购买此画作的印刷品 HOUSE House

What makes a house a home? While two spaces may appear identical, the difference might lie in the capacity for a home that has been lived in, physically touched, to encode and retain memory – the smells, patterns, feelings and recollections that accrue with habit. The senses of touch and smell have a particularly strong physical relationship to emotion and memory, and we say something is ‘touching’ when it emotionally impacts us. Over time, memories can form their own architecture.After Dan Stockholm’s father passed away in 2013, the artist initiated an action that reflects on the physicality of touch and acts of mourning and memory – the results of which are assembled in his installation HOUSE (2013–16). The installation includes documentation of an action during which Stockholm, over the course of three days, physically touched the complete outer surface of his father’s red brick home. After the final square inch was touched, Stockholm began making a number of negative plaster casts of his hands performing different gestures. HOUSE comprises a forest-like arrangement of steel scaffolding bars, known as standards, on which the cast negatives of Stockholm’s hands are mounted using steel rods, The scaffolding standards recall not only a house, but also the supporting structures of memory, and the way it is constructed and reconfigured through time or distance. Stockholm’s plaster casts bear the red prints of hands and fingers in various positions, like silent gestures standing for the ineffable act of mourning.

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Dan Stockholm: A Sculptor's Dialogue With Place and Time

Dan Stockholm, born in Thisted, Denmark in 1982, is a Danish artist whose practice centers on sculpture as a conduit for exploring the relationship between architecture, history, and human experience. His artistic vision transcends mere representation; instead, he seeks to create “performative process,” where his works become vessels carrying narratives of their own genesis – a method that imbues each piece with a profound sense of place and temporal depth. Stockholm’s fascination lies in sites imbued with historical significance and narrative tension, prompting him to engage in what he describes as “creative archaeology.” This meticulous research informs his work, which draws upon diverse finds and materials to construct visual landscapes that are simultaneously specific and universal.

Early Influences: Stockholm’s artistic journey began amidst the Scandinavian landscape, fostering an appreciation for natural forms and textures that would later permeate his sculptural explorations.
Methodology: The “performative process” is central to Stockholm's approach. He doesn’t simply craft objects; he actively engages with them—altering their surfaces, reshaping their contours—to generate works that embody the story of their creation. This technique elevates sculpture beyond static form into a dynamic dialogue between artist and material.
Material Exploration: Stockholm consistently utilizes materials that resonate with geological time – stone, metal, and resin – reflecting his preoccupation with permanence and transformation. He meticulously considers how these substances interact with each other and with the environment, mirroring the broader forces shaping our planet’s history.

Architectural Resonance: Sites of Memory and Transformation

Stockholm's artistic endeavors consistently gravitate toward architectural spaces—particularly churches like Storkyrkan in Stockholm and Duomo in Orvieto—where he seeks to capture the essence of historical narratives. These structures serve as catalysts for his creative process, prompting him to investigate how they embody cultural memory and undergo continuous evolution over time. His meticulous attention to detail extends beyond mere visual representation; he strives to convey the tactile qualities of these spaces – the coolness of stone, the warmth of wood—creating sculptures that resonate with the sensory experience of encountering history.

Notable Projects: Stockholm’s projects include “HOUSE House,” a sculptural installation designed for Moderna Museet in Stockholm, reflecting Moneo's architectural vision and fostering cross-disciplinary inspiration. This project exemplifies his commitment to exploring the interplay between art and architecture.

Symbolism and Narrative Depth: Vessels of Storytelling

Stockholm’s sculptures are characterized by a deliberate ambiguity—a tension between concealment and disclosure that mirrors the complexities inherent in human experience. He employs techniques that manipulate light and shadow, creating spaces within spaces where narratives unfold subtly yet powerfully. Like Signorelli's frescoes in Duomo, Stockholm’s work aims to evoke emotion and contemplation, inviting viewers to engage with themes of life, death, and the passage of time.

Historical Significance: A Contemporary Echo of Antiquity

Stockholm’s artistic practice operates within a lineage that stretches back to ancient civilizations—a recognition of the enduring power of myth and ritual. His sculptures are not merely objects; they are conduits for communicating ideas about humanity's relationship with its environment and its past. By reimagining traditional forms through a contemporary lens, Stockholm ensures that his work speaks to audiences across generations, reaffirming the timeless relevance of artistic expression.

Dan Stockholm

1982 - , Denmark

艺术家简介

Artistic Movement Or Style: Sculpture & Creative Archaeology
Artists Or Movements Influenced By This Artist: ['Contemporary Sculpture']
Date Of Birth: 1982
Full Name: Dan Stockholm
Nationality: Danish
Notable Artworks: ['House House']
Place Of Birth: Thisted, Denmark

HOUSE House

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艺术家简介

Dan Stockholm: A Sculptor's Dialogue With Place and Time

Architectural Resonance: Sites of Memory and Transformation