Untitled (1956), Zakhar Hatsyatryan tarafından yapılmış, Erivan şehrindeki Ermenistan Ulusal Galerisi koleksiyonunda bulunan en ünlü tablodur. Untitled (1954) ve Untitled (1960), dünyanın en iyi bildiği sonraki iki eserdir. Katalogumuzdaki Zakhar Hatsyatryan adlı sanatçının 80 eseri arasından, koleksiyonerlerin ve müze ziyaretçilerinin en çok ilgi gösterdiği, yılı, sergilendiği müze ve hikayesiyle birlikte sunulan 55 eser şunlardır:
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Zakhar Hatsyatryan Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Ermenistan Ulusal Galerisi |
Erivan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Ermenistan Ulusal Galerisi, Erivan. Ardından Untitled (1954) ve Untitled (1960) gelir.
32 yaşında: Untitled 1956 yılına aittir ve Zakhar Hatsyatryan 1924 yılında doğmuştur.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled ve Untitled. Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.
Kataloğumuz, Zakhar Hatsyatryan tarafından 1954 ile 2004 tarihleri arasında üretilen 80 eseri listelemektedir.
Çoğu Ermenistan Ulusal Galerisi (Erivan) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
1970s döneminde: Bu sayfadaki 55 eserin 24 tanesi o döneme aittir, bunlar arasında Untitled bulunmaktadır.
Bu sayfadaki en eski eser Untitled (1954), en yeni eser ise Untitled (2004)'dir.
Untitled, Untitled ve Untitled, Ermenistan Ulusal Galerisi, Erivan bünyesinde bulunan bu sayfadaki 55 eser arasında yer almaktadır.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
