Per Krafft the Elder, 1724 – 1793

Per Krafft the Elder Sanatçısının En Ünlü 52 Tablosu

Per Krafft the Elder ismini duyuran tablo Portrait of Alois Friedrich von Brühl (1739-1793). (1767) eseridir; bu eser Varşova, Ulusal Müze Varşova bünyesinde sergilenmektedir. Portrait of Natalia Alexandrovna Repnina (1767) ve Portrait of Stanisław August Poniatowski (1767) ise koleksiyonerlerin ve müze ziyaretçilerinin kalbinde onları takip ediyor. Katalogumuzdaki Per Krafft the Elder imzalı 52 eser arasından en çok beğenilen bu 52 eser; yapıldığı tarih, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte sunulmuştur.

Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

Per Krafft the Elder portresi
Per Krafft the Elder · 1724 – 1793
Doğum · ölüm
1724 – 1793, Arboga
Akım
Rococo
Kataloğumuzdaki eserler
52
En ünlüları
Portrait of Alois Friedrich von Brühl (1739-1793). (1767)
En çok eser şu müzede
Nationalmuseum

Per Krafft the Elder: on başyapıt

Portrait of Alois Friedrich von Brühl (1739-1793). (1767) tarafından Per Krafft the Elder
1

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · Ulusal Müze Varşova, Varşova

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

Portrait of Natalia Alexandrovna Repnina (1767) tarafından Per Krafft the Elder
2

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

Portrait of a Man (1775) tarafından Per Krafft the Elder
4

Portrait of a Man

1775 · Oil On Canvas · Kraków Ulusal Müzesi, Krakov

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

Gustav III (1746–1792), King of Sweden (1791) tarafından Per Krafft the Elder
5

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · Nationalmuseum, Stockholm

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

Portrait of Ignacy Krasicki (1767) tarafından Per Krafft the Elder
6

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · Ulusal Müze Varşova, Varşova

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

Reading Boy (1758) tarafından Per Krafft the Elder
7

Reading Boy

1758 · Oil On Canvas · Nationalmuseum, Stockholm

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

11 ile 52 arası daha fazla Per Krafft the Elder şaheseri

Izabela Lubomirska née Czartoryska tarafından Per Krafft the Elder
#52

Izabela Lubomirska née Czartoryska

Royal Łazienki Müzesi

Elżbieta (Izabela) Lubomirska née Czartoryska (1736–1810), wife of Prince Stanisław Lubomirski, Grand Marshal of the Crown, and owner of the palaces in Wilanów and Łańcut, was the cousin…

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Per Krafft the Elder tarafından en çok resmedilen konular

Bu şaheserler arasında en sık rastlanan dört konu ve her birinin en seçkin örneği.

Per Krafft the Elder'in tabloları nerede görülebilir

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 7 müze.

Müze Şehir Per Krafft the Elder Eserleri Bu listedeki tablolar
Nationalmuseum, StockholmNationalmuseum Stockholm 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
Ulusal Müze Varşova, VarşovaUlusal Müze Varşova Varşova 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
Kraków Ulusal Müzesi, KrakovKraków Ulusal Müzesi Krakov 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
Hermitaj Müzesi, Saint PetersburgHermitaj Müzesi Saint Petersburg 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Müzesi, VarşovaRoyal Łazienki Müzesi Varşova 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, on yıllara göre: her on yılın tanımlayıcı tablosu

  1. 1740s
  2. 1750s
    Reading Boy (1758) tarafından Per Krafft the Elder
    Sıra 7 / 52

    Reading Boy

    Yaş 26 – 35 · Nationalmuseum

    The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in…

  3. 1760s
    Portrait of Alois Friedrich von Brühl (1739-1793). (1767) tarafından Per Krafft the Elder
    52 içinden 1.

    Portrait of Alois Friedrich von Brühl (1739-1793).

