Peter Howson ismini duyuran tablo Samson (Bairds Carryout) (1987) eseridir; bu eser New York, Metropolitan Sanat Müzesi bünyesinde sergilenmektedir. Samson (Bairds Carryout) (1987) ve Boxer ise koleksiyonerlerin ve müze ziyaretçilerinin kalbinde onları takip ediyor. Katalogumuzdaki Peter Howson imzalı 3 eser arasından en çok beğenilen bu 3 eser; yapıldığı tarih, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte sunulmuştur.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Peter Howson Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Metropolitan Sanat Müzesi |
New York | 1 | Samson (Bairds Carryout) |
Bu sayfadaki Peter Howson imzalı her tarihli şaheser 1987 yılına aittir: işte buradalar.
Samson (Bairds Carryout) (1987), Metropolitan Sanat Müzesi, New York. Ardından Samson (Bairds Carryout) (1987) ve Boxer gelir.
29 yaşında: Samson (Bairds Carryout) 1987 yılına aittir ve Peter Howson 1958 yılında doğmuştur.
Kataloğumuz Peter Howson tarafından yapılmış 3 eseri listelemektedir.
Çoğu Metropolitan Sanat Müzesi (New York) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
1987 döneminde: Bu sayfadaki 3 eserin 2 tanesi o döneme aittir, bunlar arasında Samson (Bairds Carryout) bulunmaktadır.
Peter Howson OBE (born 1958) is a Scottish painter renowned for his powerfully emotive and often unsettling depictions of modern life. Born in London to Scottish parents, he moved with his family to Prestwick, Ayrshire, at the age of four. Raised in a deeply religious household, this early upbringing profoundly influenced his artistic trajectory; his very first painting, created at age six, was a depiction of the crucifixion.
Howson’s work has evolved through distinct phases. Initially, he became known for his raw and unflinching portrayals of masculine working-class men – figures often presented as heroic yet vulnerable. Heroic Dosser (1987) remains a seminal example of this early style. His paintings from this period are characterized by their muscular forms, gritty realism, and exploration of identity and social issues.
A pivotal moment in Howson’s career came in 1993 when he was commissioned by the Imperial War Museum as the official war artist for Bosnia/Herzegovina during the brutal conflict. This experience profoundly affected him, leading to some of his most shocking and controversial works. Paintings like Plum Grove (1994) unflinchingly documented the atrocities witnessed, including depictions of rape and violence based on direct accounts from victims. The painting Croatian and Muslim, detailing a rape, generated significant controversy due to its explicit subject matter.
Howson also served as the official war painter during the Kosovo War for *The London Times*. In more recent years, his work has increasingly explored religious themes. This shift is closely linked to his personal battle with alcoholism and drug addiction, culminating in treatment at Castle Craig Hospital in Peebles in 2000. Following this experience, he converted to Christianity, and paintings like Judas (2002) reflect both his past struggles and newfound faith.
Beyond fine art, Howson's work has reached wider audiences through album cover designs for bands like Live (*Throwing Copper*), The Beautiful South (*Quench*), and Jackie Leven (*Fairytales for Hardmen*) and even a British postage stamp celebrating engineering achievements in 1999.
Peter Howson is considered a significant figure in contemporary Scottish art, associated with the New Glasgow Boys. His unflinching honesty, powerful imagery, and willingness to confront difficult subjects have established him as a unique voice within figurative expressionism. He continues to exhibit internationally, and his work resides in numerous major collections, cementing his place as an iconic artist of our time.