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A Dark Bay Racehorse held by a Trainer in a Landscape
El boyaması yağlı boya reprodüksiyon fiyatları $206 36 × 27 cm
Orijinal boyutunda $439 107 × 81 cm Orijinal boyutunda sipariş verin →
Samuel Spode'in en ünlü eseri Florence Court'da bulunan A Dark Bay Racehorse held by a Trainer in a Landscape (1833)'tir. Kataloğumuz Samuel Spode tarafından üretilen 2 eseri listelemektedir; aşağıda yer alan 2 eser ise dünyanın en çok ilgi gösterdiği, her biri yapıldığı yıl, sergilendiği müze ve önemine dair bilgilerle birlikte sunulan seçkin parçalardır.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Samuel Spode Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Samuel Spode tarafından 1833 yılında yapılmış olan bu sayfadaki tüm eserlerin en ünlüları şunlardır:
A Dark Bay Racehorse held by a Trainer in a Landscape (1833)
35 yaşında: A Dark Bay Racehorse held by a Trainer in a Landscape 1833 yılına aittir ve Samuel Spode 1798 yılında doğmuştur.
Kataloğumuz Samuel Spode tarafından yapılmış 2 eseri listelemektedir.
Çoğu Florence Court bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.