购买此画作的印刷品 H. Suite (XII) - 佩德罗·卡布里塔·雷斯

TRAVELLING MACHINEThe boxes turned into tables that support glass with domes on them are machines, connected by cables. They are, as Joseph Beuys used to say, batteries. In the case of Pedro Cabrita Reis, they are machines powered by an energy that seems to come from a deep, Portuguese and vernacular zone, connected to a memory of some lost time between the vague past and their present. Pedro Cabrita Reis has that strange capacity to turn us into the activators of a device for moving in time – his works are time machines, vernacular in their fragility. It is in the counterpoising of elements we recognise – devices that belong to an archaeology of memory and the permanent connection to the idea of construction, of edification – that these sculptures find their specific, efficient power. This work was a commission from the Colecção da Caixa Geral de Depósitos and is connected to other works that Cabrita Reis made at the same time, namely as an extraordinary installation that he made for the town of Óbidos. This monumental work was entitled Das mãos dos construtores (1992) and was made up of immense pipelines that led to and came out in sober, enclosed brick dwellings. At the same time he made a set of sculptures entitled H. suits, which added to his work a hospital component which was intimately linked to the body, one that was tragic in the frailty that defined an anthropological view of illness, of perishability and of healing. It is in the coming together of this universe that this sculpture appears, as close to the scale of the body as a piece of furniture, yet turned into a monument. Sometimes Pedro Cabrita Reis’s work takes this monumental scale to an architectural level and the sculpture becomes a building. In none of these cases is it ever the space as such that his work deals with, but our relationship with it, even when his proposal – in which there is a crossing of romantic memory, the nostalgia of rationalist humanism, the archaeology of a pre-artistic thought and sleight of hand – takes the model of the cathedral or its opposite, the buckle, as its base matrix. Here, however, it is the slightly amplified human scale of the body that makes this obsolete machine, this battery that can only be believed under electric light, live.Delfim Sardo

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空间与记忆的制图学：佩德罗·卡布里塔·雷斯的世界

1956年出生于葡萄牙里斯本的佩德罗·卡布里塔·雷斯（Pedro Cabrita Reis），已然成为当代艺术领域中举足轻重的关键人物。他不仅代表了其国家的艺术面貌，更在积极塑造着葡萄牙艺术与国际舞台之间的对话。他在里斯本那充满历史与文化底蕴的环境中度过了 formative 岁月，这深刻地影响了他的创作实践，赋予了他的作品一种对场所、记忆以及内外世界之间那份脆弱关系的敏锐感知。早在正式确立艺术家地位之前，卡布里塔·雷斯就展现出了推动艺术批判性对话的决心，他在1978年至1982年间创办并主导了极具影响力的杂志《Arte Opinião》——在那个社会与政治剧烈变革的时期，该平台为艺术讨论提供了至关重要的空间。这种早期对艺术创作理论基础的参与，预示了他日后作品中所呈现出的深邃概念性。

现成物的语言与转瞬即逝的光影

卡布里ta·雷斯的艺术词汇极其丰富，涵盖了绘画、雕塑、摄影及素描，然而贯穿其创作所有维度的始终是一条统一的线索：对空间既作为物理现实又作为心理建构的探索。他并非仅仅是在占据空间，而是在解构空间、重组空间，并为其注入多层意义。其作品的一个显著特征是对工业材料的大师级运用——钢条、回收的窗户、门框——这些往往被忽视或丢弃的元素，在卡布里塔·雷斯的手中，被转化为关于记忆、过渡与时间流逝的动人象征。这并非单纯的美学选择，而代表了对存在之物质性的自觉介入，通过扎根于有形世界来锚定他更为抽象的概念探索。同样至关重要的是他对光线的创新运用，尤其是荧光灯管。光在这里不仅仅是照明，它更是构图中的活跃媒介，分割着空间，界定着边界，并投射出舞动与变幻的阴影，营造出一种强调感知之瞬时性的飘渺质感。这些现成物与人造光之间的交织，生成了一种独特的视觉语言——既带有冷峻的极简主义色彩，又蕴含着深邃的感染力。

国际认可与里程碑式的展览

卡布里塔·雷斯的职业生涯轨迹伴随着日益增长的国际认可，其起点可以追溯到1981年在里斯本国家美术学会举办的早期个展《25 Desenhos》（25幅素描）。然而，真正将他推向全球艺术舞台的时刻是1992年参加卡塞尔文献展（Documenta IX）。这一关键时刻之后，他接连受邀参加了诸如2017年第十四届文献展等顶级艺术盛会，并在威尼斯双年展中多次亮相——曾于199升、2003年代表葡萄牙参展，并参与了1997年的Aperto板块。他在第21届和第24届圣保罗双年展中的入选，进一步巩固了他作为当代艺术重要发声者的地位。诸如《倾斜的绘画 #5》这类里程碑式的装置作品，通过玻璃板、霓虹灯与木材的微妙平衡，展现了他创造既具建筑感又极具个人化空间效果的能力。同样，《它绝非关乎平衡 #2》利用巨大的金属梁，探讨了时间、脆弱性以及存在本身固有的不稳定性。这些作品并非单纯的物件，它们是环境——是能够引发沉思并挑战传统空间与形式观念的沉浸式体验。

公共介入与持久的艺术遗产

在画廊与博物馆的围墙之外，卡布里塔·雷斯始终致力于通过场域特定装置（site-specific installations）与公共领域进行对话。他在里斯本中央泰若（Central Tejo, 2018）和波尔图宫殿（Palácio, 2005）的艺术介入，证明了他对既有建筑语境敏锐的回应能力，将工业空间转化为艺术反思的场所。这种对公共艺术的投入，彰显了他坚信艺术应当是可触达的、并与更广泛的受众产生共鸣的信念。如今，他的作品已被世界各地的顶尖收藏机构珍藏，包括古尔本基安博物馆、泰特现代美术馆以及贝拉多博物馆——这正是其持久品质与重要性的明证。佩德罗·卡布里塔·雷斯作为葡萄牙当代艺术的领军人物，其对材料的创新运用、对光影空间的探索以及深厚的概念深度，不仅丰富了葡萄牙的艺术遗产，更在全世界观众心中激起了共鸣。他不断突破边界，在实验新方法的同时，始终坚定地致力于探索人类感知与经验核心处的根本问题——那些关于记忆、场所以及现实本质本身的问题。

佩德罗·卡布里塔·雷斯

1956 - , 葡萄牙

艺术家简介

Artistic Movement Or Style: 观念艺术, 装置艺术
Artists Or Movements Influenced By This Artist: ['当代葡萄牙艺术']
Artists Who Influenced This Artist:
- 建筑理论
- 观念艺术
Date Of Birth: 1956年9月5日
Full Name: 佩德罗·卡布里塔·雷斯
Nationality: 葡萄牙
Notable Artworks:
- À propos des lieux d’origine #1
- H. Suite (XII)
- H. Suite (XI)
- The Leaning Paintings #5
- It is never about balance #2
Place Of Birth: 葡萄牙，里斯本

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H. Suite (XII)

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