Basawan, 1560 – 1600

Basawan Tabloları: En Ünlü 13 Eser, Sıralanmış

Basawan'in en ünlü eseri, New York, Metropolitan Sanat Müzesi bünyesinde yer alan Mihrdukht aims her arrow at the ring (1570)'dir. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ve The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ile birlikte, herkesin tanıdığı o üç eseri tamamlıyor. Kataloğumuz Basawan tarafından üretilen 13 eseri listelemektedir; aşağıda yer alan 13 eser ise dünyanın en çok ilgi gösterdiği, her biri yapıldığı yıl, sergilendiği müze ve önemine dair bilgilerle birlikte sunulan seçkin parçalardır.

Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

Basawan portresi
Basawan · 1560 – 1600
Doğum · ölüm
1560 – 1600, Uttar Pradesh
Kataloğumuzdaki eserler
13
En ünlüları
Mihrdukht aims her arrow at the ring (1570)
En çok eser şu müzede
Cleveland Museum of Art

En ünlü 10 Basawan tablosu

Mihrdukht aims her arrow at the ring (1570) tarafından Basawan
1

Mihrdukht aims her arrow at the ring

1570 · Tempera · Metropolitan Sanat Müzesi, New York

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

El boyaması yağlı boya reprodüksiyon fiyatları $406 28 × 36 cm Orijinal boyutunda $484 52 × 68 cm Orijinal boyutunda sipariş verin →

Basawan, 11. - 13. tabloları

Basawan'in tabloları nerede görülebilir

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 6 müze.

Müze Şehir Basawan Eserleri Bu listedeki tablolar
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Metropolitan Sanat Müzesi, New YorkMetropolitan Sanat Müzesi New York 1 Mihrdukht aims her arrow at the ring
Victoria and Albert Museum, LondraVictoria and Albert Museum Londra 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
Şikago Sanat Enstitüsü, ChicagoŞikago Sanat Enstitüsü Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
San Diego Sanat Müzesi, San DiegoSan Diego Sanat Müzesi San Diego 1 The Virgin and Child
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

Basawan'in her on yıldıldan en ünlü tablosu

  1. 1570s
    Mihrdukht aims her arrow at the ring (1570) tarafından Basawan
    13 içinden 1.

    Mihrdukht aims her arrow at the ring

    Yaş 10 – 19 · Metropolitan Sanat Müzesi

    The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

  2. 1580s
  3. 1590s

Basawan'in tabloları hakkında sorular

Basawan'in en ünlü tablosu hangisidir?Yanıtı göster

Mihrdukht aims her arrow at the ring (1570), Metropolitan Sanat Müzesi, New York. Ardından The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ve The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) gelir.

Mihrdukht aims her arrow at the ring eseri boyandığında Basawan kaç yaşındaydı?Yanıtı göster

10 yaşında: Mihrdukht aims her arrow at the ring 1570 yılına aittir ve Basawan 1560 yılında doğmuştur.

Basawan tarafından yapılan en iyi 10 tablo hangileridir?Yanıtı göster

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) ve Page from Tales of a Parrot (Tuti-nama): text page. Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.

Basawan kaç adet tablo yaptı?Yanıtı göster

Kataloğumuz, Basawan tarafından 1570 ile 1596 tarihleri arasında üretilen 13 eseri listelemektedir.

Basawan'in en ünlü tabloları nerelerdedir?Yanıtı göster

Çoğu Cleveland Museum of Art (Cleveland), Metropolitan Sanat Müzesi (New York) ve Victoria and Albert Museum (Londra) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

Basawan en ünlü eserlerini ne zaman yaptı?Yanıtı göster

1590s döneminde: Bu sayfadaki 13 eserin 4 tanesi o döneme aittir, bunlar arasında Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer bulunmaktadır.

Basawan'in en eski ve en yeni ünlü tabloları hangileridir?Yanıtı göster

Bu sayfadaki en eski eser Mihrdukht aims her arrow at the ring (1570), en yeni eser ise The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596)'dir.

Cleveland Museum of Art bünyesinde hangi Basawan tablolarını görebilirim?Yanıtı göster

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night ve The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, Cleveland Museum of Art, Cleveland bünyesinde bulunan bu sayfadaki 8 eser arasında yer almaktadır.

Basawan tablosunun bir reprodüksiyonunu satın alabilir miyim?Yanıtı göster

Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

Basawan Hakkında

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.