Frederic Yates, 1854 – 1919

Frederic Yates: En Ünlü 16 Tablo

Charlotte Mason (1842–1923) (1902), Frederic Yates tarafından yapılmış en ünlü tablodur. Path on Nab Scar (1900) ve At Dent, August 1904 (1904), dünyanın en iyi bildiği sonraki iki eserdir. Katalogumuzdaki Frederic Yates adlı sanatçının 16 eseri arasından, koleksiyonerlerin ve müze ziyaretçilerinin en çok ilgi gösterdiği, yılı, sergilendiği müze ve hikayesiyle birlikte sunulan 16 eser şunlardır:

Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

Frederic Yates portresi
Frederic Yates · 1854 – 1919
Doğum · Ölüm
1854 – 1919, Southampton
Kataloğumuzdaki eserler
16
En ünlüları
Charlotte Mason (1842–1923) (1902)
En çok eser şu müzede
Abbot Hall Art Gallery

En İyi 10: Frederic Yates'in en bilinen tabloları

Charlotte Mason (1842–1923) (1902) tarafından Frederic Yates
1

Charlotte Mason (1842–1923)

1902 · Oil On Canvas

The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

El boyaması yağlı boya reprodüksiyon fiyatları: $199 27 × 37 cm Orijinal boyutunda $236 40 × 52 cm Orijinal boyutunda sipariş verin →
Path on Nab Scar (1900) tarafından Frederic Yates
2

Path on Nab Scar

1900 · Oil · Abbot Hall Art Gallery, Kendal

A lone figure moves through a dense woodland, carrying a large stick. The man’s presence is quiet, absorbed by the surrounding trees that form a textured backdrop of green and shadow. The scene captures a moment of quiet exploration within the natural landscape, emphasizing a sense of stillness and the simple act of walking through the wild.

El boyaması yağlı boya reprodüksiyon fiyatları: $199 37 × 27 cm Orijinal boyutunda $327 79 × 61 cm Orijinal boyutunda sipariş verin →
At Dent, August 1904 (1904) tarafından Frederic Yates
3

At Dent, August 1904

1904 · Oil · Cumbria Archive And Local Studies Centre, Barrow-in-Furness

The sun hangs high over the street in Dent, casting a gentle light that settles upon the stone and earth. A large, singular rock sits anchored in the center of the thoroughfare, a silent protagonist amidst the architecture. Buildings line the sides of the path, their windows watching the scene like many eyes. To the left, a bench waits in the stillness, offering a place for rest that remains unoccupied…

El boyaması yağlı boya reprodüksiyon fiyatları: $199 35 × 29 cm
John Henry Bridges (1832–1906) (1904) tarafından Frederic Yates
4

John Henry Bridges (1832–1906)

1904 · Oil On Canvas

In this 1904 oil painting, a man sits in a formal, seated position. He is positioned centrally, facing the viewer with a steady, stern expression. His hands are folded in his lap, resting upon his legs. He wears a dark, well-fitted suit and a neatly tied necktie, suggesting a sense of professional or social standing. The subject is framed by the presence of two chairs; one is situated behind him,…

El boyaması yağlı boya reprodüksiyon fiyatları: $199 28 × 36 cm Orijinal boyutunda $382 71 × 91 cm Orijinal boyutunda sipariş verin →
Ernest de Sélincourt (1870–1943), Professor of English (1907) tarafından Frederic Yates
5

Ernest de Sélincourt (1870–1943), Professor of English

1907 · Oil On Canvas · University of Birmingham, Birmingham

In this 1907 portrait, we encounter Ernest de Sélincourt, a man whose presence is defined by a calm, intellectual gravity. He sits before us, a Professor of English, captured in a moment of stillness that feels both immediate and distant. His gaze is direct, meeting the viewer with a neutral, steady expression that suggests a mind accustomed to deep thought and the nuances of language. The dark, indistinct background recedes…

El boyaması yağlı boya reprodüksiyon fiyatları: $199 27 × 37 cm Orijinal boyutunda $270 50 × 62 cm Orijinal boyutunda sipariş verin →

Frederic Yates sıralamasının geri kalanı, 11 ile 16 arası

Frederic Yates tarafından en çok resmedilen konular

Bu şaheserler arasında en sık rastlanan dört konu ve her birinin en seçkin örneği.

Frederic Yates'in tabloları nerede görülebilir

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 5 müze.

