Masaccio's most famous painting is Teslis (1428). With Vergi Parası (1425) and Aden Bahçesi'nden Kovuluş (1426), it completes the three works everyone recognises. Our catalogue lists 97 works by Masaccio; the 97 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated Ekim 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
Teslis, Masaccio'nun birçok sanatsal yeniliği bünyesinde barındıran çığır açıcı bir çalışmasıdır. Derinlik ve mekan algısı yaratan lineer perspektif kullanımını benimseyen ilk anıtsal Rönesans tablolarından biri olması, eseri döneminin çok ötesine taşır. Sanatçının chiaroscuro ve sfumato tekniklerini ustalıkla kullanması, figürlere hacim ve doku kazandırarak onları gerçekliğin sınırlarını zorlayan bir doğallığa ulaştırır.
Sahne, Floransa'daki Santa Maria del Carmine bazilikasının Brancacci Şapeli'nde hayat bulur. Burada, Masaccio tarafından yapılan ve Vergi Parası başlığını taşıyan fresco, şapelin duvarları üzerinde bir kutsal anlatıyı canlandırır. Felice Brancacci tarafından sipariş edilen bu eser, Aziz Petrus'un yaşamına adanmış daha geniş bir döngünün önemli bir parçasını oluşturur. Figürler derin bir anlam taşıyan bir anın içinden geçerken, şapeldeki hava bu kutsal tarihin ağırlığını içinde barındırıyor gibidir.
İtalya'nın Floransa kentindeki Santa Maria del Carmine kilisesinde yer alan Brancacci Şapeli'nin ağır sessizliği, derin bir trajedinin yükünü taşır. Burada duvarlar, 1425 civarında Masaccio tarafından resmedilen bir fresco olan Aden Bahçesi'nden Kovuluş'un hikayesiyle nefes alır. Figürler cennetten ani ve geri dönülemez ayrılışlarıyla yüzleşirken, havadaki yoğunluk sanki daha da artar. Bu sahne, Aziz Petrus'un yaşamına adanmış bir serinin ilk fresko çalışması olarak daha geniş bir anlatının başlangıcını temsil eder.
Bu büyüleyici detay, Masaccio’nun Floransa'daki Brancacci Şapeli'nin en kilit eserlerinden biri olan çığır açıcı freski “Vergi Parası”ndan (The Tribute Money) gelmektedir. 1426 civarında tamamlanan bu eser, Batı sanatında Gotik dönemin stilize geleneklerinden uzaklaşarak natüralizm ve hümanist ifadeye dayalı yeni bir çağa geçişi temsil eden bir dönüm noktasıdır.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…
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Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…
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Raising of the Son of Theophilus and St Peter Enthroned (detail) is a fresco by Masaccio. Executed between 1426 and 1427, this fragment belongs to a larger cycle…
The artwork titled St Peter Healing the Sick with his Shadow (detail) is a work by the artist Masaccio. This specific piece was executed in 1426. It is…
The Cappella Brancacci, nestled within Santa Maria della Carmine church in Florence, stands as one of Masaccio’s most enduring achievements—a testament to his pioneering vision of artistic realism…
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Masaccio’s Frescoes in the Cappella Brancacci stand as a cornerstone of Renaissance art, representing an unprecedented leap forward in artistic innovation and profoundly influencing subsequent generations. Located within…
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The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
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The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
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Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…
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In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…
In the quiet intensity of Masaccio’s Profile Portrait of a Young Man, we encounter more than just a painted face; we witness the very moment Western art began…
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In the quiet, profound stillness of Masaccio’s St Jerome and St John the Baptist, we are transported back to the early 15th century, a period where the rigid…
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The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
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The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
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The Portrait of a Young Woman is a captivating painting by the renowned Italian artist Masaccio, created in 1425. This early Renaissance masterpiece measures 42 x 32 cm…
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In this oil painting on wood panel, dating to 1424, we find a quiet moment of sacred intimacy. The composition is built upon a pyramidal structure, a hallmark…
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In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
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Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…
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To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…
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The Martyrdom of San Giovanni Battista is a captivating painting by the renowned Italian artist Masaccio (Ser Giovanni, Mone Cassai), created in 1426. This early Renaissance masterpiece measures…
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The world of 15th-century Florentine painting was undergoing a seismic shift, and at the heart of this transformation stood Masaccio – a name that resonates with an almost…
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A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…
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Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…
Commission a hand-painted copy →The four subjects that return most often among these masterpieces, with the finest example of each.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Masaccio | Paintings from this list |
|---|---|---|---|
 Santa Maria del Carmine |
Floransa | 7 | View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view) |
 Staatliche Museen zu Berlin |
Berlin | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berlin | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Floransa | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Washington | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
Londra | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Napoli | 1 | Crucifixion |
Masaccio painted for barely 9 years, from 1420 to 1428: follow that decade year by year, through the paintings that made the name.
