Kilauea at Night (1888), Jules Tavernier tarafından yapılmış, Honolulu şehrindeki Honolulu Museum of Art koleksiyonunda bulunan en ünlü tablodur. Dry Creek (1881) ve Kilauea Fire Fountain (1884), dünyanın en iyi bildiği sonraki iki eserdir. Katalogumuzdaki Jules Tavernier adlı sanatçının 46 eseri arasından, koleksiyonerlerin ve müze ziyaretçilerinin en çok ilgi gösterdiği, yılı, sergilendiği müze ve hikayesiyle birlikte sunulan 46 eser şunlardır:
Her bir eser için yapılan aramalar, ziyaretler ve siparişlerin birleşimiyle oluşturulan popülerlik puanımıza göre sıralanmıştır. Ekim 2026 tarihinde güncellenmiştir. Bu sayfadaki her bir şaheser, seçtiğiniz boyutta müze kalitesinde, el yapımı yağlı boya reprodüksiyon veya sanat baskısı olarak sipariş edilebilir.
The night air seems to hold its breath in Kilauea at Night, a work by Jules Tavernier. This oil on canvas captures a specific, pulsing moment within the volcanic landscape of Hawaii. The scene unfolds with a raw energy that speaks to the untamed spirit of the islands. It is a vision of natural beauty, caught in the glow of geological power.
In this 1884 oil on canvas, we find ourselves standing at the edge of a profound geological event. The scene captures the intense heat of a volcanic eruption, where molten red lava surges from the earth into a darkened sky. Smoke and ash hang heavy in the air, obscuring the horizon and creating a sense of immense, suffocating power. It is a moment of pure, unbridled natural force, caught in…
Jules Tavernier's “Dance in a Subterranean Roundhouse at Clear Lake, California” isn’t merely a painting; it’s a portal. Painted in 1878 during a pivotal moment of cultural exchange and encroaching Western influence, this work offers an intimate, almost voyeuristic view into the sacred practices of the Elem Pomo people of Northern California. Tavernier, a French-born artist who embraced the American West with an adventurous spirit, was commissioned by Tiburcio Parrott,…
The Marin Sunset, Back of Petaluma is a breathtaking oil on canvas painting created by the renowned artist Jules Tavernier in 1882. This stunning piece of art is…
Bir reprodüksiyon sipariş edin from $181 →Bu şaheserler arasında en sık rastlanan dört konu ve her birinin en seçkin örneği.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Jules Tavernier Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Honolulu Museum of Art |
Honolulu | 8 | Kilauea at Night, Kilauea Fire Fountain, An Eruption, Hawaii |
 Metropolitan Sanat Müzesi |
New York | 2 | Dance in a Subterranean Roundhouse at Clear Lake, California, Dance in a Subterranean Roundhouse at Clear Lake, California |
 Isaacs Art Center |
Hawaii County | 2 | Kilauea Volcano and Rain Forest, Halema'uma'u Crater, Kilauea Volcano |
 Monterey State Historic Park |
California | 1 | A Dream (also known as Lady Fishing) |
 Russell-Cotes Art Gallery - Museum |
Bournemouth | 1 | The Crater of Kilauea, Island of Hawaii |
 American Museum of Western Art |
Colorado | 1 | Indian Encampment in the Desert |
 Museum of Art |
San Diego | 1 | Kilauea Caldera, Sandwich Islands |
 Gilcrease Museum |
Tulsa | 1 | Indian Village |
Jules Tavernier, 1871 ile 1889 yılları arasında, 19 yıl boyunca çalıştı: İşte en tanınmış tabloları aracılığıyla, bu uzun kariyerin yıl yıl dökümü.
Jules Tavernier's “Dance in a Subterranean Roundhouse at Clear Lake, California” isn’t merely a painting; it’s a portal. Painted in 1878 during a pivotal moment of cultural exchange…
In this 1884 oil on canvas, we find ourselves standing at the edge of a profound geological event. The scene captures the intense heat of a volcanic eruption,…
The night air seems to hold its breath in Kilauea at Night, a work by Jules Tavernier. This oil on canvas captures a specific, pulsing moment within the…
Kilauea at Night (1888), Honolulu Museum of Art, Honolulu. Ardından Dry Creek (1881) ve Kilauea Fire Fountain (1884) gelir.
44 yaşında: Kilauea at Night 1888 yılına aittir ve Jules Tavernier 1844 yılında doğmuştur.
