect, Laurent Beaudouin.
常见问题与解答
李遇露 的《Composition》 的主导色调是什么?
“Composition”呈现出Ochre to Sepia色调。
李遇露 的《Composition》 的形状和尺寸是多少?
"Composition" 的形式为 Tall,原件尺寸为 274 x 132 cm。这两项信息在规划复制品时都非常有用。
李遇露 的《Composition》 是人像、风景还是方形构图?
"Composition" 的画幅格式为 Tall。这对于规划复制品的摆放位置非常有用。