    Yaş 36 – 45 · Ulusal Müze Varşova

    In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned…

  4. 1770s
    Portrait of a Man (1775) tarafından Per Krafft the Elder
    52 içinde #4

    Portrait of a Man

    Yaş 46 – 55 · Kraków Ulusal Müzesi

    Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward…

  5. 1780s
    The Artist's Daughter Wilhelmina (1782) tarafından Per Krafft the Elder
    52 içinde #8

    The Artist's Daughter Wilhelmina

    Yaş 56 – 65 · Nationalmuseum

    The Artist's Daughter Wilhelmina is an oil on canvas portrait executed by Per Krafft the Elder in 1782. The work identifies its subject as Wilhelmina, the artist's daughter.…

  6. 1790s
    Gustav III (1746–1792), King of Sweden (1791) tarafından Per Krafft the Elder
    52 içinden 5.

    Gustav III (1746–1792), King of Sweden

    Yaş 66 – 69 · Nationalmuseum

    The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform…

Per Krafft the Elder'in şaheserleri: soru ve cevaplar

Per Krafft the Elder en çok hangi tablosuyla tanınır?Yanıtı göster

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), Ulusal Müze Varşova, Varşova. Ardından Portrait of Natalia Alexandrovna Repnina (1767) ve Portrait of Stanisław August Poniatowski (1767) gelir.

Per Krafft the Elder, Portrait of Alois Friedrich von Brühl (1739-1793). eserini yaptığında kaç yaşındaydı?Yanıtı göster

43 yaşında: Portrait of Alois Friedrich von Brühl (1739-1793). 1767 yılına aittir ve Per Krafft the Elder 1724 yılında doğmuştur.

Per Krafft the Elder sanatçısının en iyi on tablosu hangileridir?Yanıtı göster

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 ve Johan Gustaf Lund, född 1712, kommissarie. Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.

Per Krafft the Elder kaç eser yaptı?Yanıtı göster

Kataloğumuz, Per Krafft the Elder tarafından 1748 ile 1793 tarihleri arasında üretilen 52 eseri listelemektedir.

Per Krafft the Elder'in şaheserlerini hangi müzelerde görebilirim?Yanıtı göster

Çoğu Nationalmuseum (Stockholm), National Portrait Gallery of Sweden (Strängnäs) ve Ulusal Müze Varşova (Varşova) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

Per Krafft the Elder şaheserlerini ne zaman yaptı?Yanıtı göster

1760s döneminde: Bu sayfadaki 52 eserin 15 tanesi o döneme aittir, bunlar arasında Portrait of Alois Friedrich von Brühl (1739-1793). bulunmaktadır.

Per Krafft the Elder isimli sanatçının ilk ve son ünlü tabloları nelerdir?Yanıtı göster

Bu sayfadaki en eski eser Johan Gustaf Lund, född 1712, kommissarie (1748), en yeni eser ise Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793)'dir.

Per Krafft the Elder'in en sevdiği konular nelerdi?Yanıtı göster

Bu sayfadaki 52 eser arasında Man (6), Lace (3) ve Dark background (3) yer almaktadır.

Per Krafft the Elder hangi tekniği tercih ediyordu?Yanıtı göster

Oil On Canvas: Bu sayfadaki 52 eserin 8 tanesi.

Per Krafft the Elder hangi sanat akımına dahil?Yanıtı göster

bu sayfadaki tabloların da gösterdiği gibi Rococo,

Per Krafft the Elder tarafından yapılmış hangi şaheserler Nationalmuseum bünyesinde sergilenmektedir?Yanıtı göster

Gustav III (1746–1792), King of Sweden, Reading Boy ve The Artist's Daughter Wilhelmina, Nationalmuseum, Stockholm bünyesinde bulunan bu sayfadaki 18 eser arasında yer almaktadır.

Per Krafft the Elder imzalı bir başyapıtın reprodüksiyonuna sahip olabilir miyim?Yanıtı göster

Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

Per Krafft the Elder'in hayatı

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.

Per Krafft the Elder tarafından yapılan tüm 52 eser →