The painting that made Raquel Forner famous is Retablo del dolor (1942); it hangs in the National Museum of Fine Arts, Buenos Aires. El drama (1942) and Untitled (342) follow it in the hearts of collectors and museum visitors. Of the 30 works by Raquel Forner in our catalogue, these 30 are the most admired, each presented with its date, its museum and what sets it apart.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026.
The four subjects that return most often among these masterpieces, with the finest example of each.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Raquel Forner | Målningar från denna lista |
|---|---|---|---|
 National Museum of Fine Arts |
Buenos Aires | 6 | Retablo del dolor, El drama, Composición |
Retablo del dolor (1942), National Museum of Fine Arts, Buenos Aires. Next come El drama (1942) and Untitled (342).
40 years old: Retablo del dolor dates from 1942 and Raquel Forner was born in 1902.
Retablo del dolor, El drama, Untitled (342), Untitled (282), Untitled (104), Untitled (352), Untitled (563), Untitled (937), Untitled (954) och Untitled (995). The ranking above gives the year and the museum of each.
Our catalogue lists 30 works by Raquel Forner, dated from 1934 to 1979.
Most of them are in National Museum of Fine Arts (Buenos Aires). The table above lists the museums one by one.
In 1940s: 2 of the 30 works on this page date from then, among them Retablo del dolor.
The earliest on this page is Composición (1934), the latest Futuro acontecer (1979).
Female figure (2) och Surreal landscape (2), among the 30 works on this page.
Expressionism och Surrealism, as the paintings on this page show.
Retablo del dolor, El drama och Composición are among the 6 works on this page held by the National Museum of Fine Arts, Buenos Aires.
Raquel Forner (1902–1988) stands as a monumental figure in the landscape of Latin American modernism, an artist whose brushstrokes did not merely capture light, but rather channeled the profound tremors of a century defined by upheaval. Born in Buenos Aires to a family of Basque heritage, Forner’s artistic consciousness was ignited at the tender age of thirteen during a transformative journey to Spain. This early encounter with the Iberian landscape and its cultural depth planted the seeds for a lifelong preoccupation with themes of identity, struggle, and the human condition. Her formal training at the Academia Nacional de Bellas Artes provided her with a rigorous technical foundation, yet it was her restless spirit that would eventually lead her far beyond the confines of traditional academicism.
The trajectory of Forner’s career was irrevocably shaped by her immersion in the vibrant, avant-garde atmosphere of interwar Europe. Moving to Paris in the late 1920s, she became a vital participant in the "Paris Group," a collective of Argentine artists who sought to bridge the gap between South American sensibilities and European innovation. In the studios of France, she forged deep intellectual and personal bonds with luminaries such as Antonio Berni and Horacio Butler, and married the esteemed sculptor Alfredo Bigatti. These years were not merely about stylistic refinement; they were a period of intense cross-pollination where the echoes of Surrealism and Expressionism began to coalesce within her work, creating a visual language that was uniquely her own.
As the shadows of global conflict lengthened across the 1930s and 40s, Forner’s art transitioned from personal exploration to a searing commentary on socio-political tragedy. The Spanish Civil War, in particular, left an indelible mark on her psyche, manifesting in powerful series such as España and El Drama. In these works, she moved away from the dreamlike distortions of pure Surrealism toward a more visceral, Expressionist mode of communication. Her canvases became battlegrounds of emotion, where thick, tactile impasto and jagged, angular forms served to mirror the fragmentation of a world at war. She utilized symbolism not as mere decoration, but as a profound tool to articulate the despair, loss, and resilience of humanity in the face of fascism and destruction.
Yet, Forner’s vision was never confined to the terrestrial tragedies of her era. One of her most breathtaking contributions to modern art was her "Space Series," a collection that demonstrated an extraordinary foresight into the possibilities of interplanetary travel. In these works, she blended the cosmic with the psychological, creating vast, enigmatic landscapes that contemplated the infinite. This duality—the ability to pivot from the raw, blood-stained realities of war to the silent, awe-inspiring reaches of the cosmos—is what defines her greatness. Her art functioned as a bridge between the immediate agony of the human experience and the eternal mysteries of the universe.
Throughout her long and illustrious career, Raquel Forner achieved significant recognition that solidified her place in the pantheon of great twentieth-century artists. Her accolades were numerous, including prestigious awards from the Argentine National Salon and the Konex Awards, reflecting both domestic respect and international relevance. Her ability to navigate the complexities of being a woman artist in a male-dominated era allowed her to pioneer a space where female figures could embody strength, trauma, and cosmic agency.
The enduring significance of Forner’s work lies in its profound emotional honesty. To look upon a Forner painting is to witness a dialogue between the individual and history. Her legacy is characterized by several key artistic pillars:
Today, Raquel Forner remains a cornerstone of Argentine art history, an artist whose work continues to resonate with anyone seeking to understand the intersection of personal memory and global destiny.
