Benjamin Greenleaf, 1769 – 1821

Benjamin Greenleaf Tabloları: En Ünlü 4 Eser, Sıralanmış

Benjamin Greenleaf'in en ünlü eseri, Washington, National Gallery of Art bünyesinde yer alan Lady in a White Mob Cap (1805)'dir. Portrait of Joseph Wiggins (1820) ve Portrait of J. L. (1818) ile birlikte, herkesin tanıdığı o üç eseri tamamlıyor. Kataloğumuz Benjamin Greenleaf tarafından üretilen 4 eseri listelemektedir; aşağıda yer alan 4 eser ise dünyanın en çok ilgi gösterdiği, her biri yapıldığı yıl, sergilendiği müze ve önemine dair bilgilerle birlikte sunulan seçkin parçalardır.

Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

Benjamin Greenleaf portresi
Benjamin Greenleaf · 1769 – 1821
Doğum · ölüm
1769 – 1821, Hull
Kataloğumuzdaki eserler
4
En ünlüları
Lady in a White Mob Cap (1805)
En çok eser şu müzede
National Gallery of Art

En ünlü 10 Benjamin Greenleaf tablosu

Benjamin Greenleaf'in tabloları nerede görülebilir

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 3 müze.

Müze Şehir Benjamin Greenleaf Eserleri Bu listedeki tablolar
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Lady in a White Mob Cap, Portrait of J. L.
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Portrait of Joseph Wiggins
Marsh-Billings-Rockefeller National Historical Park, WoodstockMarsh-Billings-Rockefeller National Historical Park Woodstock 1 Portrait of Mary French

Benjamin Greenleaf'in her on yıldıldan en ünlü tablosu

  1. 1800s
  2. 1810s
  3. 1820s

Benjamin Greenleaf'in tabloları hakkında sorular

Benjamin Greenleaf'in en ünlü tablosu hangisidir?Yanıtı göster

Lady in a White Mob Cap (1805), National Gallery of Art, Washington. Ardından Portrait of Joseph Wiggins (1820) ve Portrait of J. L. (1818) gelir.

Lady in a White Mob Cap eseri boyandığında Benjamin Greenleaf kaç yaşındaydı?Yanıtı göster

36 yaşında: Lady in a White Mob Cap 1805 yılına aittir ve Benjamin Greenleaf 1769 yılında doğmuştur.

Benjamin Greenleaf kaç adet tablo yaptı?Yanıtı göster

Kataloğumuz, Benjamin Greenleaf tarafından 1805 ile 1820 tarihleri arasında üretilen 4 eseri listelemektedir.

Benjamin Greenleaf'in en ünlü tabloları nerelerdedir?Yanıtı göster

Çoğu National Gallery of Art (Washington), Minneapolis Institute of Art (Minneapolis) ve Marsh-Billings-Rockefeller National Historical Park (Woodstock) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

Benjamin Greenleaf en ünlü eserlerini ne zaman yaptı?Yanıtı göster

1810s döneminde: Bu sayfadaki 4 eserin 2 tanesi o döneme aittir, bunlar arasında Portrait of J. L. bulunmaktadır.

Benjamin Greenleaf'in en eski ve en yeni ünlü tabloları hangileridir?Yanıtı göster

Bu sayfadaki en eski eser Lady in a White Mob Cap (1805), en yeni eser ise Portrait of Joseph Wiggins (1820)'dir.

National Gallery of Art bünyesinde hangi Benjamin Greenleaf tablolarını görebilirim?Yanıtı göster

Lady in a White Mob Cap ve Portrait of J. L., National Gallery of Art, Washington bünyesinde bulunan bu sayfadaki 2 eser arasında yer almaktadır.

