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Dorothy Porter Wesley (1905-1995), a scholar-librarian and bibliographer was born in Warrenton, Virginia in 1905, to her father, Hayes Joseph Burnett, a physician, and her mother, Bertha Ball Burnett, a tennis champion. After receiving her A.B., from Howard University in 1928, she became the first African American woman to complete her graduate studies at Columbia University receiving a Bachelors (1931) and a Masters (1932) of Science in Library Science.Dorothy Bennett joined the library staff at Howard University in 1928, and on December 29, 1929 married James Amos Porter. In 1930 University President W. Mordecai Johnson appointed her to organize and administer a Library of Negro Life and History incorporating the 3,000 titles presented in 1914 by Jesse Moorland. The library opened in 1933 as the Moorland Foundation. In 1946 Howard University purchased the Arthur Spingarn Collection. By the time Porter retired in 1973 the library, which was now called the Moorland-Spingarn Research Center, had over 180,000 books, pamphlets, manuscripts and other primary sources. Over 43 years, Porter had successfully created a leading modern research library that served an international community of scholars.As a scholar, avid writer and researcher, Porter developed a wide variety of research tools and authoritative bibliographies based on her vast knowledge in the field that would become known as Black Studies. A Selected List of Books by and about the Negro (1936), was one of the seeds of the field of African American Studies. Other publications included “Early American Negro Writings: A Bibliographical Study,” published in The Papers of the Bibliographical Society of America (1945); North American Negro Poets (1945); A Working Bibliography on the Negro in the United States (1969); Early Negro Writing, 1760 to 1837 (1970); Afro-Braziliana; A Working Bibliography (1978); The Remonds of Salem, Massachusetts: A Nineteenth Century Family Revisited (1983); and William Cooper Nell: Nineteenth-Century African American Abolitionist – Historian – Integrationist; Selections From His Writings (1832-1874) (2002).Dr. Porter has received numerous awards over her distinguished career. In 1944 she received the Julius Rosenwald Fellowship for research in Latin American literature. She served as a Ford Foundation consultant to the National Library in Lagos, Nigeria (1962-64), and attended the 1st International Congress of Africanists in Accra, Ghana. In 1973 she received a Ford Foundation study and travel grant which took her to Scotland, Ireland, England and Italy. In 1974 she received the Distinguished Alumni Award from Howard University. In 1980 the Conover-Porter Award was established, it is the most prestigious award for published works of bibliography or reference on Africa. In 1989 she received a fellowship from the W.E.B. DuBois Institute at Harvard University. In that same year Moorland-Spingarn Research Center commenced the annual Dorothy Porter Wesley Lecture Series. In 1994 President Bill Clinton presented her with the National Endowment for the Humanities’ Charles Frankel Award.Honorary Ph.D. degrees were bestowed on her from Susquehanna University (1971), Syracuse University (1989), and Radcliffe College (1990). On November 29, 1979 Porter married historian Charles H. Wesley, the former President of Wilberforce and Central State Universities in Ohio. Dorothy Porter Wesley died in Fort Lauderdale, Florida in 1995 at the age of 91.

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Frederick James Porter (1883 – 1944): A Pioneer of British Modernism

Frederick James Porter was born in Auckland, New Zealand, in 1883, marking the beginning of a prolific artistic journey that would ultimately establish him as a significant figure within the burgeoning British Modernist movement. His formative years were spent honing his skills at the Auckland Art School and subsequently pursuing further studies in Melbourne, laying the groundwork for his distinctive stylistic approach. Recognizing the importance of formal training, Porter traveled to Paris in 1906 where he enrolled at the Académie Julian under the tutelage of Laurens, immersing himself in the vibrant artistic atmosphere of the era and absorbing influences from Impressionism and Post-Impressionism – movements that would profoundly shape his artistic vision.

Early Influences: Porter’s initial exposure to European art traditions instilled a deep appreciation for capturing fleeting moments of light and color, mirroring the aesthetic principles championed by Monet and Renoir.
Parisian Period (1906-1914): During this pivotal phase, Porter actively participated in artistic circles and collaborated with fellow artists, experimenting with innovative techniques and exploring diverse subjects – landscapes, portraits, and genre scenes—reflecting the spirit of experimentation characteristic of Parisian Modernism.
Return to London & The London Group (1916): Following World War I, Porter relocated to London where he joined the influential London Group, a collective dedicated to challenging academic conventions and advocating for artistic freedom. This association solidified his commitment to modernist ideals and propelled him into the forefront of British art discourse.

Notable Artistic Achievements & Style

Porter’s distinctive style was characterized by a meticulous attention to detail combined with an expressive use of color and brushwork—a hallmark of British Modernism. He favored landscapes imbued with atmospheric perspective, skillfully conveying the mood and grandeur of the natural world. His portraits captured not merely likeness but also psychological depth, revealing nuanced emotions through subtle tonal variations and expressive gestures. Furthermore, Porter’s genre paintings explored everyday life with a humanist sensibility, portraying scenes of domestic tranquility and social interaction with remarkable sensitivity.

Landscapes: Porter's landscapes frequently depicted dramatic vistas of the Cornish coastlines, capturing the interplay of light and shadow with masterful precision.
Portraits: His portraits demonstrated an uncanny ability to convey inner character through careful observation and expressive brushstrokes—a testament to his artistic prowess.

Legacy & Historical Significance

Frederick James Porter’s contribution to British art history extends beyond his individual artworks; he served as a champion of modernist principles, advocating for artistic experimentation and challenging established norms. His unwavering dedication to capturing the essence of human experience—both aesthetically and emotionally—resonates with contemporary artists and continues to inspire appreciation for the transformative power of visual art. Porter’s influence can be seen in subsequent generations of British painters who embraced similar stylistic approaches and pursued ambitious artistic endeavors, cementing his place as a pivotal figure within the broader narrative of Modernist art.

Further Exploration

For more information about Frederick James Porter's life and work, please refer to resources such as:

ULAN Full Record Display (Getty Research):https://www.getty.edu/vow/ULANFullDisplay?find=jarry%2C+alfred&role=&nation=&page=1&subjectid=500030598
Porter, Frederick James (1883-1944) - Modernist Journals Project:https://modjourn.org/biography/porter-frederick-james-1883-1944/

frederick james porter

1883 - 1944

艺术家简介

Artistic Movement Or Style: Modernist
Artists Or Movements Influenced By This Artist: ['London Group']
Artists Who Influenced This Artist: ['Laurens']
Country: New Zealand
Date Of Birth: 1883
Date Of Death: 1944
Full Name: Frederick James Porter
Nationality: British
Notable Artworks: ['The Old Man']
Place Of Birth: Auckland

Dorothy Porter

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