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          耶夫托·佩里奇

          Still-life

          尺寸
          58.0 x 47.0 cm

          A warm and inviting Serbian coloristic realism masterpiece featuring a simple breakfast of eggs and bread by Jefto Perić from 1939, offering a timeless glimpse into everyday life for your private collection.
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          探索塞尔维亚画家耶夫托·佩里奇的色彩写实主义风格！立即在WahooArt欣赏其静物画杰作与艺术传奇。
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          本页面展示的作品受版权法保护，这意味着我们无法合法地制作或销售与其完全相同的复制品。此项保护依据包括以下国际协议等： 伯尔尼公约 以及各国法律，包括下文所述的法律： 美国版权法第17编。

          这种方法完全符合版权法规，因为它并不涉及对受保护艺术品的复制或翻录。相反，它是一种富有创意的重新诠释——是一件受原作启发、但与原作并不相同的全新绘画作品。

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          艺术微喷/版画

          博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 ( 订购纯手工绘制画作 切换至数字图像销售渠道)

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          标准尺寸
          定制
          CM
          INCH

          您可以从与原作比例一致的预设尺寸中进行选择。

          宽度
          高度

          请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。

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          全球配送（）仅需 2 周即可送达，无需等待标准流程的 4/5 周。（8 November）

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          总计金额

          ¥ 463

          Still-life

          艺术微喷/版画

          复刻品尺寸

          -

          最终结算价

          ¥ 463

          The painting Still-life with eggs, painted a year after Tabaković’s Still-life with Beans (1940), carries the same message – it symbolizes the social status of the artist in pre-war Belgrade. In addition, this depiction of a modest lunch in the studio once more reveals Perić’s inclination to paint ordinary things from everyday life, which was in accord with his recluse but dignified nature, and his realistic expression. The firm organization of the painting, enlivened by the contrast between the warm brown and yellow tones and the fresh, cool blue tone, is characterized by the simple Cézannean form of the objects in it: a frying pan with two eggs, “sunny side up”, half a bread and a bottle of beer. These objects arranged on the table have somewhat darker colours but were painted in clear colours and broader brushstrokes which lend the surface of the painting a restless shimmering quality, under the influence of the “Paris school.” This cultural idiom implied, above all, the cultivation of the plastic and pictorial practice in the painter’s style, which was clearly not devoid of numerous relations with the material world. And yet, it did not place content in the foreground, but the formal characteristics and qualities of the painting. Among the most expressive representatives of Serbian colouristic realism, this piece was chosen in 1971 for the exhibition entitled The Painting of the Fourth Decade in the Museum of Contemporary Art in Belgrade. One of the most striking paintings with this motif from Beljanski’s collection, Perić’s Still-life is the most frequently rendered subject matter in the children’s visual workshop in the Memorial Collection – no child has ever left the museum without this interesting work of art from 1939 etched deeply into his or her memory.

          常见问题与解答

          为什么“Still-life”目前的版权状态是这样的？

          耶夫托·佩里奇 的《Still-life》 已进入 仍受版权保护。版权保护期自艺术家逝世之日起计算，该艺术家于 1967 年逝世。

          在购买之前，我可以在自己的墙上预览 耶夫托·佩里奇 的《Still-life》 吗？

          通过作品的 AR 效果预览 页面，您可以在兼容设备上使用增强现实技术，在自己的墙面上预览 耶夫托·佩里奇 的《Still-life》。

          在 1939 年创作“Still-life”时，耶夫托·佩里奇 的年龄是多少？

          当"Still-life"于1939创作时，出生于1895的耶夫托·佩里奇正值44岁。

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          Soft Skulls With Fried Egg Without The Plate, Angels And Soft Watch In An Angelic Landscape, 1977 — 萨尔瓦多·达利, Surrealist Landscape
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