БЕЗКОШТОВНА КОНСУЛЬТАЦІЯ З МИСТЕЦТВА

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Micro-mini dancer

Девід Діксон Портер – видатний американський адмірал та художник-портретист епохи Громадянської війни. Відомий своїми військовими досягненнями, реформатор Академії Морської Піонерності та унікальними фотографіями концертів та музикантів.

Олійная репродукція ручної роботи

Написана вручну олією на полотні у вашому розмірі та рамі, виготовлена на замовлення нашими художниками.

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Обирайте з наших стандартних розмірів, що відповідають оригінальним пропорціям твору мистецтва.

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Ви можете вказати власні розміри, щоб репродукція підійшла до конкретної рами або інтер'єру. Якщо вибраний вами розмір не відповідає пропорціям оригіналу, ми або обріжемо полотно, або доповнимо картину додатковими елементами, промальованими вручну. Цифровий макет буде надіслано вам на затвердження перед початком виробництва.
Зверніть увагу, що попередній перегляд на екрані не відображає фактичне обрізання або розширення зображення. Тільки макет точно покаже остаточну композицію.
Хоча ми можемо виготовити виріб у нестандартному розмірі, для збереження оригінальних пропорцій рекомендуємо обирати варіанти зі встановленого списку.

Приклади можливих змін: замінити обличчя на фото клієнта; додати домашню тварину (наприклад, замінити кота на собаку); додати приховане повідомлення на фоні; змінити ландшафт або елементи фону.
Після оформлення замовлення команда WahooArt.com зв'яжеться з клієнтом електронною поштою для отримання інструкцій та надасть попередній макет

Доставка по всьому світу () за 3–4 тижні замість стандартних 5 тижнів. (6 Липень). Без жодних компромісів у якості.

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Micro-mini dancer

Матеріал репродукції

Розмір репродукції

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Опис твору

In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

Схожі витвори мистецтва


Біографія митця

A Life Forged on the Waves: The Remarkable Journey of David Dixon Porter

David Dixon Porter, born in Chester, Pennsylvania, in 1813, wasn’t merely a figure *within* the United States Navy; he *was* the Navy, inheriting a legacy of maritime prowess from his celebrated father, Commodore David Porter. From the tender age of ten, he embarked on voyages to the West Indies alongside his father, an immersion that instilled within him not just nautical knowledge, but a profound connection to the sea’s rhythms and demands – a bond that would shape his entire life and career. This early exposure wasn't simply about learning ropes; it was a baptism into a world of rigorous discipline, strategic thinking, and unwavering dedication—qualities he carried with him throughout his distinguished service. His formative years continued with invaluable experience serving in the Mexican Navy as a midshipman aboard the frigate *Libertad*, followed by a formal commission in the U.S. Navy in 1829. These early experiences weren’t merely stepping stones; they were foundational, forging within him an understanding of naval tactics and international relations that would prove invaluable later in his career. He diligently served on vessels like the frigates *Constellation* and *United States*, participating in Mediterranean voyages between 1829 and 1834 – journeys that broadened his horizons and honed his observational skills, cultivating a keen eye for detail.

Naval Command and the Crucible of Civil War

The outbreak of the American Civil War found Porter poised to make an immediate and significant impact. His initial actions, though initially met with some controversy – taking command of the *Powhatan* without explicit authorization to reinforce Fort Pickens – revealed a bold, proactive nature and an unshakeable loyalty to the Union cause. This decisive move, while initially causing friction with Secretary of the Navy Gideon Welles, ultimately underscored Porter’s commitment to preserving the nation. It was during the desperate struggle for New Orleans in 1862 that Porter truly shone, commanding a flotilla of mortar boats with remarkable precision and effectiveness. These weren't simply vessels; they were instruments of strategic brilliance, contributing significantly to the city’s eventual fall – a pivotal moment that opened the Mississippi River to Union control. His subsequent appointment as commander of the Mississippi River Squadron in October 1862 placed him at the very heart of the conflict’s western theater, directing naval operations with a tactical acumen that proved instrumental in supporting General Ulysses S. Grant's relentless campaign against Vicksburg. Porter’s strategic brilliance was undeniably crucial in assisting Grant during the grueling Vicksburg Campaign, culminating in the city’s surrender in 1863 – a turning point that dramatically shifted the balance of power in the war. The challenges he faced during the Red River Campaign in Louisiana—navigating dangerously low water levels and overcoming seemingly insurmountable logistical hurdles—further demonstrated his resilience, adaptability, and unwavering determination. His leadership extended to the North Atlantic Squadron, where he orchestrated joint assaults on Fort Fisher in North Carolina, marking one of the final major naval engagements of the war.

Reforms, Recognition, and a Unique Artistic Vision

Following the Civil War’s conclusion, Porter ascended to unprecedented heights within the U.S. Navy, earning both respect and recognition for his service. He was promoted to Vice Admiral and later became only the second officer in U.S. Naval history to achieve the rank of Admiral – a testament to his exceptional leadership and strategic capabilities. Beyond his military achievements, Porter dedicated himself to modernizing and professionalizing the naval service, initiating crucial reforms at the United States Naval Academy that would lay the groundwork for its future success. He championed improved curriculum standards, emphasizing professionalism and rigorous training—transforming the institution into a model of naval education. Remarkably, alongside his demanding naval career, Porter pursued an artistic passion – photography – creating concert photographs, band portraits, and event scenes that offer a unique and intimate glimpse into 19th-century American society. These images aren’t merely historical records; they are vibrant snapshots capturing the energy and atmosphere of social gatherings and musical performances—revealing a keen eye for detail and an ability to translate moments in time into compelling visual narratives. His artistic endeavors reveal a surprising duality within this distinguished naval officer, demonstrating a capacity for creativity beyond the confines of military service.

The Legacy of a Naval Officer and Artist

David Dixon Porter’s contributions resonate far beyond his lifetime. His leadership during the Civil War was undeniably crucial to the Union victory, particularly on the Mississippi River, effectively splitting the Confederacy and controlling a vital artery of commerce. His reforms at the Naval Academy laid the groundwork for modern naval education, producing generations of skilled and dedicated officers. As a two-time Admiral, he left an indelible mark on the structure and leadership of the U.S. Navy. But perhaps his most intriguing legacy lies in his artistic pursuits – his photographs offer a rare and intimate perspective on 19th-century American society, blending naval history with artistic expression. His work serves as a reminder that even within the rigid confines of military life, creativity can flourish. Porter’s story is one of family tradition, unwavering dedication, and unexpected artistry—a testament to the multifaceted nature of human potential. He embodies the spirit of innovation and service that continues to define the U.S. Navy today. His influence extends beyond the annals of naval history; it lives on in the photographs he left behind, offering a captivating window into a pivotal era of American life.
  • Key Dates: June 8, 1813 – February 13, 1891
  • Rank: Admiral (twice promoted)
  • Notable Achievements: Capture of New Orleans, Vicksburg Campaign, Fort Fisher assault, Superintendent of the U.S. Naval Academy

Короткі факти

  • Artistic Movement Or Style: Фотографія
  • Artists Or Movements Influenced By This Artist: ['Військово-морський флот США']
  • Artists Who Influenced This Artist: ['Девід Глоссер Фаррагут']
  • Date Of Birth: 6 червня 1813 р.
  • Date Of Death: 13 лютого 1891 р.
  • Full Name: David Dixon Porter
  • Nationality: Американський
  • Notable Artworks:
    • Концертні фотографії
    • Портрети оркестру
  • Place Of Birth: Честер, США