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从与原作比例一致的预设尺寸中进行选择。
您可以输入自定义尺寸，以适配特定的画框或空间。如果您选择的尺寸与原图比例不符，我们将对作品进行裁剪，或通过镜像填充/纯色填充边缘的方式来扩展图像。在开始制作之前，我们会向您发送一份数字效果图供您确认。
请注意，屏幕上的预览并不能反映实际的裁剪或扩展效果。只有效果图才能准确展示最终的构图。
虽然我们提供定制尺寸，但为了保持原图比例，我们建议您从预设列表中选择尺寸。
Doll
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Gebruder Heubach, a name synonymous with German porcelain bisque dolls and the distinctive horseshoe stamp, represents more than just a toy manufacturer; it embodies a legacy of artistic innovation and unwavering craftsmanship spanning over two centuries. Founded in Köppelstedt, Thuringia, by Georg Christoph Heubach and Philipp Jakob Heubach in 1876, the firm initially produced utilitarian ceramics but swiftly recognized the transformative potential of blending artistry with functionality.
This pioneering approach attracted partnerships with prominent doll makers like Cuno & Otto Dressel and Adolf Wislizenus, resulting in diverse collections reflecting stylistic influences from across Europe. The firm’s commitment to quality was underscored by the introduction of a distinctive horseshoe mark—a symbol of prosperity and craftsmanship—which became indelibly associated with Heubach dolls.
Despite facing challenges during World War I and subsequent political upheaval—including nationalization by East Germany—Gebruder Heubach persevered. The firm’s final incarnation, Vereinigte Köppelsdorf Porzellanfabrik vorm. Armand Marseille und Ernst Heubach, continued to produce dolls until 1932. Though the workshop ceased operations during the Nazi era, its enduring influence on German toy history remains undeniable.
Alfred Leopold Heubach (1865 - 1923) was active/lived in Germany. Alfred Heubach is known for Painting. He studied art and interior design at the State Academy in Munich and at private academies in Paris, London and Italy before traveling throughout Europe and Mexico, painting and drawing.
Heubach spent the final six months of 1956 living and working in New York City. He set up his first portrait studio in the United States, but within six months he found NYC too large and cosmopolitan—too much like big cities all over the world—and pushed westward.
Heubach held memberships with the Professional Union of Artists in Munich, the Museum of Modern Art in New York, and the Carmel Art Association, where he was accepted as an Artist Member in 1964.
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