2006
169.0 x 133.0 cm
布宜诺斯艾利斯当代艺术博物馆 (MACBA)从与原作比例一致的预设尺寸中进行选择。
您可以输入自定义尺寸,以适配特定的画框或空间。如果您选择的尺寸与原图比例不符,我们将对作品进行裁剪,或通过镜像填充/纯色填充边缘的方式来扩展图像。在开始制作之前,我们会向您发送一份数字效果图供您确认。
请注意,屏幕上的预览并不能反映实际的裁剪或扩展效果。只有效果图才能准确展示最终的构图。
虽然我们提供定制尺寸,但为了保持原图比例,我们建议您从预设列表中选择尺寸。
Rhombus
复制品尺寸
Born in the vibrant cultural landscape of Buenos Aires in 1975, Carla Paola Bertone has emerged as a profound architect of space and texture. Her journey into the heart of abstraction was not merely a pursuit of aesthetic beauty, but a rigorous intellectual exploration of lineage and form. Through her formal training at the National University of Arts in Buenos Aires, culminating in an MFA in 2004, Bertone began to weave herself into the rich tapestry of the Argentine geometric tradition. Her academic pursuits were deeply rooted in the study of masters such as Yente, Diyi Laañ, and Lidy Prati, a scholarly endeavor that allowed her to understand the genealogical evolution of abstraction in her homeland.
Bertone’s work serves as a bridge between the historical weight of geometric movements and a contemporary, tactile sensibility. While her influences can be traced back to the monumental simplicity of Josef Albers and the spiritual expansiveness of Barnett Newman, she departs from their pursuit of flatness. Instead, Bertone invites the viewer into a multidimensional realm where light and shadow dance across manipulated surfaces. Her practice is characterized by an extraordinary dedication to craftsmanship, where the canvas becomes a site of physical transformation through the application of pigment layers, resin coatings, and complex additive and subtractive techniques.
The essence of Bertone’s artistic language lies in her ability to imbue geometric precision with organic depth. Her repertoire is remarkably diverse, spanning various mediums that challenge the boundaries between painting, sculpture, and environment. To experience a Bertone piece is to engage with a deliberate manipulation of materiality:
In each of these mediums, Bertone seeks to achieve a state of luminosity and simplicity. She avoids the trap of mere decoration, instead using texture to create a sense of "living" geometry. By meticulously building up surfaces, she creates a topography that changes as the viewer moves around the work, ensuring that her art is never static but rather a continuous dialogue between the object and the observer.
The significance of Carla Paola Bertone’s contribution to contemporary abstraction lies in her refusal to let geometry remain purely cerebral. While her foundations are built upon the rigorous logic of the Argentine tradition, her execution is deeply sensory. She has successfully modernized the geometric lexicon by introducing a tactile dimension that speaks to the human desire for touch and physical connection.
Through her innovative use of resin and pigment layering, she has redefined how we perceive the "flat" plane of abstract art. Her work stands as a testament to the idea that abstraction can be both intellectually rigorous and emotionally resonant. As she continues to push the boundaries of what geometric art can achieve, Bertone remains a vital figure in the ongoing evolution of contemporary Argentine abstraction, leaving an indelible mark on the way we perceive form, light, and the very substance of space.
1975 - , Argentina