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Sir Thomas Egerton, 1st Viscount Brackley (1540-1617)
El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm
Orijinal boyutunda $520 99 × 123 cm Orijinal boyutunda sipariş verin →
Edward Wright ismini Sir Thomas Egerton, 1st Viscount Brackley (1540-1617) (1615) eseriyle duyuran bu tablo, Dunham Massey Hall bünyesinde sergilenmektedir. Katalogumuzdaki Edward Wright imzalı 2 eser arasından en çok beğenilen bu 2 eser; yapıldığı tarih, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte sunulmuştur.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Edward Wright Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Dunham Massey Hall |
2 | Sir Thomas Egerton, 1st Viscount Brackley (1540-1617), ‘Old Parr’, Thomas Parr (1483?-1635) (after British (English) School of around 1635) |
1615 ile 1734 yılları arasında, Edward Wright sanatının en seçkin tablolarıyla yıl yıl 120 yıllık serüveni.
Sir Thomas Egerton, 1st Viscount Brackley (1540-1617) (1615)
Kataloğumuz, Edward Wright tarafından 1615 ile 1734 tarihleri arasında üretilen 2 eseri listelemektedir.
Çoğu Dunham Massey Hall bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
Bu sayfadaki en eski eser Sir Thomas Egerton, 1st Viscount Brackley (1540-1617) (1615), en yeni eser ise ‘Old Parr’, Thomas Parr (1483?-1635) (after British (English) School of around 1635) (1734)'dir.
Sir Thomas Egerton, 1st Viscount Brackley (1540-1617) ve ‘Old Parr’, Thomas Parr (1483?-1635) (after British (English) School of around 1635), Dunham Massey Hall bünyesinde bulunan bu sayfadaki 2 eser arasında yer almaktadır.
Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
The brushwork of Edward Wright suggests a man accustomed to the stillness of a studio and the steady gaze of his subjects. His life, which concluded in 1773, was spent capturing the likenesses of those who held weight in their own time. There is a certain patience in his approach, a way of settling the light upon a face that speaks of long hours spent observing the subtle shifts in shadow and bone. He did not seek to transform his subjects, but rather to record them as they were, capturing the weight of their status and the quiet reality of their presence.
His work often finds its way into the halls of significant estates, such as Dunham Massey Hall, where his paintings have been held for generations. These works act as windows into the social fabric of the past, preserving the likenesses of figures like Sir Thomas Egerton, 1st Viscount Brackley. In these portraits, one sees the careful attention paid to the textures of fabric and the specific dignity of the sitter's posture.
The surviving records of his hand reveal a focus on the people who shaped the era. His output is characterized by a commitment to the portrait, a genre that requires both technical precision and a calm temperament. His catalog includes:
In the depiction of Thomas Parr, there is a connection to the British School of around 1635, showing how his work sits within a broader tradition of English portraiture. He worked with the materials of his time to ensure that the character of the individual remained the central focus of the canvas.
To look at a Wright portrait is to see the intersection of a man's life and the era he inhabited. His ability to render the likeness of a Viscount or a historical figure like Old Parr shows a steady hand and a clear eye. He remained a painter until the end of his life in 1773, leaving behind a collection of works that continue to reside in private and public collections, holding the likenesses of the past in a quiet, permanent grip.