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          Adèle Romany, 1769 – 1846

          Adèle Romany Sanatçısının En Ünlü 37 Tablosu

          Adèle Romany ismini duyuran tablo Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) eseridir; bu eser Washington, D.C., National Museum of Women in the Arts bünyesinde sergilenmektedir. Madame Coury, Duhamel Widow (1811) ve Portrait of a Young Woman (1804) ise koleksiyonerlerin ve müze ziyaretçilerinin kalbinde onları takip ediyor. Katalogumuzdaki Adèle Romany imzalı 39 eser arasından en çok beğenilen bu 37 eser; yapıldığı tarih, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte sunulmuştur.

          Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.

          Adèle Romany portresi
          Adèle Romany · 1769 – 1846
          Doğum · ölüm
          1769 – 1846, Paris
          Akım
          Neoclassicism
          Kataloğumuzdaki eserler
          39
          En ünlüları
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
          En çok eser şu müzede
          Library-museum of the Comédie-Française

          Adèle Romany: on başyapıt

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) tarafından Adèle Romany
          1

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

          1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

          The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

          El boyaması yağlı boya reprodüksiyon fiyatları $181 27 × 36 cm Orijinal boyutunda $525 97 × 128 cm Orijinal boyutunda sipariş verin →
          Evinize konuk edin Bu şaheseri keşfedin
          Madame Coury, Duhamel Widow (1811) tarafından Adèle Romany
          2

          Madame Coury, Duhamel Widow

          1811 · Oil On Canvas · Nationalmuseum, Stockholm

          In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

          El boyaması yağlı boya reprodüksiyon fiyatları $181 28 × 36 cm Orijinal boyutunda $470 90 × 117 cm Orijinal boyutunda sipariş verin →
          Bir reprodüksiyon sipariş edin Bu tablo hakkında
          Portrait of a Young Woman (1804) tarafından Adèle Romany
          3

          Portrait of a Young Woman

          1804 · Oil On Canvas · Musée Marmottan Monet, Paris

          The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

          El boyaması yağlı boya reprodüksiyon fiyatları $181 29 × 35 cm Orijinal boyutunda $245 51 × 61 cm Orijinal boyutunda sipariş verin →
          Bir reprodüksiyon sipariş edin Bu tablo hakkında

          11 ile 37 arası daha fazla Adèle Romany şaheseri

          Adèle Romany tarafından en çok resmedilen konular

          Bu şaheserler arasında en sık rastlanan dört konu ve her birinin en seçkin örneği.

          Woman 3 eser

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet

          Adèle Romany'in tabloları nerede görülebilir

          Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

          Müze Şehir Adèle Romany Eserleri Bu listedeki tablolar
          Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
          Versay Sarayı, VersayVersay Sarayı Versay 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
          Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
          National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
          Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
          Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
          Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
          Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

          Adèle Romany, on yıllara göre: her on yılın tanımlayıcı tablosu

          1. 1790s
          2. 1800s
            Portrait of a Young Woman (1804) tarafından Adèle Romany
            37 içinde #3

            Portrait of a Young Woman

            Yaş 31 – 40 · Musée Marmottan Monet

            The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

          3. 1810s
            Madame Coury, Duhamel Widow (1811) tarafından Adèle Romany
            37 içinde #2

            Madame Coury, Duhamel Widow

            Yaş 41 – 50 · Nationalmuseum

            In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

          4. 1830s

          Adèle Romany'in şaheserleri: soru ve cevaplar

          Adèle Romany en çok hangi tablosuyla tanınır?Yanıtı göster

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Ardından Madame Coury, Duhamel Widow (1811) ve Portrait of a Young Woman (1804) gelir.

          Adèle Romany, Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou eserini yaptığında kaç yaşındaydı?Yanıtı göster

          26 yaşında: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 yılına aittir ve Adèle Romany 1769 yılında doğmuştur.

          Adèle Romany sanatçısının en iyi on tablosu hangileridir?Yanıtı göster

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ve A young person hesitating to play the piano in front of her family. Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.

          Adèle Romany kaç eser yaptı?Yanıtı göster

          Kataloğumuz, Adèle Romany tarafından 1791 ile 1836 tarihleri arasında üretilen 39 eseri listelemektedir.

          Adèle Romany'in şaheserlerini hangi müzelerde görebilirim?Yanıtı göster

          Çoğu Library-museum of the Comédie-Française (Paris), Versay Sarayı (Versay) ve Museum of Fine Arts (Boston) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.

          Adèle Romany şaheserlerini ne zaman yaptı?Yanıtı göster

          1800s döneminde: Bu sayfadaki 37 eserin 13 tanesi o döneme aittir, bunlar arasında Portrait of a Young Woman bulunmaktadır.

          Adèle Romany isimli sanatçının ilk ve son ünlü tabloları nelerdir?Yanıtı göster

          Bu sayfadaki en eski eser Portrait of Julie Candeille (1791), en yeni eser ise Portrait of Voltaire (1836)'dir.

          Adèle Romany hangi tekniği tercih ediyordu?Yanıtı göster

          Oil On Canvas: Bu sayfadaki 37 eserin 2 tanesi.

          Adèle Romany hangi sanat akımına dahil?Yanıtı göster

          bu sayfadaki tabloların da gösterdiği gibi Neoclassicism,

          Adèle Romany tarafından yapılmış hangi şaheserler Library-museum of the Comédie-Française bünyesinde sergilenmektedir?Yanıtı göster

          Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ve Portrait of Fleury, Library-museum of the Comédie-Française, Paris bünyesinde bulunan bu sayfadaki 5 eser arasında yer almaktadır.

          Adèle Romany imzalı bir başyapıtın reprodüksiyonuna sahip olabilir miyim?Yanıtı göster

          Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.

          Adèle Romany'in hayatı

          Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

          Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

          Early Life and Artistic Training

          • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
          • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
          • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

          Artistic Style and Notable Works

          • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
          • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
          • Notable Works:
            • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
            • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
            • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
          • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

          Recognition and Historical Significance

          • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
          • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
          • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
          • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

          Legacy and Rediscovery

          Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

          Adèle Romany tarafından yapılan tüm 39 eser → Adèle Romany tabloları, fiyatlarıyla birlikte →