Johan Per (Per) Sodermark ismini duyuran tablo Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) eseridir; bu eser Stockholm, Nationalmuseum bünyesinde sergilenmektedir. Portrait of Werner Holmberg (1853) ve Christoffer Eichhorn (1837-1889), librarian, art historian (1889) ise koleksiyonerlerin ve müze ziyaretçilerinin kalbinde onları takip ediyor. Katalogumuzdaki Johan Per (Per) Sodermark imzalı 3 eser arasından en çok beğenilen bu 3 eser; yapıldığı tarih, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte sunulmuştur.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Johan Per (Per) Sodermark Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm. Ardından Portrait of Werner Holmberg (1853) ve Christoffer Eichhorn (1837-1889), librarian, art historian (1889) gelir.
26 yaşında: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery 1848 yılına aittir ve Johan Per (Per) Sodermark 1822 yılında doğmuştur.
Kataloğumuz, Johan Per (Per) Sodermark tarafından 1848 ile 1889 tarihleri arasında üretilen 3 eseri listelemektedir.
Çoğu Nationalmuseum (Stockholm) ve Finnish National Gallery (Helsinki) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
Bu sayfadaki en eski eser Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), en yeni eser ise Christoffer Eichhorn (1837-1889), librarian, art historian (1889)'dir.
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery ve Christoffer Eichhorn (1837-1889), librarian, art historian, Nationalmuseum, Stockholm bünyesinde bulunan bu sayfadaki 2 eser arasında yer almaktadır.
Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.