关于我们 联系我们 / 帮助中心 入驻售卖艺术品
      x
      关于我们 联系我们 / 帮助中心 入驻售卖艺术品
          Nishikawa Sukenobu 创作的 Three Beauties，由大师级艺术家手工绘制的油画复制品
          实景预览 AR 预览 切换至版画销售渠道 切换至数字图像销售渠道 分享
          详情 指南 加入收藏 下载作品 相似作品 X射线 幻灯片播放 问答 演示文稿 统计数据
          Nishikawa Sukenobu

          Three Beauties 手绘油画复制品

          尺寸
          130.0 x 74.0 cm

          Discover Nishikawa Sukenobu, a Kyoto printmaker famed for his evocative depictions of women & samurai. Explore his Hyakunin Joro series & influence on Japanese art.
          展开全文

          手工油画复制品

          由我们的艺术家按需定制，为您提供您所选尺寸及画框的布面手工油画。 ( 切换至版画销售渠道 切换至数字图像销售渠道)

          标准尺寸
          定制
          CM
          INCH

          您可以从与原作比例一致的预设尺寸中进行选择。

          宽度
          高度

          请输入您需要的宽度和高度，以适配您的画框或墙面。由于作品为手工绘制，若选择不同比例的尺寸，艺术家可能会在画面边缘多画一些或稍作裁剪 —— 由您决定。在开始绘画之前，我们会为您发送一份数字效果图供您确认。本页面上展示的图片并非最终实物 —— 只有效果图才能反映真实结果。

          了解更多

          可定制示例：将面部替换为客户照片；添加宠物（例如，将猫替换为狗）；在背景中加入隐藏信息；更改背景风景或元素。
          下单后，WahooArt.com 团队将通过电子邮件联系客户获取具体要求，并提供效果预览图
          了解更多

          了解更多

          了解更多

          了解更多

          全球配送（）仅需 3-4 周即可送达，无需等待标准时效的 5 周。（12 November）。品质绝不妥协。

          了解更多

          全球免运费特快专递服务
          优质亚麻画布
          全程运输保险
          关税退款保证
          色彩精准还原保证
          100天退货保障（仅限制造缺陷）
          100% 退款保证
          多件购买优惠
          了解更多

          总计金额

          ¥ 1824

          Three Beauties

          复制品材质

          复刻品尺寸

          -

          最终结算价

          ¥ 1824

          相似作品

          梵高阿尔勒桥 (fānggāo Àlèlè Qiáo) — 文森特·梵高, Post-impressionism
          文森特·梵高 梵高阿尔勒桥 (Fānggāo Àlèlè Qiáo)
          Violet, Black, Orange, Yellow On White And Red — 马克·罗斯科, Abstract Expressionism
          马克·罗斯科 Violet, Black, Orange, Yellow on White and Red
          花园中的鲜花 — 文森特·梵高, 印象派
          文森特·梵高 花园中的鲜花
          Orchard In Blossom, Bordered By Cypresses — 文森特·梵高, Post-impressionism
          文森特·梵高 Orchard in Blossom, Bordered by Cypresses
          North South — 胡安·米羅, Fauvism
          胡安·米羅 North South
          團十郎役の歌舞伎俳優 — 葛饰北斋, Japanese Landscape Printmaking
          葛饰北斋 團十郎役の歌舞伎俳優
          American Neutrality Obverse — 戈茲, German Art Informel
          戈茲 American Neutrality Obverse
          Vividly, We Took Galich — 卡济米尔·谢韦里诺维奇·马列维奇, Abstract Suprematism
          卡济米尔·谢韦里诺维奇·马列维奇 Vividly, we took Galich
          A Venetian Scene — 约翰·亨利·特瓦奇曼, Impressionist
          约翰·亨利·特瓦奇曼 A Venetian Scene
          World War I Dutch Ivora Neutrality Plate — Pieter Van Der Want
          Pieter Van Der Want World War I Dutch Ivora Neutrality Plate

