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Madonna (Self-Portrait)

辛迪·舍曼(1954 –)

探索美国关键摄影师辛迪·舍曼(Cindy Sherman)具有变革意义的自画像。通过《无题电影剧照》等标志性系列作品,她解构了身份与性别,挑战了艺术与媒体中的表现形式。

SCAD Museum of Art (萨凡纳, 美利坚合众国)

在萨凡纳的 SCAD 美术馆探索当代艺术与设计!在这座历史悠久的希腊复兴式建筑内,发现时尚、摄影、非裔美国艺术等精彩内容。开启一场独特的学习之旅。

For most of her career, Cindy Sherman turned the camera on herself, building a catalogue of self-portraits that engage an array of clich�d female archetypes from the tearful innocent to the celebrity starlet. In this black-and-white portrait, Sherman plays the role of the Madonna. Although she is shrouded in a white veil like a classically rendered religious figure, Sherman?s elongated eye lashes, accentuated lips and pomaded dual horn-like curls peaking out from beneath her veil play with the traditional historic depiction. Her stylized image could be a reference to the ?new woman? of the 1920s whose liberated views on sexuality are in direct opposition to the virginal, biblical Madonna. Reprinted in the 1990s, the portrait may also be considered a reference to the contemporary and controversial pop singer of the same name.

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