Müzeler Şehir Frederic Yates Eserleri Bu listedeki tablolar
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

Yıllar içinde Frederic Yates: her yılın şaheserleri

Frederic Yates'in en tanınmış eserleri aracılığıyla yıl yıl anlatılan, 1900 ile 1914 yılları arasındaki 15 yıllık resim serüveni.

  1. 1900
    Path on Nab Scar (1900) tarafından Frederic Yates
    16 içinde #2

    Path on Nab Scar

    Yaş 46 · Abbot Hall Art Gallery

    A lone figure moves through a dense woodland, carrying a large stick. The man’s presence is quiet, absorbed by the surrounding trees that form a textured backdrop of…

  2. 1901
    Girl with a Pigeon (1901) tarafından Frederic Yates
    16 içinde #16

    Girl with a Pigeon

    Yaş 47 · Abbot Hall Art Gallery

    The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

  3. 1902
    Charlotte Mason (1842–1923) (1902) tarafından Frederic Yates
    Sıra 1 / 16

    Charlotte Mason (1842–1923)

    Yaş 48

    The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

  4. 1904
    At Dent, August 1904 (1904) tarafından Frederic Yates
    Sıra 3 / 16

    At Dent, August 1904

    Yaş 50 · Cumbria Archive And Local Studies Centre

    The sun hangs high over the street in Dent, casting a gentle light that settles upon the stone and earth. A large, singular rock sits anchored in the…

  5. 1904
    John Henry Bridges (1832–1906) (1904) tarafından Frederic Yates
    16 içinde #4

    John Henry Bridges (1832–1906)

    Yaş 50

    In this 1904 oil painting, a man sits in a formal, seated position. He is positioned centrally, facing the viewer with a steady, stern expression. His hands are…

  6. 1907
  7. 1914

Frederic Yates'in tabloları: sıkça sorulan sorular

Frederic Yates sanatçısının en ünlü tablosu hangisidir?Yanıtı göster

Charlotte Mason (1842–1923) (1902). Ardından Path on Nab Scar (1900) ve At Dent, August 1904 (1904) gelir.

Frederic Yates, Charlotte Mason (1842–1923) eserini kaç yaşında yaptı?Yanıtı göster

48 yaşında: Charlotte Mason (1842–1923) 1902 yılına aittir ve Frederic Yates 1854 yılında doğmuştur.

En ünlü 10 Frederic Yates tablosu hangileridir?Yanıtı göster

Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard ve John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.

Frederic Yates tarafından yapılmış kaç tablo var?Yanıtı göster

Kataloğumuz, Frederic Yates tarafından 1900 ile 1914 tarihleri arasında üretilen 16 eseri listelemektedir.

En ünlü Frederic Yates tablolarını nerede görebilirim?Yanıtı göster

Çoğu Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) ve Cumbria Archive And Local Studies Centre (Barrow-in-Furness) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

Frederic Yates en bilinen eserlerini hangi dönemde yaptı?Yanıtı göster

1904 döneminde: Bu sayfadaki 16 eserin 2 tanesi o döneme aittir, bunlar arasında At Dent, August 1904 bulunmaktadır.

En eski ünlü Frederic Yates tablosu hangisidir ve en yenisi hangisidir?Yanıtı göster

Bu sayfadaki en eski eser Path on Nab Scar (1900), en yeni eser ise Rydal Water (1914)'dir.

Frederic Yates hangi konuları resmetti?Yanıtı göster

Bu sayfadaki 16 eser arasında Man (3) ve Suit (2) yer almaktadır.

Frederic Yates ne üzerine ve ne ile resim yaptı?Yanıtı göster

Oil On Canvas: Bu sayfadaki 16 eserin 3 tanesi.

Abbot Hall Art Gallery bünyesinde hangi Frederic Yates tabloları bulunmaktadır?Yanıtı göster

Path on Nab Scar, Rydal Valley ve View near Rydal, Abbot Hall Art Gallery, Kendal bünyesinde bulunan bu sayfadaki 5 eser arasında yer almaktadır.

Frederic Yates reprodüksiyonu nereden satın alabilirim?Yanıtı göster

Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

Frederic Yates: biyografi

A Life Painted in Light: The Story of Frederic Yates

Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

Early Years and Artistic Training

The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

The Alluring Landscapes: A Romantic Vision

Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

Portraiture: Capturing Character and Dignity

Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
  • His use of light is particularly effective in portraiture,
  • softening features and creating a sense of intimacy.
  • He often employed a muted color palette,
  • allowing the sitter’s character to take center stage.

Legacy and Historical Significance

While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.