John Mare, 1739 – 1803

John Mare Tabloları: En Ünlü 3 Eser, Sıralanmış

John Mare'in en ünlü eseri, New York City, New York Historical Society bünyesinde yer alan Dr. Benjamin Youngs Prime (1733-1791) (1774)'dir. John Keteltas (1739-1766) (1767) ve Jeremiah Platt (1767) ile birlikte, herkesin tanıdığı o üç eseri tamamlıyor. Kataloğumuz John Mare tarafından üretilen 3 eseri listelemektedir; aşağıda yer alan 3 eser ise dünyanın en çok ilgi gösterdiği, her biri yapıldığı yıl, sergilendiği müze ve önemine dair bilgilerle birlikte sunulan seçkin parçalardır.

Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

John Mare portresi
John Mare · 1739 – 1803
Doğum · ölüm
1739 – 1803, New York City
Kataloğumuzdaki eserler
3
En ünlüları
Dr. Benjamin Youngs Prime (1733-1791) (1774)
En çok eser şu müzede
New York Historical Society

En ünlü 10 John Mare tablosu

Dr. Benjamin Youngs Prime (1733-1791) (1774) tarafından John Mare
1

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, New York City

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

El boyaması yağlı boya reprodüksiyon fiyatları $181 27 × 37 cm
John Keteltas (1739-1766) (1767) tarafından John Mare
2

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, New York City

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

El boyaması yağlı boya reprodüksiyon fiyatları $181 29 × 35 cm
Jeremiah Platt (1767) tarafından John Mare
3

Jeremiah Platt

1767 · Metropolitan Sanat Müzesi, New York

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm Orijinal boyutunda $516 98 × 123 cm Orijinal boyutunda sipariş verin →

John Mare tarafından en çok resmedilen konular

Bu şaheserler arasında en sık rastlanan dört konu ve her birinin en seçkin örneği.

John Mare'in tabloları nerede görülebilir

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.

Müze Şehir John Mare Eserleri Bu listedeki tablolar
New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitan Sanat Müzesi, New YorkMetropolitan Sanat Müzesi New York 1 Jeremiah Platt

John Mare'in yıla göre en ünlü tabloları

John Mare, 1767 ile 1774 yılları arasındaki sadece 8 yıllık süreçte resim yaptı: ismini duyuran tablolar aracılığıyla bu on yılı yıl yıl takip edin.

  1. 1767
    John Keteltas (1739-1766) (1767) tarafından John Mare
    3 içinde #2

    John Keteltas (1739-1766)

    Yaş 28 · New York Historical Society

    A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

  2. 1767
    Jeremiah Platt (1767) tarafından John Mare
    3 içinden 3.

    Jeremiah Platt

    Yaş 28 · Metropolitan Sanat Müzesi

    Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

  3. 1774
    Dr. Benjamin Youngs Prime (1733-1791) (1774) tarafından John Mare
    3 içinden 1.

    Dr. Benjamin Youngs Prime (1733-1791)

    Yaş 35 · New York Historical Society

    The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

John Mare'in tabloları hakkında sorular

John Mare'in en ünlü tablosu hangisidir?Yanıtı göster

Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Ardından John Keteltas (1739-1766) (1767) ve Jeremiah Platt (1767) gelir.

Dr. Benjamin Youngs Prime (1733-1791) eseri boyandığında John Mare kaç yaşındaydı?Yanıtı göster

35 yaşında: Dr. Benjamin Youngs Prime (1733-1791) 1774 yılına aittir ve John Mare 1739 yılında doğmuştur.

John Mare kaç adet tablo yaptı?Yanıtı göster

Kataloğumuz, John Mare tarafından 1767 ile 1774 tarihleri arasında üretilen 3 eseri listelemektedir.

John Mare'in en ünlü tabloları nerelerdedir?Yanıtı göster

Çoğu New York Historical Society (New York City) ve Metropolitan Sanat Müzesi (New York) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

John Mare en ünlü eserlerini ne zaman yaptı?Yanıtı göster

1767 döneminde: Bu sayfadaki 3 eserin 2 tanesi o döneme aittir, bunlar arasında John Keteltas (1739-1766) bulunmaktadır.

John Mare'in en eski ve en yeni ünlü tabloları hangileridir?Yanıtı göster

Bu sayfadaki en eski eser John Keteltas (1739-1766) (1767), en yeni eser ise Dr. Benjamin Youngs Prime (1733-1791) (1774)'dir.

John Mare en çok neyi resmetti?Yanıtı göster

Bu sayfadaki 3 eser arasında Man (2), Wig (2) ve Cravat (2) yer almaktadır.

New York Historical Society bünyesinde hangi John Mare tablolarını görebilirim?Yanıtı göster

Dr. Benjamin Youngs Prime (1733-1791) ve John Keteltas (1739-1766), New York Historical Society, New York City bünyesinde bulunan bu sayfadaki 2 eser arasında yer almaktadır.

John Mare tablosunun bir reprodüksiyonunu satın alabilir miyim?Yanıtı göster

Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

John Mare Hakkında

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.