Benjamin Greenleaf tablosunun bir reprodüksiyonunu satın alabilir miyim?Yanıtı göster

Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

Benjamin Greenleaf Hakkında

A Life Rediscovered: The Quiet Portraits of Benjamin Greenleaf

For many years, the name Benjamin Greenleaf was associated with a prominent American educator and textbook author. It wasn’t until 1981 that art historians established him as a distinct individual – a largely self-taught portraitist who quietly documented the lives of New Englanders during the late 18th and early 19th centuries. Born in Hull, Massachusetts on January 13, 1769, to Mary and John Greenleaf, his life initially appeared unremarkable. He attended Dartmouth College for a time but left before completing a degree, embarking instead on a career that would lead him through the burgeoning communities of New England, leaving behind a legacy not of scholarship, but of intimate visual records. His story is one of rediscovery, a testament to the enduring power of art to reveal hidden narratives and connect us with the past.

An Itinerant Artist: Travels Through New England

Greenleaf’s artistic journey was characterized by movement. Unlike artists anchored in major urban centers, he was an itinerant painter, traveling extensively throughout Massachusetts, New Hampshire, and Maine between 1803 and 1818. He worked in Weymouth, Hingham, Braintree, and Newton in his early years, before venturing north to Hanover and Hopkinton in New Hampshire. His travels culminated in Maine, where he painted portraits in Portland, Paris, Bath, Bridgton, and Phippsburg. This peripatetic lifestyle suggests a reliance on word-of-mouth for commissions rather than formal advertising – a testament to the close-knit nature of the communities he served. He married Abigail Greenleaf Rhoades of Dorchester, Massachusetts, in 1799, and while details about their personal life remain scarce, it’s likely her connections aided his travels and access to potential patrons. His subjects were often related through marriage or acquaintance, indicating a network built on trust and familiarity.

Technique and Style: Reverse Glass Painting and Intimate Likenesses

Greenleaf's artistic output is notable for its distinctive technique – reverse painting on glass. This demanding medium required the artist to work backwards, applying highlights first and building up layers of color from the back of the glass panel. The result is a luminous quality, with brushstrokes appearing remarkably smooth and colors possessing an unusual depth. While he occasionally worked in oil on canvas, the majority of his fifty-six documented works are executed on glass, often in profile format. His portraits aren’t grand statements; they are intimate likenesses, characterized by subtle coloring, well-proportioned features, and a keen attention to physiognomic accuracy. He possessed an ability to capture not just physical resemblance but also the personality of his sitters – their quiet dignity, their reserved composure, their individual character.

Rediscovery and Historical Significance

For decades, Greenleaf remained largely unknown outside of a small circle of collectors and local historians. The 1985 article in *The Clarion*, a folk art publication by Arthur and Sybil Kern, was pivotal in bringing his work to wider attention. Their research disentangled him from the educator of the same name and began to piece together the story of his life and career. While he may not have achieved widespread fame during his lifetime, Greenleaf’s portraits offer a valuable glimpse into the lives of ordinary New Englanders during a period of significant social and economic change. His work provides a counterpoint to the more formal portraiture of established artists, offering a more accessible and relatable vision of early American society. The fragility of glass as a medium undoubtedly contributed to the loss of many paintings, making those that survive all the more precious. Today, his works are held in institutions like the National Gallery of Art and the American Folk Art Museum, ensuring his legacy endures for generations to come. He died unexpectedly on January 10, 1821, in Weymouth, Massachusetts, succumbing to apoplexy, leaving behind a collection of portraits that continue to resonate with viewers seeking connection to the past.

A Lasting Impression

  • Quiet Dignity: Greenleaf’s portraits are not about ostentation or grandeur; they celebrate the quiet dignity and individuality of his sitters.
  • Reverse Glass Technique: His mastery of reverse glass painting sets him apart, creating a unique luminous quality in his work.
  • Regional Focus: He documented the lives of people in New England communities often overlooked by more prominent artists.
  • Intimate Records: His paintings offer valuable insights into the social and cultural landscape of early America.
Benjamin Greenleaf’s story is a reminder that artistic significance isn't always measured by fame or fortune. It lies in the ability to connect with viewers, to reveal hidden narratives, and to preserve the memory of those who came before us. His portraits are not merely representations of individuals; they are windows into a bygone era, offering a glimpse of lives lived, stories untold, and a quiet beauty that continues to captivate and inspire.