由我们的艺术家按需定制，为您提供您所选尺寸及画框的布面手工油画。 (
切换至版画销售渠道 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您需要的宽度和高度，以适配您的画框或墙面。由于作品为手工绘制，若您选择不同的尺寸比例，艺术家可能会在画面边缘多画一些或稍作裁剪 —— 由您决定。在开始绘画之前，我们会为您发送一份数字效果图供您确认。本页面上展示的图片并非最终实物 —— 只有效果图才能反映真实结果。
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复刻品尺寸说明
David Drew Zingg was born in Montclair, United States of America, on December 14, 1923. He received his education at Columbia University in New York City, where he majored in history and literature. His initial foray into the professional world began with a position in the newsroom of NBC. During World War II, Zingg volunteered for the U.S. Army Air Force, serving in England. He then transitioned to becoming a war correspondent for the Armed Services Radio, covering events in France and Germany.
In 1950, Zingg married Elizabeth Foulk, and together they had three sons: Peter, Christopher, and Drew. His professional path took a turn when he briefly served as the editor of the United Fruit Company’s internal publication, Unifruitco. Subsequently, he worked as an editor, writer, and reporter for prominent magazines like Look and Life in New York City.
Zingg's career truly blossomed as a freelance photographer. He contributed his work to numerous prestigious publications including Look, Life, Esquire, Show, Town & Country, GQ, Sports Illustrated, Vogue, Interview, El Paseante, Zoom, Modern Photography, and Popular Photography. His photographs also graced the pages of major newspapers like The New York Times, The London Sunday Times, The Sunday Telegraph, and The Observer.
Zingg’s photographic work is particularly recognized for his documentation of Brazil's development. He captured significant moments in the construction of Brasilia, showcasing the nation's progress and transformation. Beyond photography, Zingg played a crucial role in arranging the landmark 1962 Bossa Nova concert at New York's Carnegie Hall, an event that helped popularize the genre internationally.
David Drew Zingg’s contributions to photography and journalism are enduring. His work is preserved in esteemed institutions such as the George Eastman Museum and the National Portrait Gallery. He left behind a rich visual record of his time, particularly his extensive documentation of Brazilian culture and society. His ability to capture candid moments and significant events solidified his place as a notable photojournalist.
1923 - 2000 , United States of America
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玻璃选项仅适用于110厘米以下的尺寸。
