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Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention
El boyaması yağlı boya reprodüksiyon fiyatları $181 30 × 34 cm
Actouche ismini duyuran tablo Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789) eseridir; bu eser Paris, Carnavalet Müzesi bünyesinde sergilenmektedir. Katalogumuzdaki Actouche imzalı 1 eser arasından en çok beğenilen bu 1 eser; yapıldığı tarih, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte sunulmuştur.
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Kasım 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.
Bu sayfadaki tabloların en büyük kısmına ev sahipliği yapan müze.
| Müze | Şehir | Actouche Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Carnavalet Müzesi |
Paris | 1 | Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention |
Bu sayfadaki Actouche imzalı her tarihli şaheser 1789 yılına aittir: işte buradalar.
Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789)
39 yaşında: Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention 1789 yılına aittir ve Actouche 1750 yılında doğmuştur.
Kataloğumuz Actouche tarafından yapılmış 1 eseri listelemektedir.
Çoğu Carnavalet Müzesi (Paris) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
The life of Actouche remains a quiet presence in the annals of French painting. Born in France in 1750, he lived through a period of profound transformation, navigating a world that would soon be reshaped by revolution. While the grand movements of his era often claim the spotlight, his contribution is found in the intimate precision of the portrait, capturing the likenesses of those caught in the currents of history.
His work reflects the sensibilities of late eighteenth-century France, a time when the brush was used to document not just faces, but the very essence of social standing and political identity. He moved through a landscape of shifting allegiances, leaving behind a record of the individuals who defined his era.
Actouche’s artistic output is characterized by a focus on the individual. His technique sought to render the human form with a clarity that spoke to the dignity of his subjects. One of his most significant surviving works provides a window into the political tensions of the late 1780s.
His catalog includes notable subjects such as:
This specific work, dated 1789, offers a glimpse into the intersection of art and the political upheaval of the time. By painting a member of the Convention, Actouche placed his brush at the center of a changing world, documenting a figure of significant historical weight.
By the time of his death in 1800, the world Actouche had known was unrecognizable from the one into which he was born. He did not seek the loud acclaim of the academies, yet his presence is felt in the collections of Paris. His work resides in the Carnavalet Museum, preserved as a fragment of a vanished age. He remains a painter of the moment, a witness to the faces of a revolution, captured in oil and pigment.