Kilauea at Night, Dry Creek, Kilauea Fire Fountain, Dance in a Subterranean Roundhouse at Clear Lake, California, Fort Lee, Trading Post of J. S. Collins, Eagle Rock, An Emigrants' Boarding House in New York, In Wildwood Glen, Saucelito , California ve A Dream (also known as Lady Fishing). Yukarıdaki sıralama, her birinin yapıldığı yılı ve bulunduğu müzeyi göstermektedir.
Kataloğumuz, Jules Tavernier tarafından 1871 ile 1889 tarihleri arasında üretilen 46 eseri listelemektedir.
Çoğu Honolulu Museum of Art (Honolulu), Metropolitan Sanat Müzesi (New York) ve Isaacs Art Center (Hawaii County) bünyesinde bulunmaktadır. Yukarıdaki tablo müzeleri tek tek listelemektedir.
1886 döneminde: Bu sayfadaki 46 eserin 6 tanesi o döneme aittir, bunlar arasında Kilauea Caldera, Sandwich Islands bulunmaktadır.
Bu sayfadaki en eski eser Fort Lee (1871), en yeni eser ise A Sunset in Waioming (1889)'dir.
Bu sayfadaki 46 eser arasında Usa (4), Mountains (3) ve Landscape (3) yer almaktadır.
Oil On Canvas: Bu sayfadaki 46 eserin 2 tanesi.
Kilauea at Night, Kilauea Fire Fountain ve An Eruption, Hawaii, Honolulu Museum of Art, Honolulu bünyesinde bulunan bu sayfadaki 8 eser arasında yer almaktadır.
Evet. Bu sayfadaki her tablo, tablonun kendi sayfasından seçtiğiniz boyutta, müze kalitesinde, el yapımı bir yağlı boya reprodüksiyon veya bir sanat baskısı olarak sipariş edilebilir.
Born in Paris, France, Jules Tavernier was a man whose life was as much a journey of exploration as it was a pursuit of aesthetic mastery. Trained under the French painter Félix-Joseph Barrias, his early years were steeped in the classical traditions of Europe, yet his spirit was far too restless to be confined by the salons of Paris alone. After experiencing the turbulence of the Franco-Prussian War, Tavernier’s path took him through London and eventually across the Atlantic, where he would find a new canvas in the vast, untamed landscapes of the American West. As a painter, draftsman, and illustrator, he possessed a unique ability to translate the raw energy of the natural world into evocative works of art.
His career was defined by an adventurous spirit that led him from the rugged frontiers of California to the volcanic heart of Hawaii. In the United States, his talent caught the attention of major institutions; notably, his work as an illustrator for Harper's Magazine allowed him to document the American frontier during a year-long sketching tour of the coast. This period of travel was instrumental in shaping his vision, as he captured the essence of Native American themes and pastoral scenes that were then being transformed by westward expansion.
Tavernier is perhaps most celebrated for his association with Hawaii’s Volcano School, a movement characterized by its intense focus on the dramatic geological phenomena of the islands. His time in Hawaii allowed him to witness and record the terrifying beauty of volcanic eruptions, a subject he treated with profound technical skill. In masterpieces such as Kilauea Fire Fountain, Tavernier utilized bold brushstrokes and a vibrant palette to convey the heat and power of flowing lava against darkened, ash-filled skies. His technique often involved thick layers of oil paint, creating a sense of three-dimensional depth that made the molten landscapes appear almost tangible to the viewer.
Beyond the volcanic landscapes, his work also served as a vital historical record of cultural encounters. In pieces like Dance in a Subterranean Roundhouse at Clear Lake, California, he demonstrated a masterful command of chiaroscuro, using stark contrasts between light and shadow to illuminate the sacred rituals of the Elem Pomo people. Through his use of earthy tones punctuated by flashes of red and ochre, he captured not just a scene, but an atmosphere of mystery and reverence. His ability to blend the ethnographic with the atmospheric ensured that his paintings functioned as both fine art and poignant meditations on tradition and change.
The significance of Jules Tavernier lies in his role as a visual bridge between the Old World and the New. He brought the refined training of French academic art to the wild, burgeoning landscapes of the American West and the Pacific. His work remains a vital window into a period of intense cultural exchange and environmental awe. Whether capturing the serene sunset over Marin or the subterranean shadows of a California roundhouse, Tavernier’s legacy is one of profound observation and an enduring passion for the sublime power of the natural world.