2012
38.0 x 21.0 cm
Fondazione Hospice Seràgnoli Onlus由我们的艺术家按需定制，为您提供您所选尺寸及画框的布面手工油画。 (
切换至版画销售渠道 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
您可以输入自定义尺寸，以适配特定的画框或空间。如果所选尺寸与原图比例不符，我们将通过裁剪作品或添加手绘元素来扩展画面。数字样稿将在制作开始前发送给您确认。
请注意，屏幕预览无法准确反映实际的裁剪或扩展效果，只有样稿才能真实呈现最终的构图。
虽然我们提供定制尺寸服务，但为了保留原作比例，建议您从预设列表中选择尺寸。
Casetta 256
复刻品尺寸说明
Michele De Lucchi was born in Ferrara, Italy, in 1951. He received his architectural degree from Florence University, setting the stage for a career that would challenge conventional design norms. His formative years coincided with a period of radical experimentation in architecture and art, profoundly influencing his artistic trajectory.
De Lucchi emerged during a time of significant upheaval in the design world. He became a key figure within movements like Cavart, Studio Alchimia, and most notably, the Memphis Group. These groups rejected the austerity of Modernism, embracing playful forms, bold colors, and unconventional materials. His early work was heavily influenced by artists and designers who questioned established aesthetics and sought to create a more expressive and human-centered design language.
De Lucchi’s career spans both industrial design and architecture. He has designed iconic lamps and furniture for leading Italian and European companies, including Artemide, Olivetti, Alias, Unifor, Hermès, and Alessi. Some of his most recognizable works include:
Beyond product design, De Lucchi has undertaken numerous architectural projects, including building designs and restorations in Japan, Germany, Switzerland, and Italy. He’s worked with major corporations like NTT, Deutsche Bank, Novartis, Enel, Olivetti, Piaggio, Poste Italiane, and Telecom Italia.
In 1999, De Lucchi was commissioned to renovate a series of Enel power plants, demonstrating his ability to blend aesthetic sensitivity with functional requirements. He also played a crucial role in developing the corporate image for several prominent banks and organizations – Deutsche Bank, Deutsche Bundesbahn, Enel, Poste Italiane, Telecom Italia, Hera, and Intesa Sanpaolo – introducing both technical and aesthetic innovation into workplace environments.
De Lucchi’s involvement extends to the cultural sphere. He has contributed to building plans for significant museums including the Triennale di Milano, Palazzo delle Esposizioni in Rome, Neues Museum in Berlin, Fondazione Cini in Venice, and Gallerie d’Italia. His work consistently demonstrates a commitment to creating spaces that are both functional and inspiring.
De Lucchi's artistic development reflects a continuous exploration of form, material, and function. He transitioned from the radical experimentation of his early years to a more refined and sophisticated approach while retaining a commitment to innovation. His work is significant for its contribution to Postmodern design, challenging the dominance of Modernism and paving the way for a more diverse and expressive aesthetic landscape. He remains an active figure in contemporary design, continuing to push boundaries and inspire new generations of architects and designers.
1951 - , Italy
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玻璃选项仅适用于110厘米以下的尺寸。
