John Simpson, 1782 – 1847

John Simpson Tabloları: En Ünlü 20 Eser, Sıralanmış

John Simpson'in en ünlü eseri, Londra, The Royal Hospital Chelsea bünyesinde yer alan The Duke of Wellington (1769–1852)'dir. Clarkson Frederick Stanfield (1829) ve D. Maria II, Queen of Portugal (1819-1853) (1837) ile birlikte, herkesin tanıdığı o üç eseri tamamlıyor. Kataloğumuz John Simpson tarafından üretilen 22 eseri listelemektedir; aşağıda yer alan 20 eser ise dünyanın en çok ilgi gösterdiği, her biri yapıldığı yıl, sergilendiği müze ve önemine dair bilgilerle birlikte sunulan seçkin parçalardır.

Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

John Simpson portresi
John Simpson · 1782 – 1847
Doğum · ölüm
1782 – 1847, London
Kataloğumuzdaki eserler
22
En ünlüları
The Duke of Wellington (1769–1852)
En çok eser şu müzede
National Portrait Gallery

En ünlü 10 John Simpson tablosu

The Duke of Wellington (1769–1852) tarafından John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · The Royal Hospital Chelsea, Londra

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

El boyaması yağlı boya reprodüksiyon fiyatları $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) tarafından John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, Londra

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

El boyaması yağlı boya reprodüksiyon fiyatları $181 29 × 35 cm Orijinal boyutunda $299 64 × 77 cm Orijinal boyutunda sipariş verin →
D. Maria II, Queen of Portugal (1819-1853) (1837) tarafından John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) tarafından John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm Orijinal boyutunda $551 102 × 130 cm Orijinal boyutunda sipariş verin →
Portrait of the Duke of Terceira (1832) tarafından John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis Ulusal Müzesi, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

El boyaması yağlı boya reprodüksiyon fiyatları $181 29 × 35 cm Orijinal boyutunda $301 64 × 77 cm Orijinal boyutunda sipariş verin →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) tarafından John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) tarafından John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, Londra

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

El boyaması yağlı boya reprodüksiyon fiyatları $181 29 × 35 cm Orijinal boyutunda $299 64 × 76 cm Orijinal boyutunda sipariş verin →
William IV (1765–1837) (1830) tarafından John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

El boyaması yağlı boya reprodüksiyon fiyatları $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) tarafından John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) tarafından John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

El boyaması yağlı boya reprodüksiyon fiyatları $181 24 × 42 cm

John Simpson, 11. - 20. tabloları

John Simpson tarafından en çok resmedilen konular

Bu şaheserler arasında en sık rastlanan dört konu ve her birinin en seçkin örneği.

John Simpson'in tabloları nerede görülebilir

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir John Simpson Eserleri Bu listedeki tablolar
National Portrait Gallery, LondraNational Portrait Gallery Londra 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LondraNational Maritime Museum Londra 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
The Royal Hospital Chelsea, LondraThe Royal Hospital Chelsea Londra 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis Ulusal Müzesi, PortoSoares dos Reis Ulusal Müzesi Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
İskoç Ulusal Portre Galerisi, Edinburghİskoç Ulusal Portre Galerisi Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondraEnglish Heritage Londra 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

John Simpson'in her on yıldıldan en ünlü tablosu

  1. 1820s
    Clarkson Frederick Stanfield (1829) tarafından John Simpson
    Sıra 2 / 20

    Clarkson Frederick Stanfield

    Yaş 38 – 47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) tarafından John Simpson
    20 içinde #3

    D. Maria II, Queen of Portugal (1819-1853)

    Yaş 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) tarafından John Simpson
    20 içinden 15.

    Sir Charles Napier (1786–1860), Admiral

    Yaş 58 – 65 · İskoç Ulusal Portre Galerisi

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

John Simpson'in tabloları hakkında sorular

John Simpson'in en ünlü tablosu hangisidir?Yanıtı göster

The Duke of Wellington (1769–1852), The Royal Hospital Chelsea, Londra. Ardından Clarkson Frederick Stanfield (1829) ve D. Maria II, Queen of Portugal (1819-1853) (1837) gelir.

John Simpson tarafından yapılan en iyi 10 tablo hangileridir?Yanıtı göster

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) ve Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.

John Simpson kaç adet tablo yaptı?Yanıtı göster

Kataloğumuz, John Simpson tarafından 1822 ile 1841 tarihleri arasında üretilen 22 eseri listelemektedir.

John Simpson'in en ünlü tabloları nerelerdedir?Yanıtı göster

Çoğu National Portrait Gallery (Londra), National Maritime Museum (Londra) ve The Royal Hospital Chelsea (Londra) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

John Simpson en ünlü eserlerini ne zaman yaptı?Yanıtı göster

1830s döneminde: Bu sayfadaki 20 eserin 9 tanesi o döneme aittir, bunlar arasında D. Maria II, Queen of Portugal (1819-1853) bulunmaktadır.

John Simpson'in en eski ve en yeni ünlü tabloları hangileridir?Yanıtı göster

Bu sayfadaki en eski eser Captain Peter Heywood (1773–1831) (1822), en yeni eser ise Sir Charles Napier (1786–1860), Admiral (1841)'dir.

John Simpson en çok neyi resmetti?Yanıtı göster

Bu sayfadaki 20 eser arasında Man (13), Dark background (5) ve Portrait (4) yer almaktadır.

John Simpson en çok hangi tekniği kullandı?Yanıtı göster

Oil On Canvas: Bu sayfadaki 20 eserin 10 tanesi.

National Portrait Gallery bünyesinde hangi John Simpson tablolarını görebilirim?Yanıtı göster

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) ve Sir Herbert Taylor, National Portrait Gallery, Londra bünyesinde bulunan bu sayfadaki 3 eser arasında yer almaktadır.

John Simpson tablosunun bir reprodüksiyonunu satın alabilir miyim?Yanıtı göster

Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

John Simpson Hakkında

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.