          艺术家简介

          Nishikawa Sukenobu: A Kyoto Master of Female Beauty

          Nishikawa Sukenobu (西川祐信; 1671 – August 20, 1750), often referred to simply as “sukenobu,” stands apart from many of his contemporaries in the Ukiyo-e movement. Unlike most artists who flocked to Edo (modern Tokyo), sukenobu remained rooted in Kyoto—the imperial capital—a distinction that profoundly shaped his artistic vision and enduring legacy. He wasn’t merely a printmaker; he was a meticulous book designer, capturing the essence of Japanese culture through exquisitely rendered images. His fame rests primarily on his captivating depictions of women, particularly those portraying them in everyday life – a subject rarely explored with such sensitivity and nuance during his era.
          • Early Life & Training: Sukenobu’s formative years were spent studying painting under the tutelage of prominent masters from two influential schools: Kanō Einō, championing Chinese artistic traditions and techniques emphasizing grandeur and symbolism, and Tosa Mitsusuke, who favored a more humanist approach rooted in Japanese aesthetics. This dual training instilled in him a sophisticated understanding of both Eastern and Western artistic principles.
          • Early Works & Style: Sukenobu’s artistic journey commenced around 1699 with book illustrations—a hallmark of his style—demonstrating an early mastery of composition and color palettes. Notably, his signed print “Seven-Volume Shin Kanninki” (“New Patience Story”) exemplifies his distinctive aesthetic: serene landscapes interwoven with graceful figures, reflecting a profound appreciation for natural beauty.

          The Hyakunin Joro Series & Its Impact

          Sukenobu’s magnum opus—the Hyakunin Joro shinasadame (appreciating 100 women)—published in two volumes in 1723, cemented his reputation as a pioneer in portraying female subjects. This ambitious project aimed to celebrate the diversity of femininity across social strata, ranging from empresses to courtesans. The series’ remarkable success underscored the public's fascination with depictions of women and established sukenobu as a pivotal figure in shaping Ukiyo-e conventions concerning female representation. It showcased his ability to convey emotion and psychological depth—a rare accomplishment for printmakers of his time.
          • Technique & Aesthetic Considerations: Sukenobu’s technique involved meticulous attention to detail, utilizing subtle gradations of color and masterful brushwork to achieve unparalleled realism. He skillfully employed perspective and shading to create immersive scenes that captured the atmosphere of daily life—a stylistic hallmark distinguishing him from many other artists.
          • Influence on Subsequent Artists: Sukenobu’s influence extended far beyond his own lifetime, inspiring subsequent generations of printmakers like Suzuki Harunobu and Kitao Shigemasa. His approach to portraying women – prioritizing psychological realism and capturing the nuances of human emotion—became a cornerstone of Japanese art history.

          Notable Paintings & Beyond Printmaking

          Beyond his celebrated prints, Sukenobu produced an impressive array of paintings encompassing kimono patterns, samurai portraits, illustrations of classical literature, and landscapes. These works demonstrate his versatility as an artist and underscore his commitment to exploring diverse artistic mediums—a testament to his intellectual curiosity and artistic ambition.
          • Legacy & Recognition: Nishikawa Sukenobu’s enduring legacy resides in his contribution to Japanese art history, particularly his groundbreaking portrayal of women. His Hyakunin Joro series continues to captivate audiences today, serving as a poignant reflection on the beauty and complexity of human experience.

          Concluding Thoughts

          Nishikawa Sukenobu’s unwavering dedication to capturing the essence of Japanese culture through his art—particularly his masterful depictions of women—solidifies his position as one of Ukiyo-e's most influential and aesthetically profound figures. His work transcends mere visual representation; it embodies a deep understanding of human psychology and an exquisite appreciation for the subtleties of natural beauty, ensuring his place in the annals of Japanese artistic achievement.
          Nishikawa Sukenobu

          Nishikawa Sukenobu

          1671 - 1750 , Japan

          艺术家简介

          • Full Name: Nishikawa Sukenobu
          • Nationality: Japanese
          • Date Of Birth: 1671
          • Date Of Death: 1750
          • Place Of Birth: Kyoto
          • Notable Artworks:
            • Woman and Attendant
            • The God Izanagi and Goddess Izanami
          • Artistic Movement Or Style: Ukiyo-e
          • Artists Who Influenced This Artist:
            • Kanō Einō
            • Tosa Mitsusuke
          • Artists Or Movements Influenced By This Artist:
            • Suzuki Harunobu
            • Kitao Shigemasa