The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…
The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
Sahne, Floransa'daki Santa Maria del Carmine bazilikasının Brancacci Şapeli'nde hayat bulur. Burada, Masaccio tarafından yapılan ve Vergi Parası başlığını taşıyan fresco, şapelin duvarları üzerinde bir kutsal anlatıyı canlandırır.…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…
İtalya'nın Floransa kentindeki Santa Maria del Carmine kilisesinde yer alan Brancacci Şapeli'nin ağır sessizliği, derin bir trajedinin yükünü taşır. Burada duvarlar, 1425 civarında Masaccio tarafından resmedilen bir fresco…
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…
Masaccio's View of the Cappella Brancacci (before restoration), painted in 1426, isn’t merely a depiction of a church interior; it’s a pivotal moment in art history – a…
The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
Teslis, Masaccio'nun birçok sanatsal yeniliği bünyesinde barındıran çığır açıcı bir çalışmasıdır. Derinlik ve mekan algısı yaratan lineer perspektif kullanımını benimseyen ilk anıtsal Rönesans tablolarından biri olması, eseri döneminin…
Teslis (1428). Next come Vergi Parası (1425) and Aden Bahçesi'nden Kovuluş (1426).
27 years old: Teslis dates from 1428 and Masaccio was born in 1401.
Teslis, Vergi Parası, Aden Bahçesi'nden Kovuluş, Trapatiçi Detayı (Detay), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity and Trinity (detail). The ranking above gives the year and the museum of each.
Our catalogue lists 97 works by Masaccio, dated from 1420 to 1428.
Most of them are in Santa Maria del Carmine (Floransa), Staatliche Museen zu Berlin (Berlin) and Gemäldegalerie (Berlin). The table above lists the museums one by one.
In 1426: 41 of the 97 works on this page date from then, among them Aden Bahçesi'nden Kovuluş.
The earliest on this page is Madonna of Humility (1420), the latest Teslis (1428).
Saints (30), Religious (25) and Renaissance (14), among the 97 works on this page.
Acrylic On Canvas: 9 of the 97 works on this page.
Erken rönesans, as the paintings on this page show.
View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) and Frescoes in the Cappella Brancacci (left view) are among the 7 works on this page held by the Santa Maria del Carmine, Floransa.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
Tommaso di Ser Giovanni di Simone, namıdiğer Masaccio (yani "Sakar Tom"), Erken İtalyan Rönesansı'nın en kilit figürlerinden biriydi. 21 Aralık 1401'de İtalya'nın San Giovanni Valdarno kentinde dünyaya gelen ve 1428 yılında trajik bir şekilde genç yaşta hayata veda eden bu dahi sanatçı, kısa süren kariyerine çığır açan gerçekçilik, perspektif ve chiaroscuro (ışık ve gölgenin güçlü kontrastı) tekniklerini sığdırarak resim sanatında devrim yarattı. Kısa ömrüne rağmen Masaccio'nun sonraki nesil sanatçılar üzerindeki etkisi derin bir iz bıraktı; doğalcılık konusunda yeni bir standart belirleyerek Batı sanatının akışını sonsuza dek değiştirdi.
Masaccio'nun trajik derecede kısa süren kariyerine rağmen, Batı sanatının seyri üzerindeki etkisi ölçülemez boyuttadır. Perspektif, chiaroscuro ve doğalcılık alanındaki yenilikleri, sanatçıların dünyayı betimleme biçimlerini kökten değiştirdi. Orta Çağ'ın sanatsal gelenekleri ile Rönesans'ın yükselen idealleri arasında etkili bir köprü kurmayı başardı.
Masaccio'nun mirası, tarihin en önemli ve etkileyici sanatçılarından biri olarak varlığını sürdürmektedir. Orta Çağ'dan Rönesans sanatına geçişte kilit bir figür olarak durmakta; dünyayı resim yoluyla algılama ve temsil etme biçimimizi sonsuza dek değiştirmektedir. Onun kısa ama parlak kariyeri, yeniliğin gücüne ve sanatsal dehanın kalıcı etkisine verilmiş en görkemli kanıtlardan biridir.